Quotes of All Topics . Occasions . Authors
I grew up listening to the Beatles and being an ardent Beatles fan when I was in third grade all the way to adulthood, and listening to all kinds of music that came to us either at the flea market or in our living rooms or on the 'Ed Sullivan' show - all these places we were influenced by.
I first met Linda Lawrence in March 1965 in the green room of 'Ready Steady Go!,' the British pop TV show. Linda was a friend of one of the co-hosts. She had an art-school vibe, and after a brief conversation, I asked her to dance to a soul record playing. As we jazz danced, I fell in love.
'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.
In television, there's this weird sense of isolation from your audience; you kind of get this feeling that you write the show for you and your wife and your friends and the other people who work on the show. It's our little show, and then it goes out into the world, and somebody watches it.
Let us take refuge from this world. You can do this in spirit, even if you are kept here in the body. You can at the same time be here and present to the Lord. Your soul must hold fast to him, you must follow after him in your thoughts, you must tread his ways by faith, not in outward show.
I think there's something about supernatural shows that people see and just want to put me in them! I don't know. I just finished another show - 'The Nine Lives of Chloe King,' with Skyler Samuels, who was my girlfriend in 'The Gates' - and I play another supernatural character on that show.
Often times we feel like either we can't make a world of difference, or we feel that it's not going to change anything anyway. The truth is you can change someone's day, you can change someone's life, but you have to show up and do what you got to do to actually see any fruit coming from it.
When we were working on 'Taxi to the Dark Side,' we would purposefully not show it to certain people in the cutting room, because we would include a lot of horrible material and would need a fresh pespective. They would look at us and say, 'Are you out of your minds? You can't include that!'
My friend had told me about 'Stranger Things' and how I had to watch it. I was like, 'OK, I will!' I binged it in, like, a day and was like, 'Oh my gosh, Mom, you need to watch this show. Everyone needs to watch this.' A week later, I got the breakdown for Max. A month later, I got the part.
I remember the first time my friend Colin Lewis, who used to be a judge with me on a show on MuchMusic called 'disBAND,' told me, 'I think I just found your next favorite artist to adore.' He sent me The Weeknd, and he was completely spot on. The Weeknd is literally on every playlist I have.
Stop looking for the 'right' career, and start looking for a job. Any job. Forget about what you like. Focus on what's available. Get yourself hired. Show up early. Stay late. Volunteer for the scut work. Become indispensable. You can always quit later, and be no worse off than you are today.
Vulnerability is the essence of romance. It's the art of being uncalculated, the willingness to look foolish, the courage to say, 'This is me, and I'm interested in you enough to show you my flaws with the hope that you may embrace me for all that I am but, more important, all that I am not.'
All the evils of France have been produced less by the perversity of the wicked and the violence of fools than by the hesitation of the weak, the compromises of conscience, and the tardiness of patriotism. Let every deputy, every Frenchman show what he feels, what he thinks, and we are saved!
Theatre people, who are an adaptive species, know that to remain sane in the process of production where everyone and his uncle has an opinion about how to fix a show, you must pick the people whose knowledge and taste you trust and stick only to these few. The Tweetocracy is no place to look.
At some point in time, you definitely have to go drama. Not to say that you're going drama just because everybody else does it. You do it to challenge yourself. You do it because, naturally, in the profession of acting, you want to show growth. You want to say that you take the craft seriously.
Don't try to guess what it is people want and give it to them. Don't ask for a show of hands. Try your best to write what you like, what you think your friends would like and what you think your father would like and then cross your fingers... The most valuable thing you have is your own voice.
I think theater probably remains my favorite, sort of where my soul lives. It takes a lot of discipline, and you have to show up eight shows a week, no matter how you feel physically, mentally, emotionally - there's nobody to cut around that: you've got to tell the story yourself for two hours.
I did a few movies, but the word 'star'... I cannot compare to a star like Clint Eastwood. I used to call Clint 'Larry Dickman' when he would come to my show; then, he started using the name when he would go under cover in a 'Dirty Harry' movie. That's why he's a movie star... he's so creative.
I enjoy construction and the process of building things, so maybe I'd be a developer of some kind - residential and commercial. Because I produce a lot of television now, I enjoy building things from the ground up, whether it's a physical structure or a show, and seeing them and realizing them.
Strong style is a philosophy for Japanese wrestling fans that was created by New Japan Pro Wrestling founder Antonio Inoki. He wanted you to show every motion and show real technique in the ring. It's important to use real techniques from real life and real martial arts. The detail is important.
In the United States in 2009, more than 10.2 billion trips were taken on transit trains and buses. So far, the nation has not experienced a major transit attack since Sept. 11, but the March 2010 Moscow subway bombings and earlier train attacks in London and Mumbai show that we must be prepared.
I lost my innocence with Johnny Cash. I used to watch the 'Johnny Cash Show' on television in Wangaratta when I was about 9 or 10 years old. At that stage I had really no idea about rock n' roll. I watched him, and from that point I saw that music could be an evil thing - a beautiful, evil thing.
You show people playing poker or hacking into a computer; it feels so significant in the script, and then when you see it on the screen, it loses something. But there's something about cooking - food being prepared is incredibly captivating. It became just a fun box of tools to use as a director.
One week before my 17th birthday, I had a blind date with June Rose, a television actress on network soap operas, a model, and a regular on the popular Dick Clark's Saturday night 'American Bandstand' show from New York. We were married five years later, one week after my graduation from Columbia.
I have self-doubt. I have insecurity. I have fear of failure. I have nights when I show up at the arena and I'm like, 'My back hurts, my feet hurt, my knees hurt. I don't have it. I just want to chill.' We all have self-doubt. You don't deny it, but you also don't capitulate to it. You embrace it.
