I'm not Drake's sidekick.

The sidekick business has been good to me.

I think the sidekick makes the number one look good.

I'm Angelina Jolie's sidekick in 'Maleficent'. It's cool.

Joe is the hero and Sammy is the sidekick. That's how I feel about it.

I love being the sidekick. I'm pretty sure fans love seeing me that way.

I was my father's sidekick, in a way. He was a very dominant, forceful character.

I don't have a sidekick - no Ed McMahon. So when I go out there, I'm lonely. It's scary.

Queer black characters have been the sidekick for long enough. It's time for us to finally take the lead.

Growing up, usually when I saw a black female on television, she was either a broken character or sidekick.

I have a sidekick, Keith Robinson, who's very funny. I've known Keith for over 20 years; he's my best friend.

I was never the 'babe,' so I knew I'd never get those big roles. I'd always be the best friend or the quirky sidekick.

I'm one of three judges on 'MasterChef' with Gordon Ramsay, but I don't want my own show. I'm kind of used to the sidekick gig.

When I first started in this industry, my goal was to be some best friend. The sidekick. I thought that would be an accomplishment.

Usually when you're Asian and you're on set, you're the only Asian there. Either you're the token Asian or you're the Asian sidekick.

I always loved playing the sidekick, and that's what I expected - I didn't think I was pretty enough or diva enough to play the lead.

Quite often in comic book movies, very good actresses are relegated to being the girlfriend or the helper or the sidekick or something.

I wasn't, like, pretty enough to be the ingenue; I wasn't 'character' enough to be the goofball sidekick. I'm kind of ethnically ambiguous.

You have a lot more freedom when you're the sidekick - you can bring a lot more of your own flavor to the role, and you can get away with a lot more.

What I needed to do was carve out parts for me, roles for me that weren't just the sidekick, where I got to be the lead, because that's breaking through.

Even after 'Gangster' being a success, I was considered a B-grade actress and was a sidekick, even though I was good at what I did, and was jobless for two years.

I'm not interested in parts where they are looking for a good-looking guy. I want to be a weird little sidekick in a crazy comedy and then play like a dark drama or a thriller.

It's the story of an American who wants to become a dictator and goes to Europe with a sidekick to interview various Fascists to find out how the Nazis and Mussolini got into power.

I want to push that no matter what race you are, you're never just a sidekick or broken character. You're the main character, you're the funny character, you can be whatever you want.

If you want to do a talk show on network television, you're probably going to wind up having a desk and a band, wearing a suit, and having a sidekick. Audiences want to feel comfortable.

As an actor I'm part of a long line of character people you can take back to the silent movies. There's always the little guy who's the sidekick to the tall, good-looking guy who gets the girl.

I now understand how varied the world of cultivated rice is; that rice can play the lead or be a sidekick; that brown rice is as valuable as white; and that short-grain rice is the bee's knees.

Not by any means do I think that I'm The Rock or Mark Wahlberg. I understand that I'm not like them, being a leading guy, but I'm a great comedy sidekick, and, who knows, I can be in the X-Men or something.

Paul knew I could sing, write and play, and so he rang me. It knocked me sideways a little because I wasn't used to being a sidekick. That was the first time I'd been with a band with someone more famous than me.

It's very limited what women who look like me can do on television. You don't often see 'my type' on television unless she's a sidekick - certainly not a three-dimensional series regular who is pertinent to the plot.

I've written a detective series myself, set in an imaginary, and slightly futuristic, Chinese city. The novels have an extremely tenuous relationship with the real world, since the hero is the city's Hell and ends up with a sidekick who is a demon.

It's important for Asian American kids to see themselves in stories and to feel seen. They need to know that their stories are universal, too, that they, too, can fall in love in a teen movie. They don't have to be the sidekick; they can be the hero.

I am Brianna Hildebrand; I play 'Negasonic Teenage Warhead'. She is a 15 year old psychic - she reads the future - and she also is her own personal cannonball: she's a warhead. So she runs at things and explodes at them, and she's Colossus' sidekick.

I always felt sorry for the sidekick as a kid. They never got their due and it left a very bad taste in the mouth - they are defined by a subordinate relationship to someone else. I always felt like a bit of sidekick when I was a kid and it didn't feel fair.

I did a live late-night talk show called 'Creation Nation' with friends of mine. I had a sidekick and a band, and I wrote the whole thing. And it had the form of a late-night talk show, but we did it on stage because no one was giving me a TV show at the time.

I love to watch 'Hoarders.' My grandmother was a hoarder. My mother's on her way. I'm an electronics hoarder - I won't throw any out. I still have my first T-Mobile Sidekick... old VCRs in my garage. It scares me that I'm going to end up being buried under electronics.

I shouldn't say this, but I always love the sidekicks. I want to do a leading-lady role in a film - absolutely. But I find that a lot of times I get attracted to the sidekick role. They stand out a little more because they're quirkier, they're funnier, they're crazier.

We can now have action movies with two stars where one might be African American and one might be Asian American. One of them doesn't have to be white, and the other one doesn't have to be the ethnic sidekick. We're way over that. And I think it's happening in society, too.

TV deals in very broad strokes. Like, 'Oh, that's my dumb friend', or, 'That's my funny friend.' A true best friend, a sidekick, has to be a little deeper then that. You have to feel like there's nothing either character won't do. That someone really, really has their back.

The protagonist in 'Winter's Bone' was a really good role for a female. She was strong; she didn't have to conform to something or be a sidekick to any man. That's part of what you're responding to; it's a woman-centric situation. Her value in the film was not reliant on any man.

When you learn about stories in school, you get it backward. You start to think 'Oh, the reason these things are in stories is because a book said I need to put these things in there.' You need a death, as my husband says, and you need a little sidekick with a saying like 'Skivel-dee-doo!'

I remember my agent at ICM at the beginning of my career telling me that I wasn't pretty enough, that I was always going to be a quirky sidekick. And he was an ogre of a man. He should have been carrying a torch. If he was in a bar, he couldn't have come near me, and then he was deciding my fate.

If you're into a leather-jacketed crime fighter and his artificially intelligent robotic supercar, tune into 'The Good Wife.' If, on the other hand, you prefer the misadventures of a freelance itinerant trucker and his simian sidekick, check out 'The Walking Dead.' Or DVR them both and go talk to your family.

I think that as kids we all picture ourselves as the princess, the prince, and not really ever as the housekeeper or the comical alpaca or llama or what have you - the sidekick. But as an adult, I'm such a huge fan of people who are funny and people who are, in very brief moments, able to do something that you would never think is possible.

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