When we shot "Stargate," he [ Jaye Davidson] came up to me at one point and said, "I don't like shooting movies," and I said, "Why?" "Too many people stare at me." I said, "Then you're totally in the wrong business."

Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why.

When I worked on an erotic shoot... I shot digitally. It helped the models get into it because they could come over and see what was happening. It was the closest to being sexual, because it was a participatory experience.

An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots.

I've got to work really hard and I know exactly what I've achieved because I know how hard I've worked, and I make sure to work as hard as I absolutely possibly can, because I know that's the only shot I have at being successful.

I'm not better when I force shots. I'm going to take them as they come. They are really sagging in there, trying to take me out of the game. It's my job to find guys. I want to be aggressive and take my shots, but I can't force them.

I've played such good golf, and it was hard coming up and it wasn't easy in any matches or any shots. It means a lot. I think hopefully it will mean a lot to New Zealand because I'm the next winner of the U.S. Amateur after Danny Lee.

Antonio Inoki majored in strong style. He showed real emotion with real technique in the ring. Hard shots that look like hard shots. But the important steps is the real technique from the real martial arts. It means detail is important.

We're dodging bullets and this is right after we've just seen [inaudible] shot and we're running and the woman who John accused of being out to kill us and everyone thought he was kidding. When we see her she appears and she's after us.

I did 'Nobody Walks' right after 'Dredd.' Well, actually, I got off the plane from Capetown where we shot 'Dredd' and tested for 'Being Flynn' that same day. Then I came out to L.A. to make this film right after that so it was all very back to back.

Clay is so challenging as a surface because you want to be playing aggressively but the margins are so small and it's easy to get the balance wrong and start making errors. Getting your movement right and preparing correctly to hit your shots is key.

Dirk was obviously a player that I looked up to. In high school I actually wore No. 41 in honor of Dirk. He was the first player where I was like this guy is seven-feet tall and shooting jump shots and shooting threes, this is what I want to be like.

The acting is something that will always be a part of my life, but the writing gives me a lot more creative freedom. You're a pawn in somebody else's chess game, whereas as a writer and as a director, you get to call the shots. And that's very thrilling.

The night before games, I try to get some shots up. Early on the game day, I come early in the morning to try to get some shots up. I just try to do the same things: go through the scouting, watch some clips before the game, just try to get my body ready.

The 'Agent X' set was never boring. During the first few days, I had to adjust to the loud noise on set, which included gun shots and explosions. After we finished filming the season, I realized I missed hearing all the noise and driving on empty freeways.

I remember thinking when I set out to direct my movie that it was all about lenses and the shots you were going to get. Really, directing is about tapping into what makes us the most human, telling stories, emotions, and managing a group of empathetic people.

On 'Girl With the Dragon Tattoo,' I spent two or three months learning how to ride a motorcycle. I wasn't really riding the motorcycle in 98 percent of the movie, but the shots of me getting on and off had to look like I had been doing it for years and years.

I have a responsibility and a job as a guy who gets paid a lot of money, I'm expected to perform. And 82 games in 6-7 months is a lot, and it's hard on the body, and you're not gonna play perfect every night. Even Ray Allen misses shots, even LeBron misses dunks.

Every day, those on the front lines are putting themselves at risk to help battle the COVID-19 pandemic. I'm honored to be partnering with Sharecare to provide immunity-boosting shots to our local Atlanta heroes and give them the support they need during this time.

The weird thing is, if I'd made 'The Incredibles,' shot-for-shot - exactly the same script, same timing, same shots - in live action, it would be perceived very differently, and somehow more adult than me doing it in animation. I find that fascinating and frustrating.

On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.

I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.

I've been around golf my whole life. My father did it all the time, and I resented him for it. But a couple years ago I picked up a golf club and I understood the physics of it. If anyone knows anything about golf, it's that once you hit a few shots, you'll become addicted.

Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has music and rhythm and time.

I love watching Anthony Kim play, but I'm not a fan of the way he grips down a good two inches on his full-swing shots. Choking down lightens the club's swing weight and effectively makes the shaft stiffer. It also makes it difficult to hit the ball high enough for all situations.

