I miss singing every day. I can't sing anymore. My voice doesn't work. I have Parkinson's disease, and it sometimes takes my words away from me.

Temperament and tightness often go together. But if you're tight, you can't sing. So I have to have that tension in my body but not in my voice.

Musical theater is great; you get painted up, you get to play princesses and witches, and you sing. The joy alone of that can really carry a lot.

The most famous rumor for me is that I had throat cancer. I never had throat cancer... I don't know why that started... The way I sing, probably.

I do a so-called trip into myself: I sit down at the piano and the melody might start to evolve from my playing or then I might start to sing it.

I discovered at the age of five that I could sing, and I realised people liked it. The sound that came out made people happy, so I kept doing it.

I'm a singer and as long as I can sing - which, thank God, is something that I still seem to be able to do - I'd like to carry on making records.

To write lyrics and sing stuff used to be a real chore for me, especially before this 'Diamond Eyes' record. I was spending years making records.

No, I never sing in the bath. In fact, I've never even practised singing. I would only ever sing indoors if I had to learn a song with my pianist.

I love pouring my heart out. People don't want to hear you whine when you're with friends, so you can sing about it instead - it's the best outlet.

And my singing, I don't think I could sing Wagner or opera, but I could probably carry a tune. I was in a musical once, but it was never performed.

I don't sing professionally; I sing because people who make my films want me to sing. So, as long as they want me to croon in the film, I will sing.

When I sing, it's the most solitary state: just me, and the microphone, and the holy spirit. It's not about notes or scales, it's all about emotion.

Everyone should dance. And everyone should sing. People say, 'Well, I can't sing.' Everybody can sing. That you do it badly is no reason not to sing.

I don't know, I feel desperate when I sing. And I look desperate - it feels like I'm singing for my life, which makes me twitch, if that makes sense.

If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.

I'm an 'in the shower' or 'in the booth' kind of singer. I can sing, but I need either nobody to be able to hear me, or for me to be able to redo it.

I don't add any deliberate nuances to the way I sing. I've seen so much and been all over the world, but I'm glued to my roots, and that comes across.

I grew up in a musical family; the majority of my growing up was done in Hawaii. It's what we do. You sing, you dance, you play ukulele and you drink.

When I first used Auto-Tune, I never used it to sing. I wasn't using it the way T-Pain was. I used it to rap because it makes my voice sound grittier.

I wouldn't be able to write a song like 'Someone Like You' and get someone else to sing it because it's so personal. It's like giving away your heart.

I used to sing in church, too. Not like in the choir or anything, but for people around the church... on the church bus going home and Christmas plays.

I'm the interpreter. I'm the one who takes your words and brings them to life. I was trained to sing and dance and laugh, and that's what I want to do.

It's really hard for me to sing and play bass. Unless you're singing something that's kind of in rhythm with the bass, the melodies, it's just difficult.

Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?

When something happens in Africa, an artist will sing about it and stuff. We have all the records; we have everything. Free Mandela records and all that.

I sing because I love it. People may come to my shows because they are curious about 'Wonder Woman' but I hope they return because they enjoy my singing.

I always knew I couldn't sing, but I also knew I had a voice that isn't heard by many, and that I could learn how to stretch it and make songs sound good.

Singing is something that I'm always happy to do it and going in the studio I never felt any pressure. I just feel like I get to sing, you know. It's fun.

You have singers that are trained, and then you have natural singers: people that, in my opinion, were just born to sing. And hopefully, I am one of them.

I would give anything to sing like Beyonce or Adele. I've said many times to my friends that if I could sing like them, I would give up poetry and writing.

Sometimes when you sing someone else's song over and over again or songs that have been given to you, you're afraid to go out there and write one yourself.

Many times, the way I write my themes or melodies is that I hear it, and then I sing into my phone or something, or I'll scribble down on a piece of paper.

An aged man is but a paltry thing, a tattered coat upon a stick, unless soul clap its hands and sing, and louder sing for every tatter in its mortal dress.

Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.

Would you believe that Sammy Davis, Jr. taught me how to sing a ballad? 'You can be in an arena,' he said, 'and you should be able to hold their attention.'

You put a song on the record or on tape and you stop singing it. You just don't sit around and sing it anymore unless you're performing. That's kind of sad.

Tum Tak' is a beautiful thought and is a rhythmic expression. It's been composed beautifully. It may sound easy but is difficult to attempt or sing it live.

People often ask me why I sing with a strong Irish accent. I suppose when I was five years old, I spoke with a strong Irish accent, so I sang with one, too.

Lou Reed is something like a personal favorite of mine, but you could always put me into that drawer of singers who can't really sing, who speak their songs.

I sing 'I Have Confidence' from 'The Sound of Music' as Judy Garland, Celine Dion, Britney Spears, Elaine Stritch and Julie Andrews - each alternating lines.

I always wanted a guitar. I always wanted to be a cowboy singer because I also listened to Hank Williams, and he would always sing these neat romantic songs.

I was excited to get the opportunity to sing something in a movie 'cause I love musicals and I would love to be able to do more movie musicals, in the future.

I've been singing since I could talk, pretty much. My dad was really musical and taught me how to sing harmonies and got me a karaoke machine with tape decks.

Bonnaroo is the most significant festival in the country. I can sometimes just get caught up in the moment and listening and say, 'Oops, I gotta go sing now.'

When I sing, I don't want them to see that my face is black. I don't want them to see that my face is white. I want them to see my soul. And that is colorless.

A bell's not a bell 'til you ring it, A song's not a song 'til you sing it, Love in your heart wasn't put there to stay, Love isn't love 'til you give it away!

I've had a wordless phase, and that's still not entirely over: what I sing is not always literally meant that way, and you can hear that in the way it is sung.

When I first started to sing, people automatically asked what Barbi Benton was doing behind a microphone, and I'm determined to show them there is talent here.

I used to sing classical music to the flowers in the garden and imagine they were all different parts of the orchestra. It used to really annoy the neighbours.

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