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I hate Showtime, I can't stand those guys.
I don't meet many people who are talking about shows on Showtime.
There's three networks you want to be on: It's either AMC, HBO, or Showtime.
We signed up for Showtime, which I think put us on a Homeland Security list somewhere.
No one can do in the octagon what I can do. That 'Showtime Knee' - I never even practiced that once.
I've been a fan of Showtime for a long, long time, and I've been a fan of the shows that it's had on.
I really like the stuff that Showtime puts out. I think that 'Homeland' is phenomenal. I think 'Dexter' is amazing.
The great thing about Showtime is that they really give us leeway and the range to explore the real dark side of stuff.
If it's Saturday night, and you're sitting on your couch watching 'Showtime at the Apollo,' then you're not a man's man.
I did 'Showtime at the Apollo' when I was 10, and it was the first time that I'd ever performed on TV, and it felt great.
I've seen shows on Showtime, and they're very provocative, if you will, but nothing to the point that's over-the-top or gratuitous.
Fighting on HBO and Showtime, people had to pay money to watch them and a lot of people who love boxing, they didn't have those channels.
Football has never left me. I still wake up in the morning and think of the operating room like a game, like it's showtime, let's perform.
I'd like to do a little bit more adventurous TV. Maybe Showtime or HBO or just a little bit edgier. But I would go back to NBC, CBS, whatever.
Television is really fertile ground, and it's because of platforms like Netflix and Hulu and, of course, the cable channels like HBO and Showtime.
I'm in this new Showtime series called 'Ray Donovan.' I play this guy Stu Feldman who runs Paramount Pictures, so the total opposite to this character.
I love HBO and Showtime, especially Showtime. I'm a huge 'Dexter' fan, and I love 'Weeds.' That would be cool to do a recurring role on a show like that.
Showtime has given new, young filmmakers - black, white, across the board - an opportunity to make films, as well as actors who want to cross over into directing.
You can't just live in the past, peddling the '80s Showtime Lakers, and expect everyone to know what that is. We have many fans who weren't even alive in the '80s.
I do not buy CDs any more; I usually stream Internet radio. For movies, I hardly every buy any DVDS. I have a DVR, so just record things off HBO, Showtime and so on.
I did 'Shameless' on Showtime, and I felt like I really tried to go super-method with that, and it would just make my days really hard to get in and out of character.
At TNA, I like to promote the time that the doors open. And they open up an hour before showtime, and you have autographs and pictures from the time you come in the door.
My mother saw the magazine, and she was like, 'You made it.' I've been on Showtime and Comedy Central, but none of that matters - all that matter is that she sees me in 'People!'
My wife and I have our date nights. We love the Showtime shows like 'Shameless,' 'Homeland' and 'House of Lies.' And of course, 'Scandal' is high on the list; you've got to do 'Scandal.'
I had an amazing experience being on a hit show for Showtime, doing 'Queer as Folk', and impacting things socially, like helping change hearts and minds. It's such a big chapter of my life.
My husband and I went to Bald Head Island for our four-year anniversary. We spent the night in bed with champagne, tequila and Krispy Kreme doughnuts and watched a boxing match on Showtime.
Frankly, with HBO and Showtime and cable shows, the DVD box sets and all, you can have a product that doesn't make you feel like as soon as it's projected, it's thrown away. It's really a piece of art.
No matter what job I've undertaken, whether it was Glory Kickboxing or Strikeforce or Pride Fighting Championships or Showtime Championship Boxing, you have to play by the rules of the company you work for.
The first time probably people really were aware of me, I unfortunately had the title of Showtime's Funniest Person in America. And that's a really tough title to travel around with when you're not even known.
You have Showtime, you have AMC, you have all of these, you know, incredible networks that are now bringing forth their product without the handcuffs, if you will, of trying to sell soap to the entire country.
There's something that goes on in a new-business meeting that's wonderful to watch. It's like showtime. There are people who are nervous, and there are people who are jittery, and there's so much drama and so much at stake.
I really was interested in doing something for a premium channel like Showtime or HBO, just because you get to really let loose. I think they let their storylines go wherever they want, and it's really a special place to work.
I worked on this Showtime series called 'Beggars and Choosers,' this was like 2000, and Bea Arthur guest-starred on our show. I always loved 'The Golden Girls,' and thought she was a supreme comedy actress, supreme actress period.
But as a result of that, there was, once the show ended, there was this talk for sort of four, five months about what was going to happen, and if we were going to move to Showtime, and if we were going to be bought by ABC or whatever.
The experience I've had with Strikeforce kickboxing, K1, Strikeforce MMA, working with ESPN, working with Showtime, working with Japanese television, working with fighter camps from all over the world has given me a unique perspective.
As far as the future for the Showtime episodes that have already aired, we are sold into syndication so we'll be appearing primarily on the Fox syndicated networks and then eventually the SCI FI Channel. So, we'll be around for a while.
As a kid who grew up in Inglewood, California during the Showtime era, I'm so happy to help bring the story of Earvin 'Magic' Johnson to the screen. This project is a convergence of so many things that excite and interest me as a filmmaker.
I'm really a big fan of HBO and Showtime shows, so I wouldn't mind being on an edgy show... where I could challenge myself to do gritty stuff - a homeless guy or just some guy with a lot going on who's got problems. It's more fun to do as an actor.
I've always been a big fan of entertainment. Having cable gave me access to HBO, Showtime, and The Movie Channel. Constantly taking in all these films from different eras and different styles has really given me a good vocabulary in how to talk about movies.
We have this pre-show thing where we all get into a huddle and yell, 'Pop, pop, it's showtime,' and I have to give credit to Bruno Mars for that one. I started doing it after I became obsessed with '24K Magic.' I want to ask Bruno if he'll ever come to my huddle with me!
I'm the bad guy on the rest of Jennifer Love Hewitt's 'The Client List,' I'm the bad guy in Renny Harlin's 'Hercules 3D,' and I'm a movie star - finally - on Showtime's new series 'Ray Donovan.' But most importantly, I'm about to be a daddy, so I'm expecting some 'Dark Circles' for real.
People often ask how my hair has that supreme fullness even at midnight. Here's a trick that one of our Fox News stylists taught me: Backcomb your hair just at the crown for height, and then put a large velcro roller there and wear it for as long as you can. I keep rollers in until showtime.
There are 316 million people in the United States of America. About six million of them watch 'Homeland,' Showtime's thriller about world terror, paranoia, and bipolar disorder. That's about 2 percent of the population; roughly what the guy with the beard running on the Libertarian Party ticket gets when he runs for Congress.
I think where it's going is toward what the music industry is like, where channels will be considered more like labels that carry the type of TV show that you like, and then you'll consume them however you can. For example, I don't really watch Showtime, but I bought 'Homeland,' and I've been watching every episode on my iPad.
Usually the films that I do are released theatrically in foreign markets. In the U.S., they're either picked up as HBO premier films or Showtime first-runs. In today's market, in America, you need at least $50 million for your budget to go to the big show, and I'm not quite there yet. But keep watching - maybe someday I will be.
Critics say Internet advertising suffers from limitless inventory, which depresses prices. These exclusive front-page sponsorships are not limitless. If HBO doesn't move quickly enough, Showtime can buy out Gawker and Jezebel for the key fall TV season. On any individual day, there isn't room for both of them; and that's healthy.
I have no idea what the economics of the movie business is, especially with all the new Amazon, Netflix, Showtime, AMC, SyFy, and HBO series. But I am intrigued with what feels like a new type of show - the six-to-eight-hour movie. It's a little too long to watch in one setting, but you can watch it over a three- to five-day period.