I always believe that Kar-Wai has a complete script: he just doesn't show it to us. He wants us to experience and explore the character. He gives you a lot of space, and you know every time will be a very long journey. You just live in the character, and that's very different from other directors.
Every single day, I wake up and take a glimpse of where I am now compared to where I was before, and the work that we have all put in to be in this space. I think of that, and being able to express myself through my art and show up and be present - that's activism, advocacy, and artistry in itself.
I do this sort of thing where, even for my own shows, I like to supply my own fingerprint of creativity. Not just ideas, technical things: offering model data, creating visuals for my stage show myself, babysitting renders, learning that technology as I go. That's what makes me feel like an artist.
At Burning Man, the audience is the show: the boundaries between stage and public overlap and melt. Every form of self-expression, every fantasy... everything has a place. It's kind of a utopia, and everyone who sets foot in it is so impressed that they do their best to respect it and keep it alive.
If our moral attitudes are entirely the result of nonrational factors, such as gut feelings and the absorption of cultural norms, they should either be stable or randomly drift over time, like skirt lengths or the widths of ties. They shouldn't show systematic change over human history. But they do.
It has taken a lot of persuasion for me to take part in an official documentary about 'Only Fools and Horses.' But, as time has gone on, it seems to have been imprinted in television history, and I thought it was only right that I tried to give an accurate insight into how the show was put together.
Because it's our first official album, we wanted to show our color, the color of Blackpink. We wanted to present an image that people would think of when they think of Blackpink, and what kind of music we put out... we channeled the girly side of ourselves and performed according to the girly lyrics.
The mechanic could lift up the bonnet of the car and show me four dwarves strapped to a pair of tandems and tell me that the motor was actually dwarf-powered and that one of the little fellows had to be replaced, and I'd just be numbly writing out a cheque and scribbling 'new dwarf - car' on the stub.
To me, I always felt like drums have to be the support and the driving factor in a song, and there's places where the drummer has to show off and do things and get the spotlight, but not all the time. You've gotta pick and choose. And it's always gotta be about the song. That's really the bottom line.
The think that we hung the film version all on was 'Hedwig' on tour. On stage, it's one theatre, one show. It just seemed natural to change it. In the film, we were able to go to flashback rather than have her talk to the audience. And we had the play to practice and to see where we had made mistakes.
One of my aunties inspires me beause of how easily she shows her emotions, and she isn't ever afraid to cry. My mum, for her work ethic - she might not show her emotions in public very much, but she's a total power woman. My grandma, who watched four of her children die before her, she's a powerhouse.
All cultures are different. Some commit genocide. Some are uniquely peaceful. Some frequent bathhouses in groups. Some don't show each other the soles of their shoes or like pictures taken of them. Some have enormous hunting festivals or annual stretches when nobody speaks. Some don't use electricity.
I show up in a playoff game, I have my sideline sheet. I can't even spit plays out, I get so excited. I mean, you get nervous. These are critical, do-or-die situations. Third down and 1, Red Zone, what do I call? Two minute drill? Are we going to go no huddle? These are decisions that you wrestle with.
I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.
Here's the thing about Red Sox fans, or actually just fans from that region, in general: they appreciate the effort. And if you mail it in or if you give 80 percent, even with a win, they'll let you know that's not how you do it. They want - if it's comedian, if it's a musician, bring us your best show.
I signed 'Iss Pyaar Ko Kya Naam Doon' only for a year. But the producer requested me to stay on, as the show had just started to make money. I carried on, and in the process, the character became very popular. When I finally gave up, changing the actor for that character was difficult, so the show ended.
We're drawn to making our mark, leaving a record to show we were here, and a journal is a great place to do it. Once you start drawing, writing, and gluing stuff in every day, it can quickly become a habit - addictive, even. Your attitude should be: 'I can do this, but I mustn't make it too intimidating.'
There's an old little jingle: 'The chief use of slang is to show that you're one of the gang.' What that means is that every social group has its own linguistic bonding mechanism. If there's a group of lawyers, they have their own slang. If there's a group of doctors, they have their own slang, and so on.
I noticed the more muscle I put on, the more cushion and padding I had, the better my performances were getting. I decided I could be this little, stick-thin thing out there and be hurt all the time, or I could show my athleticism, and if it comes with a little bit of weight on the side, it is what it is.
Even though everybody's lives are different, in general we're all human beings, and we go through the same things: disappointments, the pleasures of life, life and death. That's always been a really big part of the show to me, making sure the audience feels connected, and that carries through to the album.
Each year, Labor Day gives us an opportunity to recognize the invaluable contributions that working men and women make to our nation, our economy and our collective prosperity. It gives us a chance to show gratitude for workers' grit, dedication, ingenuity and strength, which define our nation's character.
My dad was a plumber. That's hard work. He never missed a day of work. I will never disrespect him by not showing up for an athletic competition that has a maximum duration of 25 minutes. There should be forfeiture if you have to pull out of a fight. If you don't show up, it should be a loss on your record.
I am a Christian person, and I do love the Lord, and I feel no matter who you are, what you believe, how you live your life, it's not my place to judge. I don't have that power. I don't want that power. It's my place to love and to show God's love to other people, even if they don't live a life like I live.
My first job in TV was hosting this young teen magazine show, and all these high school teenagers showed up from all over Sacramento, California, and they chose four of us to host the show, two boys and two girls. And of the two girls, I was kind of the perky smart one and the other girl was the pretty one.
I would love to have the biggest band that I can have. I'd love to put on a massive show and just give people their money's worth, then just come away from it thinking, 'That was a good show', because it's kind of disappointing sometimes when you go and see someone and you can see they're not that bothered.