Quotes of All Topics . Occasions . Authors
I had a great time making the last movie, 'Eclipse.' We shot my back-story stuff from the 1930's. But I was waiting for 'Breaking Dawn' because I love the relationship Rosalie has with Jacob and the rest of her family and Bella. She also provides comic relief.
I'm a little bit of an eternal optimist. People always say to me, 'If you go do this and it fails, what are you going to do?' I don't care. I'm going to give it my best shot. That's what I'm going to do. If it doesn't work, it doesn't work. And I'll try again.
At first you see a lot of people say 'Oh he's good, but he can't shoot' or 'Oh he's good, but can his shot translate to the NBA?' That just made me go into the gym and work that much harder to show and prove that I can shoot outside shots, and I can make shots.
Being in front of a live audience is like taking an steroid shot. The applause, the claps in each and every dialogue , people being mesmerized by the performance, and the standing ovation is unparallel. This kind if a feeling you can not get in any other medium!
I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear.
When your teammates are telling you to score and telling you to shoot 3s, when you ain't shot a 3 in your whole life, that's cool. I mean, that makes you feel good. and, like, all the work you've put in, they are telling you to show what you have been working on.
I thought I was attractive when I shot 'My Big Fat Greek Wedding.' Studio executives and movie reviewers let me know I had a confidence in my looks that was not shared by them. In other words, they labeled me with words like overweight, unattractive, unappealing.
It took me a good decade of hiding in my house and not going outside to even, like, get my arms around this idea of celebrity, where suddenly people are looking for you to pick your nose or get a shot of you kissing some woman. It's a very discombobulating thing.
If we can map the retina, that will help us understand how it functions in vision, as well as devise new ways of repairing its malfunctions. And if we can really figure out the retina, perhaps we will have a shot at figuring out the vastly more complicated brain.
For a very long time, I wasn't thought of as anyone with any credibility in the film world. Everybody is tramping through the swamp every day in this business. 'I'm worth it, I'm credible - believe me, give me a shot!' That's the way I feel on a consistent basis.
I was shot when I think it was number one. That was the catalyst for the interest in the show. Certainly it went on for a long time after that but that's what really kicked it off. Of course a lot of people watched it just because of the novelty of the situation.
Players should know that if you can't make the contribution of the winning shot, that your attitude every day when you come to practice, or the positive contribution you make through cheering and keeping up team morale, is just as important in the overall picture.
I gave birth to my first son in April 1986. I thought it would be a good goal to get back in shape after having a baby if I ran the New York City Marathon. I ran in it November 1986. I had just shot the 'Sports Illustrated' swimsuit issue, so I was in great shape.
Our present time is indeed a criticizing and critical time, hovering between the wish, and the inability to believe. Our complaints are like arrows shot up into the air at no target: and with no purpose they only fall back upon our own heads and destroy ourselves.
Obviously, the cinematography of films is art, just as a still shot can be art. If I'm watching a Wes Anderson movie, the colour palettes alone, and the way they're painted, could be art. With music, you're a little bit limited, of course, because it's only audio.
Ultimately, it's not my job to judge the 'Housewives' - we don't editorialize on the show; we really leave it to the audience. We have a certain wink, which is the Bravo wink. We may linger on a shot or we may let something play out longer, but we leave it to you.
I'm one of those artists that nobody ever sees coming. We started with Virgin in 1993. If you look at the climate of that time in reggae and you were to pick the top five people that'd have a shot at having mainstream success, I was nowhere in that equation at all.
How a piece ends is very important to me. It's the last chance to leave an impression with the reader, the last shot at 'nailing' it. I love to write ending lines; usually, I know them first and write toward them, but if I knew how they came to me, I wouldn't tell.
The show originally started out as a ten hour mini-series. We shot two hours and then were excused for a while, for no apparent reason. Things went very quiet for a time and then a few months later we were called back and told that it was going to be a full season.
I never shot on sets, but if I was traveling somewhere or on location, I would always have my camera, and I'd always be - it's that kind of fly on the wall approach to photography, though. I don't engage the subject. I like to sneak around, skulk about in the dark.
I checked myself out in that funeral parlour scene. I saw myself laughing, because there was a shot of Ed and I together and Mary was right in back of us. My head turned from the camera and I saw myself laughing, because Mary was absolutely brilliant in that thing.
I know that God is intentional with everything that He brings to me and what He does for me. I'm not here just to be here. God made me intentionally! He created me on purpose, for a reason! To throw the shot put for sure. That's one of the things I am created to do.
It is gorgeously shot, and Andrew believes that the old school way of making films in the best way. Meaning: you have a story, and you stick to the story. You don't change and alter the story because of people who've invested in it and what to put product in a shot.
During Rahul Dravid's captaincy, Dhoni got the role of a finisher. He got out a couple of times playing a bad shot, and he was also reprimanded by Dravid during one instance. But from that instance, he completely changed his approach and became a very good finisher.
