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For me, it's always been a financial kind of scenario. I was actually the first one who signed the 'exclusive to Ring of Honor' contract. I was the first guy who ever signed one of those contracts. That was tough for me because I had no one to talk to. I had no examples to go on. I was the guinea pig.
Each quarter, Indian IT firms publish their results, and these are broadcast on CNBC. From the comfort of their boardrooms, executives say how many new employees have been added, how many more Fortune 500 companies have been signed up as clients, how many million-dollar companies were added, and so on.
I ended up performing one time at BET. I performed my record, like, four times, and the crowd was going super crazy. And Busta just happened to be there; he pulled me to the side and asked, 'Are you signed to anybody?' So we went to the studio a few days later, spoke, and then became business partners.
I signed 'Iss Pyaar Ko Kya Naam Doon' only for a year. But the producer requested me to stay on, as the show had just started to make money. I carried on, and in the process, the character became very popular. When I finally gave up, changing the actor for that character was difficult, so the show ended.
I really don't like to tweet or Instagram anything about the people in my life just because I feel like I signed up for this, and I don't even know what this is yet. I do know that it could go anywhere, and I really don't want to sign other people in my life up for it without their permission or consent.
I've just become obsessed with ballroom dancing. I signed up for the introductory course, which was like a four-week thing. By the end of it, I was hooked. I love it. It's sort of flirty, but it's not sexual. I can't quit until I've got it down and I can really dance. I'm there four or five times a week.
So I called and said, 'Mommy, I'm doing a political film with Jean-Luc Godard. You have to come and sign the contract.' She thought I was lying, so she hung up the phone. But then she came the next day, even though she had never taken an airplane in her life. She came to Paris and she signed my contract.
Through our long career we never got to work together until 2013 when we signed 'Club 60.' Until then I always liked him from afar. I knew Farooque Sahab was a decent person, a warm person, but it was only after I met him during this shoot that I realized what an enormously nice and genuine person he was.
Oprah is signed on to help, and a lot of celebrity friends have agreed to help me raise money for Make-A-Wish. We want to make the world a better place for innocent children. I cried my heart out when my father died from cancer. I wish I was smarter, wiser like a doctor, to save these children from dying.
The first bill that President Obama signed into law was the Lilly Ledbetter Fair Pay Act. I think it says something about his priorities that the first bill he put his name on has my name on it too. As he said that day with me by his side, 'Making our economy work means making sure it works for everyone.'
As anchorman of the CBS Evening News, I signed off my nightly broadcasts for nearly two decades with a simple statement: 'And that's the way it is.' To me, that encapsulates the newsman's highest ideal: to report the facts as he sees them, without regard for the consequences or controversy that may ensue.
As I look back on the day I signed my professional contract in 1973, I've never gone to sleep wondering if I could pay the bills or take care of my family. That's what basketball has done for me. It's given me the greatest of thrills from high school to college to the Olympics to coaching to broadcasting.
Sir Alex Ferguson sent me a letter wishing me good luck before my fight with Floyd Mayweather Jr. He also sent me a United shirt, signed by all of the players. It was a really nice touch and typical of the man who has always made himself available to managers in this country whenever they've needed advice.
I was actually signed at a very young age - I was 12 - and one thing led to another, and I ended up in a mutual split from the label. But it was probably the best thing that could have ever happened, because I was able to kind of leave the industry side of it for a minute and focus on the independent side.
I'm proud that I've even had a career, but 'proud' isn't the first word I'd use. I feel lucky that I moved to Manchester when I was 12 because I don't think I could have done this in Ireland. And I feel lucky that the government took care of me from the age of 16 to when I signed my first record deal at 19.
My father is a real idealist, and he's all about learning. If I asked for a pair of Nikes growing up, it was just a resounding 'No.' But if I asked for a saxophone, one would appear and next day and I'd be signed up for lessons. So anything to do with education or learning, my father would spare no expense.
Finding original source material is not easy, but when something special like 'Edge of Tomorrow' comes along, everybody recognized it. I wasn't swimming against the stream. Warner Brothers immediately supported it, Tom Cruise signed on instantly; Emily Blunt, who was our first choice, signed on immediately.
