There's more luck in poker. Getting good at golf requires a certain amount of physical aptitude. Both take a lot of patience. Both require knowing when to gamble - either with a big bluff or a high-risk shot. Both can be infuriating.

We are the kind of people who obsess over one word... but we have only one shot to get it right in concert. It was hard the first time I practiced with them. I was so nervous that my vocal chords were paralyzed for about a half-hour.

I used to be so focused on winning, I had a really hard time enjoying soccer. If I missed a shot, I would spend a lot of time thinking about how I'd disappointed my teammates. Then I learned how moments of struggle make you stronger.

Johnnie Cochran hasn't spent 20 years serving people in low-income, minority neighborhoods, ridding them of gangs and narcotics. I have. He hasn't been shot at and punched. I have. I've paid my dues to be able to say I'm not a racist.

Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood.

I was in Florida with Burt Stern, the photographer who shot Marilyn Monroe on the beach with a sweater, and we smoked a joint. The bathing suit kept coming off in the water, and I just ripped it off. I was very comfortable being naked.

You're gonna meet tons of different people throughout your life, and it's totally worth it to stick your neck out a little bit if you like someone. Even when you get shot down, it seems really devastating, but it's not in the long run.

In the second installment, I pretty much dominate the show. Somehow or another, though, I manage to apparently dominate the first show pretty well with just my voice and my hands and a shot of my boots kicking cartridges out of the way.

Gamble, cheat, lie, and steal. Let me explain: Gamble for your best shot in life - dare to take risks. Cheat those who would have you be less than you are. Lie in the arms of those you love. And finally, steal every moment of happiness.

If we try to engineer outcomes, if we overturn tradition to make everyone the same, we ruin society. If we upset tradition to allow for an equal shot at the starting gate, everyone wins, except for the charlatans and would be dictators.

I would be sad if it ended now. It's been the best job I've had by a long shot, especially creatively because the writing is so good. Every week I get the script and I laugh out loud and get excited for the different stuff we get to do.

I think that when NASA works on a moon shot, they know too well that all of the people working on it must do their job at 110 percent. Sometimes they probably put in 18 hour days, but they're aiming for the moon, and that's what counts.

I loved movies. In particular, I loved movies depicting places and events that obviously you couldn't have gone out and shot. It was obvious you were looking at something that had been manufactured in some way. I was fascinated by that.

I was living in New York City and flat broke. My next door neighbor was an actor and he always seemed to be having more fun than I was. He convinced me to give acting a shot, but because of my shyness I was sure it would be a lost cause.

I mean, some of the shots I take now I wouldn't have dreamed of taking when I first put on a Heat uniform. I would've been like, 'Who am I to take that shot?' Some undrafted guy who averaged nine points a game his senior year in college.

Life is the most exciting opportunity we have. But we have one shot. You graduate from college once, and that's it. You're going out of that nest. And you have to find that courage that's deep, deep, deep in there. Every step of the way.

It's... a hard thing for a director, to think you came up with a shot, something from your mind, and someone died while doing it. It's the worst thing you'll ever have to live with. It was very hard for me to get back on the horse again.

Wrestling isn't real. The falls hurt, sometimes you get punches in the face, but it's not real. It's propaganda. Propaganda makes you the giant and me the small guy. Propaganda makes me the champion and makes you unworthy of a title shot.

I think I would love a shot at remaking 'The Philadelphia Story,' as daunting as it is. I still think it's fantastic. I love the '30s comedies because they're allowed to be both comic and elegant, and the women are so complicated in them.

In an interview with a journalist, you look petty taking the pot shot but in a slick ad you can really do damage - including unfair damage - from afar. It is not that much different than waging a war by a drone than by hand-to-hand combat.

Historically, grizzlies ranged from Alaska to Mexico, with at least 50,000 bears living in the western half of the contiguous United States. With European colonization, the bears were shot, poisoned, and trapped to the brink of extinction.

Editing yourself is like an irksome coin toss. You've got to strip yourself of super ego and operate from the id. Maybe I've got my Freud mixed up. It's just hard to trade a beauty shot for the performance with truth and a brightly lit zit.

After college, I really looked at every single shot that I shot. Pretty much every shot in my sophomore year and my junior year and just watched my form. I watched how I shot it from 3, and I just noticed I was a very undisciplined shooter.

At one point, when I was 20 and living in Kentucky, I got shot - it was a land dispute over six inches of property that ran a hundred yards through my grandfather's land. It was really over the honor of my family and that of another family.