We think of our prison inmates as the dregs of society, and we scorn them and push them off to the side and forget about them. We have to remember that they are humans, and they have rights, and yes, they did wrong, but we all have one shot at doing wrong, you know?
A good trick I learnt early on is not to immediately look at playback because once you know the shot, you can see when the camera is on you. It's best to stay 'in it' all the time, and just if it's on you, it's on you, and if it's not, it's not. It's the easiest way.
People are still very focused on the startup story: Risk-taking founders, with a bold idea, some capital and a network supportive environment, go out and take the shot on goal. But the problem is, this is no longer the truth about what makes Silicon Valley so special.
I admire a lot of people, but in terms of sport I've always loved the mentality of Tiger Woods on a golf course. I always love his eyes when he's setting himself and focusing on his decision; he has a really strong, focused face and believes that he can make the shot.
There will soon come an armed contest between capital and labor. They will oppose each other, not with words and arguments, but with shot and shell, gun-powder and cannon. The better classes are tired of the insane howling of the lower strata and they mean to stop them.
I got a bad conduct discharge, was at home for a few months in late '99, and basically said, 'Dad, I want to give wrestling a shot. I sure as hell don't wanna go to college, and the Marine Corps wasn't for me. And I need to make some money, so let's see if I can do it.'
I'd take precision any day over power; as far as being tactical you know you have to see what's going on in there and also understand that for every punch that you or your opponent throws there's always a counter shot or two which you have to be ready to fire or defend.
My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful.
My grandmother was an actress too. In the thirties and forties she was under contract with Universal Studios. Crazy credits, lots of them. My dad was also under contract with Universal Studios. And my first film was shot on the same stage they both worked on at Universal.
I got into the industry after Miss India, but I actively started modeling in 2010. I never even dreamed that a simple girl like me could act, let alone become an actress. Slowly, as I started giving acting a shot, I realised how much I enjoyed it and how happy it makes me.
An athlete gets paid a lot of money. And someone who is after that, a thief, a mugger or someone who steals from people, they are taking a chance with the law that if they get caught, they are going to jail or face some other problem. In my case, you are going to get shot.
I think it's really difficult to justify converting a film that wasn't shot in 3-D into 3-D. I really do believe, as does James Cameron and all the people who are actually pro-3-D, that you have to go out and shoot it that way. You have nothing but compromise if you don't.
You learn to respect team chemistry. It's the fourth quarter, there's two minutes left, the shot clock is winding down, and we're like, 'What do we do?' We didn't have that flow. Chemistry comes down to repetition. It's not, 'We've played some games; we have chemistry now.'
I was born in 1950, so there were tons of Westerns on TV by the time I was 6, 7, 8 years old. In terms of television, 'Maverick' and 'Have Gun - Will Travel.' But filmically, classics like 'High Noon' and 'The Man Who Shot Liberty Valance' - that's one of my favorite films.
The reason that minorities and women don't have a better shot at getting elected to the Senate or to statewide office is because the campaign finance rules are so skewed as to make it very difficult for non-traditional candidates to raise the money necessary to get elected.
In February of this year I returned to China to research my next book. The authorities know about the novels of mine that have been published in the west, including the latest one, Beijing Coma, about a student shot in Tiananmen Square, but so far have allowed me to return.
In rare cases, I've had music before I shot the movie. I think that for 'Good Will Hunting' I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand.
A lot of people don't know that I had a special appearance in 'Keratam'; that was my first Telugu film. I only shot for four to five days. When they called me, I said, 'I can't give 60 days for a movie. If you have something for one week or 10 days, then I can accommodate.'
It's sad that women characters have lost so much ground in popular movies. Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
Actors' performances in films are enhanced in a million different ways, down to the choice of camera shot by the director - whether it's in slow motion or whether it's quick cut - or... the choice of music behind the close-up or the costume that you're wearing or the makeup.
It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to do my best to get right.
With 'Eagle of the Ninth,' every shot was extremely planned and organized. The director was like, 'Do this!' And I say, 'How was it?' and he says, 'Good.' It was very odd. I would never know where he was headed, or even if he was shooting me at a close-up or from a distance.
I often thought I was in the wrong business. I was pretty seriously thinking of tossing it in before I shot Shine. I do not know why. I was pretty restless, I had been through a bad period of stress induced anxiety - panic attacks - and I was not sure of what I wanted to do.
Life's too short to dwell on things. When you go through experiences that are bad, it's a good thing. You learn from it - become a stronger person. Life is a roller coaster, and you don't know what's going to be thrown at you next, so all you can do is give it your best shot.
When you make a movie, you do it so piecemeal. You're doing it, not only scene by scene, out of order, but shot by shot, line by line. And there's this idea that the director has the whole thing in his or her head and they're going to somehow weave it all together in the end.
I got an English degree in college and then went to law school because I didn't know what else to do. I was a lawyer in Houston, Texas. I started writing plays and screenplays, and after about three years of practicing, I decided I would move to Los Angeles and give it a shot.