Shot Quotes - Page 19

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We shot in a place called Asheville, which is like beautiful, beautiful forests. And then part of it we shot all the reaping stuff, which was just crazy - because the reaping in the book and in the script is such an emotional thing for everyone. It really did feel like that when we were shooting it.

I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.

Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.

Today, I'd like to talk to Bob Marley. I'd just like to ask him what was his method. Bob is one of the greatest songwriters ever. I don't know if people understand how powerful his songs are and the simplicity and genius behind them, from 'Redemption Song' to 'Is This Love?' and 'I Shot the Sheriff.'

We shot 'Dharma & Greg' six blocks from my house for five years. I had a Dodge Durango that I sold after five years, and it only had like 12,000 miles on it. My whole life was within eight square blocks of my house. There was a golf course across the street. In my downtime, I was on the driving range.

To be honest I don't watch the show, I don't watch any TV, so I have no idea what the show is about. I go to Hawaii, shot my scenes and script and 'Ciao.' I'm not a 'Lost' fanatic and it's a disappointment for thousands people and friends that are dying to know what will happen. They know more than me.

Interviewing Michael Jordan is like playing him one on one. If he respects you and especially your media platform and he's amused by your college try, he'll let you get off a shot or two. Then he'll go behind his back, give you a head fake and leave you wondering exactly what he meant by this and that.

It is a sad but undeniable reality that people have died in the line of duty since the earliest days of the United Nations. The first was Ole Bakke, a Norwegian member of the United Nations guard detachment, shot and killed in Palestine in 1948. The toll since then has included colleagues at all levels.

'The Movie' is something that I made with some friends of mine in L.A. My friend, Luke Eberl, is the filmmaker. He shot this movie and asked a bunch of his friends to be involved with it. I just saw him the other day and there is no money to finish the film. But, you know, I literally have a cameo in it.

The serve, I was too young and too small and... not enough powerful to have a good serve when I was young, so my forehand was always my signature shot. So I used to always run around my backhand, you know, use my forehand as much as I could, and so that's why I think it's my strength also today, you know.

I didn't know the term 'synesthesia' until I was working on 'Cruel Summer.' Halfway into writing that, I really understood that, my entire life, I had been trying to describe this condition of mine: through painting, through this seven-screen Surround Vision film we shot in Qatar, through all these things.

What do we do to just rebuild and focus on creating a big and inclusive tent, where we're focusing on making sure every child gets that fair shot, that every woman gets to compete on a level playing field, that we are true to the core values of our country, and we're making sure that we honor those values?

The guys on 'Game of Thrones' trust me implicitly to take care of the action stuff. I don't mess with their drama, but they allow me to come up with ideas like 'Hey, what if the giant had a bow? And what if he shot some guy off the wall?' With 'Constantine,' too, they really trust me to scare the audience.

I did what I always wanted to do. Wrestling. - conquered that. Can't physically do it anymore. So now what? Maybe I'll paint. Maybe I'll write another book. Yeah, I'll try this acting thing and now actually concentrate on it and try and get better at it and take classes and get coaching and give it a shot.

To me, Dan Evans is an example of somebody that puts the clock back a little bit and tells everybody: 'Listen, tennis is not a freak sport where you need to have rich parents, who sit in your players' box for every single week of the whole year, and you need to talk to your coaches' box between every shot.'

I've buried six Guardian Angels who have been shot and killed in the line of duty. I was stalked myself, had a gunman go pow, pow, pow, pow, pow, pow, five hollow point bullets, God save me. What do you think this is? This isn't Zimmerman. But unfortunately, he's become the face of Block Watch, Crime Watch.

I was my father's son and my mother's daughter. There was never any time when I felt I wasn't equally capable - whether it was being the only girl in the county who could hit a jump shot in basketball or playing first base in the baseball with the boys. I was always encouraged to do whatever I wanted to do.

One of the best parts of Thanksgiving for me is re-watching some of the classic holiday blunders that have been depicted on television. I remember laughing uncontrollably on the set of 'That Girl' back in 1967 when we shot the episode, 'Thanksgiving Comes But Once A Year, Hopefully' during our second season.

