Quotes of All Topics . Occasions . Authors
I've learned through experience that you can't ever predict what's going to happen with any show. When I signed on to 'Ugly Betty,' I just prayed that I wouldn't get fired after the pilot, and four years later, I was still doing it.
The Emancipation Proclamation, signed by President Abraham Lincoln, was put into effect on January 1, 1863, but news of the Proclamation and enforcement did not reach Texas until after the end of the Civil War almost two years later.
I've been dancing since the age of two. I don't really remember it, because I was little, but my mom signed me up and would put me in cute costumes. A lot of little girls get into dancing, but I loved it so much that I kept doing it.
It was funny because on the day that I joined the club, the newspaper that broke the news was one that people don't always trust or believe. Then, when I signed, and there were pictures of me and Sir Alex Ferguson, people believed it.
Even in something surreal like 'Father Ted,' everything has to logically follow, everything has to lead one to another. The moment the logic of a situation doesn't work then you might as well not bother because people have signed out.
Kai was always dead and gone. That was always the plan. That was the plan when I signed on for the role. That was the plan once I was talking to Julie when the role was coming to a close. It was always, 'He dies and is actually gone.'
They told me that they are starting a classic label, and wanted me to be the first artist. So I signed, and am producing myself, and writing my own music, but I'm their first artist on their classic label. And I have creative control.
I signed schoolboy forms for Watford when I was 12, but then my parents got divorced, and I never kicked a ball for three years. I rebelled, I left home, but getting back into football sorted me out. It was the second chance I needed.
Commercial success still hasn't come to an artist that isn't signed to a record label. There are very few artists that can succeed without the help of a record label. The role of the record label is still required, it's still necessary.
I'm delighted to have signed for such an ambitious club as Hampshire. I'm very much looking forward to my first taste of county cricket. It's also an honour to follow other Bajans like Malcolm Marshall and Gordon Greenidge to Hampshire.
The international community and Israel have the same opinion regarding the Hamas government. We don't say we are going to boycott it forever. We say the Hamas government must abide by the obligations the Palestinian Authority has signed.
I started touring a little bit in 1973 in support of a record I made for an independent label. In 1975, when I signed with Warner Bros., where I remained happily ensconced for the next 24 years, my touring activity increased considerably.
I was signed by L.A. Reid on Arista Records when I was 16. He understood me and believed in me. Arista folded and I got put on RCA or whatever, then there were new people there, and every six months it changes and more new people come in.
My dad's father would take me to WWE shows when I was younger, and my other grandfather, my mom's dad, would watch wrestling with me at the house. They just really enjoyed it. Unfortunately, they both passed away before I signed with WWE.
When we first signed to Loud, we had a 20-song demo. So all of those songs we wanted to put on the album. But we started making new ones, and through process of elimination, we wanted all the new ones. We didn't like the old ones no more.
The Declaration on Strategic Partnership between India and Russia signed in October 2000 became a truly historic step. The developments in the first decade of the 21 century confirmed that it was a particularly significant and timely step.
But so far, you know who's been violating the nuclear nonproliferation pact day and night? Those who signed it. Iran, Iraq, Libya and Iran violates it while calling for Israel's destruction and racing to develop atomic weapons to that end.
My years with Aretha Franklin have been very special, as were the years making records with Dionne Warwick. Other highlights include working with Janis Joplin, who was the first artist I ever signed, as well as Patti Smith and Alicia Keys.
It breaks my heart to see these young, really talented bands getting chewed up into the system. I remember a time if you'd signed to a major label it was such a sell out! But now... unless you've signed to a big label, you're a failure now.
In my family, there was one cardinal priority - education. College was not an option; it was mandatory. So even though we didn't have a lot of money, we made it work. I signed up for financial aid, Pell Grants, work study, anything I could.
I went to America on holiday when I was 17 and, before I knew it, I'd been signed up by an agency and had these obligations I didn't understand, but which I couldn't say no to. This industry chose me. But I did choose to make it fulfilling.
For new bands, I think a major label is the safest place to be. Independent labels are the ones getting away with murder. A lot of them are hobbyists who rip-off young bands, taking advantage of people who would never get signed to a major.
My tryout match for WWE was against Kofi. I was unsigned, and then I got signed by working the dark matches. I wrestled with Kofi in my first TV match at Deep South Wrestling. We've done single matches, tag matches, all the way to producing.
I got lucky with 'The Girlfriend Experience' in the sense that it was one season and was meant to be that way. When I signed on, they told me that every season is going to be a different girl. I was like, 'Sweet. If I hate it, then I'm out.'
I think Hallmark is doing this really exciting thing right now, where they buy a series of books, they're books for young adults, or adolescents, and they're really fun Agatha Christie-style mysteries. I actually signed on for three of them.
Then all this started to pick up because I signed with ForeFront when I was in seventh grade. It got a lot busier and I was traveling a lot and it wasn't making sense. Especially at a private school, you miss two days, and you get so behind.