You'll see in 'Carol' a lot of shots shot through windows, glass and awnings, with interruptions between where we are and where our object is. To me, I hope that that conjures the whole act of looking as a predicament, as something that is never easy and never completely attainable.

The most difficult quality is to make the right decision. Because you can be quick, you can be strong, you can jump incredibly, you can have the best shots and you can be able to score goals from 50 yards, but if you don't know when to shoot, when to run or when to jump, you're lost.

It's possible for an editor to break down a dream, if you like, into its components and being able to shoot the wide shots in sunshine, when the weather was at its best and you know, we would get sort of almost a 3D effect sometimes if you chose the right time of day to shoot the thing.

When you're young and you first come onto the scene, you're fearless. You just go for your shots and don't really think about the consequences. But as you play on through years and years, you get punished for those misses, and gradually, that leaves scars. It dents your confidence a bit.

I've always wanted to shoot a good percentage for my team, because I'm the point guard, and I can take fewer shots, still score more, so that I can get my teammates feeling good about themselves. That was always my feeling - that if I shoot a high percentage, I don't have to shoot a ton.

I like to get on the court three hours before the game. That way, I can get out of everybody's way, and I can do what I need to do for me and get up the shots that I need and then be in the locker room and getting my stuff taken care of physically - if I need treatment or whatever may be.

Always the notorious red-light district of sports, boxing today is as troubled as it was even in the days when the Mob called the shots. There are too many lawsuits and too few heroes. Absurd mismatches and fraudulent rankings by unaccountable offshore sanctioning bodies have disgusted fans.

One of the problems with 'SNL' is that, if you tried to adlib, the director would put you off camera and off the mic, so only you would know that you ever did it. The director always directed to the script; he wasn't listening to what you were doing. He was calling shots whilst looking at the page.

A deep cynicism is taking hold of the country, with more and more Americans convinced that big money calls the shots in Washington and that there is nothing that can be done about it. We must resist that conclusion and fight back on behalf of everyday citizens. Reform is possible, and it is imperative.

I am the jongleur. I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the big shots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and... pssss... they deflate.

When a person tests positive for HIV, it is not a test for the virus itself but for antibodies to the virus, and the test is not able to distinguish between HIV antibodies and a multitude of other antibodies. Many conditions can lead to a false positive result, including flu shots, hepatitis, and pregnancy.

Sudheer Varma is very easy going and very confident director. He knows exactly what he wants. He has a very good vision and knows how many shots he wants for a scene. He is super fast. He gives freedom for actors to try different things. The atmosphere on the sets was never serious. We had great fun working together.

In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the character's face really helps get the message across. On stage, you can't do that. But the stage has that live feeling that you can't get anywhere else because the audience is right there.

A lot of people are crazy, cruel and negative. They got a little too much time on their hands to discuss everybody else. I have a limited amount of energy to blow in a day. I'd rather read something that I like or watch a program I enjoy or ride my damn motorcycle or throw back a couple of shots of tequila with my friends.

Once I wrote 'Atmosphere,' I thought, 'This is my story; it's me and my life and what I've gone through to get to where I am.' I'm not the best singer, but still. All of my albums are personal, but putting myself out there and singing is one more thing that makes me vulnerable - one more thing that people can fire shots at.

It's no secret that the environmental movement is ultimately designed to create new inroads into increased government control. All of the shots taken at emissions, the dependence on fossil fuels, and noise pollution are designed to paint those things as symptoms of a problem, with the government able to step in as the solution.

If you're thinking clearly and are content about where your life is - to where you can just think about the present, think about the now - that's what you need to do to hit good golf shots. I know there are a lot of distractions, but when you're thinking clearly, you're more free. You've got to have that freedom on the golf course.

Eric Schmidt looks innocent enough, with his watercolor blue eyes and his tiny office full of toys and his Google campus stocked with volleyball courts and unlocked bikes and wheat-grass shots and cereal dispensers and Haribo Gummi Bears and heated toilet seats and herb gardens and parking lots with cords hanging to plug in electric cars.

In my case, I was placing extreme pressure on my lower spine from rotating my hips too much. This is a common cause of bad backs - and bad shots - for golfers of all levels. In addition to resting, I worked with my trainer, Joey Diovisalvi, on strengthening the weaker lower-body muscles that contributed to my overactive hips and back pain.

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