It might sound odd, but I want to thank Michael Bay because he's been saying how important it is to show 3D with the right luminescence. And that's very important for this film, a lot of which was shot at night or with very low illumination.

I was working on a heat pump that used water as a working fluid, and I made some jet pumps for it. I accidentally shot a stream of water across a bathroom where I was doing the experiment and thought to myself, 'this would make a great gun.'

When the script was written, it was sent to me with asterisks marking where he felt a song would be appropriate. Before the film was shot, the score was written. I made a demo of it, so they lived with the music as they were making the film.

I took a shot and tried to create something world changing and it didn't work out. I gave it everything I had, literally, and now I'm just trying to manage day by day and it's been challenging but my wife and my kids are healthy, and I'm OK.

During 'Stranger Things 3,' I shot 'It: Chapter Two,' so I would shoot on my days off, which was super tiring and stressful, but really rewarding at the same time. Basically, I shot 'It: Chapter Two' and 'Stranger Things 3' at the same time.

The night I was recognized for 'Daughters' at the Grammys was the night this record started. I knew I had bought the time to learn everything I needed before I started this one. 'Continuum' is not a shot in the dark, it's not a guesstimation.

Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat.

I don't have one role that I want to play. I guess... I want to be a producer. I want to be an activist. I want to be proactive in bringing about work for men, women, boys, girls, everybody who is good at what they do and deserve a shot at it.

There are two things that give me perfect happiness - doing the perfect shot and travelling. I get stressed, really stressed by the fact that there is just so much to see and I am not going to live long enough to visit all the places I want to.

I do not abuse players. I talk to myself; I abuse myself. It's my way of letting off steam. I do it after every century; I do not do it always. I keep telling myself: 'Improve, improve from the previous match, the previous shot. You can do it.'

More negatives write than call. It's a cheap shot for me to go on the air with the critical letters or E-mail I get because the reaction of the listeners is always an instantaneous expression of sympathy for me and contempt for the poor critic.

My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'

I've been leading newsrooms for a while now and it's been an honor serving as Editor in Chief of N.J., but I really think that my best shot at moving the needle in politics is by getting close to it - by reading, reporting, tweeting and writing.

My mother wasn't rich, and I never seen my father. I was a street performer. I've been shot. And now I'm known around the world, and I've touched a lot of people with my music. That's one of the great testimonies that's gonna go down in history.

I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.

President Obama is a principled man who has worked hard to put healthcare and a good education in the reach of millions of Americans and believes that everyone who works hard and plays by the rules, should have a fair shot at the American dream.

'Breaking Bad' - when I started watching that show, I thought it was terrific. I love the way it was shot. I love the writing. I love the arc of Bryan Cranston's character. I just thought that was just really, really a wonderful, wonderful show.

Yeah, we shot ourselves in the foot right out of the gate. The guy who ran it at first misled pretty much everybody about how much capital we had. He said we had enough to go three years without making money, and we had enough to go three weeks.

I knew I wanted to do music, but leaving such a successful career one would think I'd kind of shot myself in the foot. I knew I made the right decision, and at the end of the day it's up to me to get where I want to go, but it's a lot to take on.

Most of my images have been done in-studio, under very controlled lighting conditions. There have been a few that have been shot in nature, but even then they were shot almost exclusively at night, and again, under controlled lighting conditions.

We all kind of dreamed about being musicians, but the narrative around being a musician is it'll never happen to you. It's not something that just happens - one in a million shot - all those things that just make you feel like it'll never happen.

There's something pleasing about large, well-lit spaces. I love that dealers are willing to take massive chances in order to give this much room to their artists. Most of all, I love that more galleries showing more art gives more artists a shot.

People feel repressed by their own governments; they feel unfairly treated by the outside world; they wake up in the morning, and who do they see - they see people being shot and killed: all Muslims from Afghanistan, Iraq, Somalia, Sudan, Darfur.

The goal is to have to do the shot again because the camera guy shook a little bit as he was laughing. Without that happening, I'm not happy because there's nothing better for me than a world that everybody's just trying to make each other laugh.

If you played basketball growing up, you learn the importance of follow-through when you shoot: forming the gooseneck, waving good-bye to the ball, reaching into the far off hoop like it's a cookie jar - think Michael Jordan's last shot as a Bull.

If you check your ego at the door when it comes to comedy, you've got a pretty good shot at making a great movie that you can commit yourself to, you can jump off the proverbial cliff with, and have a great time, and the audiences respond to that.

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