I like video games, but they are very violent. I want to create a video game in which you have to help all the characters who have died in the other games. 'Hey, man, what are you playing?' 'Super Busy Hospital. Could you leave me alone? I'm performing surgery! This guy got shot in the head, like, 27 times!'

We love to be athletic, but at the same time, we love to entertain. So my sister was actually looking to play pro soccer in Italy, and I convinced her. I said, 'Please, there's this thing called WWE Diva Search. I really want to go. I think we can do this.' And sure enough, they gave my sister and me a shot.

God bless America - what other civilization would give Patrick Dempsey another shot to rule as a sex symbol, twenty years after 'Meatballs III: Summer Job?' His reign as Dr. McDreamy on 'Grey's Anatomy' is proof that there's nothing we love more than giving Eighties celebs a heartwarming second stab at life.

'Mayabazar' was the film I immensely loved as a kid. Only when I became a filmmaker about 20 years later did I realise its technical marvel and what a great epic it was. I and my visual effects supervisor, while making 'Yamadonga,' took two days to understand the magnification shot of Ghatothkatcha's persona.

I try to respect the rules of the silent movies and I tried to make signification to make sense, and also the crew were very good and the fact that we shot in LA in the real Hollywood, studios and houses. We shot in the bed of Mary Pickford, and you cannot be any more accurate than that, so that helped a lot.

When I wrote 'Monsoon,' I always imagined the music video being shot in India. The song had so much to do with my time in India with my mother as well as leaving her in India during the monsoon season to visit my family in N.Y. It really was a dream come true when I was given the opportunity to shoot in India.

There are two things I will always remember. First, a shot against Derby that hit the inside of the post but didn't go in, and we could only draw 2-2. And then the really big chance against Bayer Leverkusen, two minutes from the end of the Champions League semi-final, when I shot over the bar. That hurt a lot.

The beautifully composed imagery of '12 Years a Slave' underscores the savagery of its subject, which is an American South not of knights and ladies but obscene values and a grotesque pageantry, every gorgeous shot of the languid landscape radiating toxicity like a hyperlush blossom that's poison to the touch.

For generations, Americans who aren't rich have been generous and admiring of their wealthy compatriots - want a country where people who work hard can succeed, where the same rules apply to everyone. They expect to have their own shot at getting rich. But increasingly, they are seeing that the game is rigged.

Pre-show, I warm up my voice, stretch, do a little team huddle, and sometimes throw a shot of whiskey in there, too. After the show, I hang out at merch meeting people and signing things. After that, I usually try to see friends in whatever city we're in, or if I'm super beat, listen to a podcast and pass out.

I grew up in the 'hood around prostitutes, drug dealers, killers, and gangbangers, but I also grew up juxtaposed: On the doorknob outside of our apartment, there was blood from some guy who got shot; but inside, there was National Geographic magazines and encyclopedias and a little library bookshelf situation.

I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.

We did 'The Conversation' on the Zeus network because we already are on TV and we felt like us being our own therapists could work. We tried it. We just gave it a shot since we already on blast and everybody creating their own stories about what they see. Just tried to give it a shot. Did it help? I don't know.

I'm not a model, I'm an artist. In one of my videos, I'm doing this shot of me with no make-up on where I've just woken up, and I don't think a lot of people would be comfortable enough to do that. But that's the way I look. This is who I am. Let's enjoy it. Let's just live life to the full while we're all here.

Of course I've had a bunch of broken bones, sprains and I've had five or six concussions, with three serious ones. I also got a real heavy duty blood clot and internal bleeding from where I was shot in the stomach with a beanbag bullet that the police use for crowd control. I've also had six stitches in my head.

We shoot with three cameras, try to shoot both sides of coverage if possible. That allows the actors to overlap and to find moments that feel more authentic and real than what you sometimes would normally get in a scripted drama that's shot more classically. And that's something in 'Parenthood' that has evolved.

