Quotes of All Topics . Occasions . Authors
I'm so blessed to have gone to Wisconsin. It's a great school and great coaching staff with incredible fans. I had a lot of great teammates that wanted to be successful. I played behind a huge offensive line. I think that proved a lot, too, as a 5-11 quarterback showing I could play under center with those guys in front of me.
Even when I go out to the ring, yes, I am the big, bad heater monster, but I'm out there showing young girls that I can still be athletic just because I'm a big, bad heater. I can still go out there and cut promos like the other pretty girls and wear my hair down and put makeup on and do everything that they say that you can't.
Those first big concerts we played as 'Throwing Copper' started to really reach people worldwide - I think we played our first big arena show at the George Estate basketball arena down in Atlanta. I remember showing up and standing on stage and just being like, 'I can't believe this is going to be full of people. This is huge.'
I remember when I was at the first showing of 'John Dies at the End' at Sundance, and I was talking to some of the people in the standby crowd who were outside and didn't have tickets. They were just waiting in line to see if they could get in. It was this whole gang of die-hard sci-fi wacko people, and they were just fantastic.
It's extremely difficult and very challenging to be a woman in film and television. Just showing up in this business forces you to know yourself. But I learned how to deal with rejection and get tough when I was working as a model - it taught me how to put myself out there. In a way, my time modelling was a preparation for life.
To claim qualified immunity under the Reforming Qualified Immunity Act, a government employee such as a police officer would have to prove that there was a statute or court case in the relevant jurisdiction showing his or her conduct was authorized: a meaningful change that will help law enforcement and the citizens they protect.
I have always been interested - indeed, waylaid - by the leading edges of technology, even during my Ph.D. years when I pioneered (but did not publish) agarose gel electrophoresis for RNA fractionation. Also, much later, I was instrumental in showing that Green Fluorescent Protein and RNAi could be made to work in mammalian cells.
I like structure - like driving: go past the school on the street, stay on the right side, no hitting the car, go in right, you'll see a big church, stop and take a left, and you'll have it. By doing this I'm giving a structure of life, a path of light, and showing what happens between me and me, which is something very beautiful.
For me, it's a real shock to see American mainstream films. I can't see these films because it's always the same thing to me. This is very American. Violence is very American, and I can't understand these films. Why do they use violence? To show what? Masculinity? To show fear? Defense? What are you showing with all this violence?
My heavily-cleverly disguised low self-regard manifested itself in my constant showing off, my addiction for publicity, and my intolerable 'me-me-me' attitudes and actions. But it's done, isn't it? And no one can really change, can they? And, hey, it has been a lot of fun being the life-long irresponsible, snarky, nasty art scamp.
If I'm teaching girls that do love to make cookies and do love fashion - that they can use math as a part of that - you think that's me saying, come on girls you belong in the kitchen, you belong shopping? Or, do you think it's me showing them how math is part of all their life, even the part they thought it had nothing to do with?
The more I see of deer, the more I admire them as mountaineers. They make their way into the heart of the roughest solitudes with smooth reserve of strength, through dense belts of brush and forest encumbered with fallen trees and boulder piles, across canons, roaring streams, and snow-fields, ever showing forth beauty and courage.
It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.
When men sit around and talk, they are very competitive. One person will tell an anecdote and the next person will try to top that. When you get six women together, they share a lot more. They will be far more interested in what the other person has to say. The conservation is more interactive and less about individually showing off.
In New Zealand, we have a thing called 'tall poppy syndrome,' which, you might not have heard of it, but it's essentially where - it happens in small populations usually, but can actually happen in the U.K. - where, if someone sticks out, they get their head cut off because they are being outside the ordinary or they are showing off.
Outlets are turning away from phone polling, which can be problematic. For example, we did a poll for NBC around the Ebola crisis; we provided results in 24 hours. Their traditional phone poll would have taken a week to turn around. We're showing people we can do high-quality work: we've proved that with the work we do with the media.
Why do we have to have violence, torture, brutality in crime dramas every time we turn on television? Any new crime drama is going to have, sooner or later, a lot of torture and nasty things that make people flinch. Lots of young people I know shrink and flinch from that kind of thing on television, so I think showing it is a mistake.
The 'Chicago Sun-Times,' I remember, ran a full-page, front-page photo-shop of me walking on water across Lake Michigan, as if by showing up I was going to miraculously fix the team's fortunes. Imagine their disappointment, then, when I announced a long-term rebuilding plan focused on acquiring young players and winning in five years.
