Quotes of All Topics . Occasions . Authors
I was very aware of the fact we were so out of fashion when I shot 'Chicago.' And I was trepidatious as to whether it would be seen or embraced by anybody, but I've never stopped believing in the genre. There's nothing like it. It's American-born.
We shot on location in our very first weeks, in our very first shows. I would like to go on location again, Hawaii would be good!! But normally, we tape five days a week in the studio starting at about 8:00 a.m. and continuing until about 8:00 p.m.
That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth.
You know, I've carried a weapon for 10 years, never shot anybody, never robbed anybody. It has saved my life twice, but I know they're not toys. I practice with firearms, I enjoy shooting, it's a hobby of mine and I have a healthy respect for them.
Arizona's forest fires are not waiting for April, and neither will we. That is why I am pushing for stepped up deployment for Hot Shot wildfire crews in March rather than April, in order to better prepare for the expected fires in northern Arizona.
Chad was in the right spot. He got a little aggressive with the third shot there. He probably didn't want that putt he had there for the par. And you don't want to put it back there where Casey and Sergio did because you have 20 feet of break there.
For this game, we shot it just like it as if it was a film so there wasn't that much different from doing a film other than some technical things for the costume that had to be done so they could transfer the footage later and make it look animated.
I was watching Monster's Ball, which is a fabulous movie. It's just a little gem: beautifully shot, and shot in a way I never would have done. It made me feel very old, really, because it wasn't eccentric for its own sake, it was just very original.
We shot 'CBGB' in Savannah, and then I took another project there afterwards called 'Killing Winston Jones.' It's a dark comedy with Richard Dreyfuss, Danny Glover, Jon Heder, Danny Masterson and Aly Michalka. It's a great cast and a beautiful film.
I did 'Nobody Walks' right after 'Dredd.' Well, actually, I got off the plane from Capetown where we shot 'Dredd' and tested for 'Being Flynn' that same day. Then I came out to L.A. to make this film right after that so it was all very back to back.
How many actors have a shot at being a part of something that became a part of pop culture? It's been very rewarding. I'm not getting the 20 million bucks for the new movies, but at least I'm getting warmth and recognition from people wherever I go.
It was considered the most dangerous route in the Hills, but as my reputation as a rider and quick shot was well known, I was molested very little, for the toll gatherers looked on me as being a good fellow, and they knew that I never missed my mark.
When I was in my third tour in Afghanistan, I was shot down. I was injured to the point where I couldn't fly anymore, so I looked into what ground jobs I could do that fulfilled me as an adrenaline junkie and, more importantly, utilized my experience.
I hate the unfairness of injustice. Anybody who thinks they are better than others or 'chosen' or feel they have an entitlement... be it through monarchy, government or money. I think we are all born the same. We are entitled to an equal shot at life.
A lot of cable television is shot on a single camera. Our eyes are more trained to that. It takes the camera off the crane, away from observing the action, to becoming a character in the story along with everyone else. People are getting used to that.
We were pretty darn good - fit and ready to play - but today's level is different. Those ground strokes are ever so much faster, coming back at you at a pretty good speed. Footwork-wise, you've got to be ready to hit that next shot. It's a tough time.
Star Wars' is so rich and it seems crazy that everyone's, like, a white male guy. That's due to the 1970s and the fact that it was shot in Britain, but I was very lucky: I'm British, I grew up in England, and I got to see myself represented in a film.
What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line.
If you shoot with a billion cameras, then there's no perspective. You want to use one shot at a time, so it's better to discover what that is before you shoot, rather than trying to make something in the cutting room, and then it just becomes generic.
I have shot four films for sure. On most days, I wish that there were 48 hours in a day. When a movie is coming to an end and another is going to start, I've felt that I don't want to let go of this one just yet and say goodbye to the character nicely.
No matter how successful I may get, I'll always be a failed musician, sitting at a concert double-fisting overpriced twenty-ounce beers, wishing it was me on stage brooding soulfully to my fans. I had my shot once, but I let it slip through my fingers.
The shot of Kapil Dev kissing the World Cup and hordes of Indian fans all over at Lord's is etched in my memory. Every Indian is proud of that victory, and every Indian player who has played the World Cup after that '83 win wants to bring the Cup home.
When you get to the tee on a really long par 5, I know what you're feeling. You want to let the shaft out on the driver and try to bomb it down there. I get the same feeling. But a big tee shot is not always the best strategy, especially on a long hole.
Some shots, for me, are a good shot even if it's forced. The way it might look to a person watching, they might look at it like, 'That's a tough shot.' But for me, it's not a tough decision. I'm committed to those shots, and I spend time working on them.