I didn't go to many movies. My mom would make a family outing and bring chicken in the theater. Smell up the whole place. The most impactful movies were 'Godfather II' and 'Scarface'. I loved the human complexity, and those movies are so well shot. Cinematic greatness. I really stopped going in my early twenties.

Growing up, everybody told me I was good. I was playing ping-pong with my father, and he'd say, 'That's a good shot,' but I'd mess up the next one, and I'd yell, 'Don't tell me that! I'll mess up! Just don't say anything!' You know, if someone says, 'You can't do that,' then I'm going to be, 'Yeah, you watch me.'

There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies.

The quality of writing attracts me to films, also who the other actors are, who the director is, where it's being shot. Any or all of those things. But if the writing is really appalling, then the money had better be really good. Sometimes you say yes to something you wouldn't always do because you need the money.

You see these terrorists that are flying planes into buildings, right? You see our cities getting shot up in California. You see Paris getting shot up. And then somebody complains when a terrorist gets waterboarded, which quite frankly is no different than what happens on college campuses and frat houses every day.

A journalist in Toronto named Shannon Boodram saw my Facebook page and told me I was 'strikingly beautiful.' She shot a YouTube video of me, and it made a hit, grabbing thousands of views. She said the camera loved me and that I should be a model. I had never thought about modeling - it just hadn't seemed possible.

'Meek's Cutoff' by Kelly Reichardt - it's beautifully shot. It's a complex story. The filmmaker gave a very patient and feminine touch to a story that takes place during a period of history that's very masculine, without losing any of the unforgiving harshness of the reality where the characters found themselves in.

I was four when I started modeling. My mom was very much an off-the-stage mom who knew nothing about the business. She married my stepdad when I was about four, and he had been an actor. Because I was a really smiley kid and could read, which is something they're always looking for, she just decided to give it a shot.

Let me go over this again on the reclaiming the civil rights movement. People of faith that believe that you have an equal right to justice - that is the essence. And if it's not the essence, then we've been sold a pack of lies. The essence is everyone deserves a shot - the content of character, not the color of skin.

First, how do we give everyone a fair shot at opportunity and security in this new economy? Second, how do we make technology work for us, and not against us - especially when it comes to solving urgent challenges like climate change? Third, how do we keep America safe and lead the world without becoming its policeman?

I feel more Irish than English. I feel freer than British, more visceral, with a love of language. Shot through with fire in some way. That's why I resist being appropriated as the current repository of Shakespeare on the planet. That would mean I'm part of the English cultural elite, and I am utterly ill-fitted to be.

I have mixed feelings about 'Car 54, Where Are You?' Because we shot it as a musical and whoever the studio head was at Orion, or whoever the powers that be were, cut all but, like, two musical numbers out of it. That is the same as cutting the musical numbers out of 'The Wizard Of Oz'; it wouldn't be that interesting.

When someone tells me about Malala, the girl who was shot by the Taliban - that's my definition for her - I don't think she's me. Now I don't even feel as if I was shot. Even my life in Swat feels like a part of history or a movie I watched. Things change. God has given us a brain and a heart which tell us how to live.

Wayne Gretzky is the greatest hockey player of all-time, I don't think there is any debate about that. If you look at the records he holds, they'll never be broken or touched. He wasn't the biggest, wasn't the fastest, and didn't have the hardest shot, but no one saw the game developing the way he saw the game develop.

When Finley gets his vaccinations, it kills me, and you can't protect yourself from that. My heart is being ripped out with every shot. It's a deeper level of emotion that I wasn't prepared to feel, but it's completely amazing. It has opened me up both as a person and as an actress. Everything has a deeper meaning now.

Mark Jackson played 19, 20 years in the NBA. Shouldn't even have probably been in the league, and he's the third-ranked assist guy in the NBA. But you describe his game: Can he jump? No, not really. How's his outside shot? Eh, it's inconsistent. Can he defend? Nah, he can't stay in front of guys. And he played 19 years!

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