I like the way Quentin Tarantino creates a scene using a series of close-ups or showing very cool images of a person or people walking on some ordinary street in slow motion. I wish I could achieve that kind of slow-motion effect in manga, but it's rather difficult to draw; the only things we can play with are tones of black and white.
What's the fun in approaching something closed-minded? I'm very specific; if dialogue is too on-the-nose, or there's a lot of telling and not showing, I'll talk to my manager and let them know the problems I have with it. But, I always go in with fresh eyes. The first pass just needs to be about figuring out little things here and there.
The most memorable interviews for me are folks whose names I don't know: young civil rights leaders in the South, showing great courage as they walked into a town in the dark of night. A doctor working for 'Doctors Without Borders' in Somalia, operating by kerosene light in a tent. Those are the kinds of people that linger in your memory.
Showing up to games year after year, no matter what the product on the field gives you back, is a learned behavior - sort of like rats in a maze searching for cheese. The rat learns the maze, learns where the cheese is placed and eventually goes to it without thought, even when the cheese is taken away. The rat doesn't know anything else.
'The Sopranos' gets praised as novelistic, but it follows the most banal of life patterns, showing the sheer tedium of being a mobster. It has dead spots, boring plotlines, weak episodes. Characters develop slowly, or don't. Like viewers, a gangster might get bored, fade out of the action, then come back to find none of his debts forgotten.
There's no question that a great teacher can make a huge difference in a student's achievement, and we need to recruit, train and reward more such teachers. But here's what some new studies are also showing: We need better parents. Parents more focused on their children's education can also make a huge difference in a student's achievement.
I'm unfinished. I'm unfixed. And the reality is that's where God meets me is in the mess of my life, in the unfixedness, in the brokenness. I thought he did the opposite, he got rid of all that stuff. But if you read the Bible, if you look at it at all, constantly he was showing up in people's lives at the worst possible time of their life.
A lot of times, us within the industry, we can put this bubble around ourselves and create what a show is supposed to look like and sound like, and we're seeing so much content. The best compliment is, 'I finally found something to watch with my family,' or, 'This is how I really feel, and I can't believe they're showing this on television.'
Belly buttons were a big battle of mine. Down at the syndicate, they would clip them out with a razor blade. I began putting so many of them in, in the margins and everywhere, that they had a little box down there called 'Beetle Bailey''s Belly-Button Box. The editors finally gave up after I did one strip showing a delivery of navel oranges.
I think, a lot of times when you meet someone, you feel like you need to appear like you're not interested in them so that they'll be more interested in you. But what happens when you start showing him that you actually like him? What's he gonna do then? Play the tape forward; how do you keep a guy like that? I don't want to sign up for that.
You put these politicians in office, but then you've got to tell them what you want them to do. And it's intimidating to most people. I was intimidated by it. I mean, calling my senator or writing my senator? I'm like, what do I say? What do I do? But we're showing people that the political process is actually less intimidating than we think.
I pored over art books and absorbed the placidness of Monet's garden, the sparkling color of the Impressionists, the strength and solidity of Michelangelo's figures showing the titanic power of humans at one with God, Jan Vermeer's serene Dutch women bathed in gorgeous honey-colored light... My conviction grew that art was stronger than death.
This is what we call smart power. Using every possible tool and partner to advance peace and security. Leaving no one on the sidelines. Showing respect even for one's enemies. Trying to understand, in so far as psychologically possible, empathize with their perspective and point of view. Helping to define the problems, determine the solutions.
In the U.S., you even lose legal rights if you store your data in a company's machines instead of your own. The police need to present you with a search warrant to get your data from you; but if they are stored in a company's server, the police can get it without showing you anything. They may not even have to give the company a search warrant.
You can't believe everything you read in a newspaper or everything that's coming out of the president's mouth. And you can't believe when someone posts a picture from their personal life, because most of the time, it's staged - we're showing each other these idealized versions of ourselves so that we seem better and other people will feel worse.
I was on a picture for four or five days, had an opportunity to be on a set, and the assistant cameraman kept showing me things. One day I climbed the fence, knowing they needed an assistant cameraman. A couple of days later, I was one. The first day or two, it was pretty disastrous, but I knew something about photography, and I caught on quick.