CIA officers aren't idiots. They knew they were heading into deep water - legally and morally - when they signed up for the interrogation program. That's part of the agency's ethos - doing the hard jobs that other departments prudently avoid.
When I signed my contract to be in 'Grease 2,' my agent said, 'Well, she's going to have a number.' So I did! They wrote me a number where I was teaching Maxwell Caulfield how to be cool. It was called 'Cool Rider.' And it ain't in the movie.
'Galaxy Quest' was cool to work on. When I first signed on, I really didn't know anything about it. I read the script, which I though was cool, but it wasn't until I saw the designs for the CG stuff that I knew it was going to be pretty sweet.
In the early 1990s, I was signed as a singer to the same label as Robyn. She was in her early teens, and I was in my twenties, so we didn't hang out, but our paths crossed so many times that we slowly got to know each other and became friends.
Somebody saw me on 'Cheers' and thought that I was an actor playing a part as opposed to a guy just doing what he knew. And they gave me 'Night Court.' And by the time they realized I wasn't an actor, I had already signed a five-year contract.
From the first day I got signed to WWE, being the champion was always my number one goal, and after years of consistent hard work both mentally and physically, ups and downs, I was finally in that moment I had dreamt and thought about so much!
When we signed our deal in 1974, we'd already been together for six years. When they lowered the drinking age in Ontario in 1971 to 18 years, we went from playing two or three high schools in a month to playing clubs two or three times a week.
I love TV. I love being behind the scenes on a TV show but there's something about, I don't know there's something very special when you've signed an artist and that first record comes in and it's a good record. It is an indescribable feeling.
Four months after we released 'I Don't Want to Be Funny Anymore,' the album came out on EggHunt. Three months after that, we officially signed with Matador. That's not a very long time: half a year between the first flood and the final signing.
I have very purposely never signed up with commercial lecture agencies as most, I think, prominent historical authors do because, to me, that's a contradiction of who I believe I am given my absorption of the teaching of Martin Luther King, Jr.
When I was 21, I was in a pretty serious band, and we almost got signed - went to New York, showcased, all that - but didn't end up getting signed, and we broke up. I went back to the drawing board; I really took a hit from that whole experience.
The music that I've had out so far was obviously very pop, but when I signed with Hollywood Records, I was like, 'I know that's the music you're familiar with, but that's not what I want to sing. I want to do country.' They were on board with it!
Actually, as that first association continued, we got a little more legitimate. In those days, they asked Boy Scout troops to act as ushers during the football games. So we signed up and I went to many games in full Boy Scout uniform as an usher.
When I signed for Valencia, it wasn't the best moment of my football career because in the beginning, I was not playing a lot. But I remained calm, and I knew that if I trained well and played as I know, I'm sure I can get a place in the first XI.
Even though I knew my way around Facebook, Twitter terrified me. RT? OH? Hootsuite? Huh? My Twitter-savvy friends attempted to explain what a hashtag was, but, still mystified, I signed up for an online Twitter 101 class. Yes. I'm geeky like that.
When I signed that USL contract, my perspective changed on me being a professional footballer. That was my goal ever since I was young. I never thought I could achieve it, but that's when it clicked in my head that I can really go far in the sport.
When I was 19, I thought I wanted to be an English civil servant. It was the most exotic thing at the time - can you imagine, in the middle of the IRA bombing campaigns? I saw an ad inviting Irish applicants for an induction course, so I signed up.
I was 18, at art school, and saw this cute boy playing banjo. I was obsessed. I taught myself how to play. I listened to a lot of country and just messed around. The second song I wrote on the banjo was 'Good to Be a Man.' That what's got me signed.
My point was very simple, and it was that it is absolutely absurd for the United States of America to continue to urge us further down the line towards a federal superstate when the U.S. has not even signed up to the U.N. Convention on Human Rights.
Notts County were League Two and they had they great plans. Things were happening and I was like 'wow these guys are serious.' It was a mad season because we were flying private jets to game. It was all a farce and I had signed a five-year contract.
Because I was crazy and because my parents wanted me out of their hair, they put me in an all-day acting class... so they wouldn't have to deal with me, probably. And it just so happened there agents auditing the class, and I ended up getting signed.
One of the great things about the Fifties is there are so many secrets - people who've come back from the war and done these terrible things that they don't want to think about, or can't say what they did because they signed the Official Secrets Act.
When guys are in NXT - not me, but the guys who are signed to developmental deals that are there - they're setting up the ring. They're tearing it down. They're working every day at the PC. And it's arduous training, man. Those guys go through a lot.
It has been, after all, 11 years, more than a decade now, of defiance of U.N. resolutions by Saddam Hussein. Every obligation that he signed onto after the Gulf War, so that he would not be a threat to peace and security, he has ignored and flaunted.