When I signed with Scooter Braun and I decided to go overseas to promote my song, the only concern was how should I communicate with the public and the audience with my language. Scooter and I talked a lot about that: should we translate or not? Finally we didn't, and I think that was a really good decision.
One moment that changed my mentality was the first time I went to Mali when I was six. Soon after that trip, Barcelona signed me, but when I was there I saw children like me, six years old, who didn't have shoes, while I had the opportunity to fulfil my dream. It shocked me. I was six and I didn't understand.
I was at Watford and got a knock-back when I was 16 and didn't get a YTS contract. They said I could find another club or go in and train three times a week after school. I'd been there since I was 10, so I got my head down and proved them wrong. Within a year, they had signed me up, and I haven't looked back.
I'm in Ring of Honor about four years. I was cast as The Sicilian Psychopath there and right from the start one thing that felt weird where I got signed after a tryout because Jim Cornette saw me and 'Delirious' Hunter Johnston and they really liked my promo. The match was fine, but they really liked my promo.
My first and only experience in baseball, the coach signed me up; he didn't tell me there's a thing called the curveball. I didn't know that. So the ball's coming at me and I start backing out, and then it broke inside. And the umpire says, 'Strike one!' And I'm saying, 'How is that a strike? It almost hit me!'
Later on, when I signed with Sony, we wanted to re-release 'Fade' as 'Faded' with a brand new mix and with vocals by Iselin Solheim. I think Iselin was the first person who sung demo vocals for 'Faded.' And it worked out great! The way I got in touch with Iselin was through a guy that I work with in the studio.
When I was training before I was even signed, I was listening to the Damian Marley CD 'Welcome to Jamrock,' and I got the idea one day in promo class to cut a promo in a Jamaican accent and everybody in the class went wild. That was the character I played from that point on and it kind of stuck until it didn't.
The way we need to view aid is as a fulfillment of rights, and Mexico, as other countries around the world, have agreed and signed the Universal Declaration of Human Rights and the covenants of Human Rights and that includes the right to food, the right to water, the right to housing and the right to education.
What's funny is my mom took me to the theater for the first time when I was six years old, and I was just amazed by it. I just said, 'Hey Mom, can I do this too?' And so she signed me up for little theater classes, and I remember my first audition for a play when I was seven years old was for 'The Thankful Elf.'
We didn't tell anyone we had gotten signed, because people can freak out a little. But we started working with writers. I remember that I missed three to four days of school every single week, and people were, like, 'Where are you?', but I couldn't say anything, because we'd talked about keeping it to ourselves.
I was always prepared for my 'Fringe' journey to end immediately. I had only signed up for a guest role but they kept bringing me back in the third season as a recurring character. So pretty much every time I went to film a 'Fringe' episode I kind of said goodbye to the show, but then they kept bringing me back.
I remember Yash Chopra ji had called me for a narration. I was preoccupied with other films and couldn't take up the offer as many of the projects I had signed on were already on floors and filmmakers were fighting for my dates. Well, the film was 'Darr,' which later went to Shah Rukh Khan and shaped his career.
Sammy Sosa? Everybody knew who Sammy was, paid attention to Sammy. I had already signed in pro ball when he had the great homer year with Mark McGwire in '98. But I followed it, and I was proud of him because he was my countryman. There are a lot of great ballplayers from the Dominican, and he's one of the best.
There was an obvious display of blatant sexism when I couldn't get signed. They didn't say I was ugly. They didn't say that they didn't like the music. They said I was too old! At 26! So Badly Drawn Boy, Doves, Elbow, James Blunt - you can be a gnarly old beardy bloke with a bit of a paunch and that's all right?
Honestly, I was a troublemaker. The environment I grew up in, my mom and my sister, they decided they were going to sign me up in every single thing to keep me busy. I played football, basketball, baseball. Anything, whatever was in season, I was signed up for it. Basketball was one of the things that just stuck.
If you become their property it is much clearer for you, for the club, for everything. It was a great experience to play in three different teams, different leagues, different experiences, but if I wanted to improve I had to break this cycle and make my own way. That's why I signed this contract to come to Stoke.
Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about it. Those four bands were pretty much the only ones from that milieu that had signed to a major.
We saw that our customers required help beyond the data sets they had and that they could benefit from a wider opinion. So we built SurveyMonkey Audience, and we've now got 4 million users who signed up to take surveys. Our clients can choose the demographic they want to hear from, and we can provide that sample.
People feel that the EU is heading in a direction that they never signed up to. They resent the interference in our national life by what they see as unnecessary rules and regulation. And they wonder what the point of it all is. Put simply, many ask 'why can't we just have what we voted to join - a common market?'
It seems that for all of the artists signed to a major, there exists the same amount of artists that are struggling to break through to the surface within the label. I think, ideally, we'd end up with a very well connected competent indie team that will be along with us for the ride, however long that ride may be.
We'd been on Geffen for a long time, and I think we felt that we needed a change. I just don't think we felt very close to the people at the label after all this time or that they understood what we were trying to do. I don't have any regrets, because at the time we signed with Geffen, it was the right thing to do.
My first book was signed up when I was 13, and I've been writing ever since. But penning the 'Halo' series has been so much more rewarding than I ever expected. For three years, from the age of 16 to 19, I poured my life, my experiences, and a love for the supernatural that dates back to childhood into these books.
I first learned about kicking under pressure in 1996, my rookie year with the Patriots. I was signed as a free agent by a team that already had Matt Bahr, one of the best kickers around. To win the job, I had to show coach Bill Parcells that I could make kicks when they counted. That process started in training camp.
I grew up playing sports, so I think of what it would be like to be in the NBA if you were a great player when Michael Jordan was playing. You could've been a phenomenal player, but you're in the Jordan era. That's the unfortunate thing about the competitive nature of entertainment. But we know what we signed up for.
A year before I met Mark Brydon - he was the one I used to make all the music with in Moloko - I was living in Sheffield with a guy who was studying architecture. I used to go to his college and crash the lectures there. I had enrolled to do a fine art course, but then I met Mark, and we signed a record deal instead.
We have held forums here at the White House on workplace flexibility, and the first major bill signed into law by President Obama was the Lilly Ledbetter Fair Pay Act. Lilly was here a few weeks ago because we were trying very hard to push paycheck fairness through the Congress. Unfortunately, we fell two votes short.
Growing up in Canada, none of my family were performers or anything like that, but I was terrible at hockey, so they needed something for me to do on Saturdays for me to get out of the house. I signed up for theater school on Saturdays, and I'd go for four-and-a-half hours every Saturday morning and learn about theater.
I've never had a particular skill. I can't cook, dance, play an instrument, speak a foreign language. This used to worry me. I'd think, when I'm grown up, at 18, then I made it 21, it will be clear what role I should have in life. It never happened. I never signed on the dotted line as the sort of adult my father wanted.
In 1967, I signed up for the Army, where I earned an equivalency diploma, then went on to join the Special Forces. That was really was the turning point in my life. I became more disciplined and focused. I went overseas and was in combat, got wounded a couple of times, lost a lot of good friends but matured a great deal.
I've gone through many phases in music in my life. Before I was signed, I was making completely different music, and my fan base has followed me. They continue to follow me as the music progresses and as I grow as an artist. As long as I stay true and don't pretend to be someone I'm not, I hope they'll come along with it.
The real estate lobby has prominent allies in both parties. After the last major overhaul of the tax code, in 1986 - under a Republican president, Ronald Reagan, a Republican Senate and a Democratic House - it was a Democrat, Bill Clinton, who signed legislation that restored lost real estate tax breaks seven years later.
The Democrats co-opted the credit for the Civil Rights Act of 1964. But if you go back and look at the history, a larger percentage of Republicans voted for that than did Democrats. But a Democrat president signed it, so they co-opted credit for having passed the Civil Rights Act of 1964 and the Voting Rights Act of 1965.
Guys like Jack Lanza, Pat Patterson, Bruce Pritchard, Tom Pritchard - those guys all helped me get a tryout. And I'd never been in the ring, so they went on a lot of faith and signed me and thought that they could help mold me into a WWE superstar. And now I'm glad they did, because that was a big turning point in my life.