I was frustrated in the past, like, 'Wow, why do they have to throw me in the R&B urban adult contemporary lane?' 'Woman' was a no. 1 hit at Urban AC, so there's no disrespect to that lane. But did it get a fair shot at urban radio? No, I don't think so.
It was Osgood-Schlatters. It wasn't good. It's a growing pains thing, and I had to have a lot of treatment on it. I just shot up immediately and didn't have any kind of physique to deal with it physically. I was tall, all arms and legs, and a bit gangly.
I'm one of the only actresses in Los Angeles who has never waited tables - yet - and I'm so terrible at holding trays. When we shot the 'Vampire Diaries' pilot, I totally spilled water all down Nina Dobrev, and she had to get her hair and make-up redone.
I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light; I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniques.
The one image that's been causing a lot of discussion is one image that I shot of a man falling head-first from the building, before the buildings fell down. He was trapped in the fire, and decided to jump and take his own life, rather than being burned.
People think hard sparring will get you sharp. And you do get sharp in the gym. But anytime I've trained that way, I've actually been a little bit flatter in the fight. And the knockout shot hasn't come. It's almost because my training has been too hard.
To this day I over prepare. I draw storyboards for every scene - chicken scratches so crude that they amuse and horrify the crew. I send out shot lists, act out the scenes, and search for a theme that I can relate to. It's my favorite time of the process.
It doesn't really matter what someone's hair looks like or if the sound is perfect. Every director who's made a couple of movies knows that, because you can replace the sound. Or, like, any one shot is not that important, because they all add up together.
Do I want a shot at the belt? Yes, of course I do. Put it this way: I am Barry Sanders on the Detroit Lions. You love to watch me, but you'll never see me play in the Super Bowl. It's just one of those things. It's about politics. It's not about fighting.
Since then, I have just read and read - but, that said, I suppose there is a raft of writers to whom I return again and again, not so much because I want to write like them, even if I were capable of it, but simply for a sort of stylistic shot in the arm.
My father is a taxi driver, and my mother ran a small business. I hadn't even met a barrister before I got my first shot at the legal profession. But back then, I was lucky enough to be given a break - I can't help but wonder if I would be so lucky today.
They also explained how the sensors can monitor the levels of acetone on people's breath, and this can be used to tell people who suffer from diabetes when their next insulin shot is due. This is a more discreet method than what is currently on the market.
It's just about going out and getting the shot, so I have a great understanding of how to execute it, so that really helps me, and also having a good understanding of all the action that I'm shooting, it helps me in determining how I'm going to capture it.
Happy Days was about a family... although the show was shot in the 70s, it was about a family in the 50s. I realized that kids were watching their parents grow up and the parents were watching themselves grow up. That was the key to the success of our show.
We expect 'Narcos' will be an enormous success throughout everywhere in the world and maybe out-index in Latin America, given the Brazilian star and Brazilian director and heavy Latin American cast and that we shot the show entirely on location in Colombia.
I love roller coasters that make my stomach drop. One ride in Las Vegas, the Big Shot, straps you into a row of seats and catapults you into the air from the top of the Stratosphere Tower - then plummets back down. I ride it over and over; it's exhilarating.
I played a lawyer once, and I had about three or four weeks before we shot, so I was able to go to court and watch lawyers at work. Some were good lawyers and some were bad lawyers, but it was essential. The more time you have to prepare, the better. Always.
I plot the par 5s back from the green and make my plan. If I can reach the green in two shots, I'm going to be aggressive off the tee. But if 's a three-shot hole, the goal changes. You want to put yourself in position to hit your favorite shot to the green.
Watching yourself on screen is always a little weird, but I didn't cringe when I saw myself on 'The Hour.' It actually exceeded my expectations; every shot looks like a vintage postcard and even my most brutally honest friends have said they think it's good.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.
My father came from a very poor background, but I was very fortunate in the sense that we were never in need. My dad was determined to make sure that we didn't want for things. He wanted to give us more opportunity than he had, a better shot at a better life.
First of all, in the old days, if you wanted to show someone getting shot on film, all you could do was place an effect in the original take. And if you wanted to brighten somebody's face and leave the rest of the room dark, that was a very expensive process.
I truly am of the belief that I should be nominated and elected 'Emperor of North America' and given a shot at being ruler of the universe, and I haven't had the chance to craft my campaigns for these offices yet because I've been very busy with Brock Lesnar.
There are a lot more shots coming at the net and guys are just shooting it at the net because they have more time and pucks are going in off legs and feet and shoulders and heads, so you might have to play out a little further on the shot and hope it hits you.
'Dirty Jobs' is maybe the simplest show in the history of TV, with the possible exception of 'The Gong Show'. I go around the country; we've shot in every state. And we spend a day with people who do jobs that are dirty or dangerous or ridiculous or difficult.