Quotes of All Topics . Occasions . Authors
As a kid, I was always building things. My father had a shop in the house, and we built things - we were kind of a project family. I started out as a painter, and then painting led to cinema, and in cinema, you get to build so many things, or help build them.
You can literally see the radiance and suppleness being restored and dull skin coming back to life as all of those incredible nutrients go to work, that is why I just love The Oils of Life range from The Body Shop. I also love indulging in home spa treatments.
It depends on the arrangement. It could take 3 hours, it could take 3 days, it could take a week. 'Thrift Shop' took one arrangement session. We did it all in a circle that day. 'Evolution of Music' and 'Evolution of Beyonce' took a bunch of different sessions.
The Italian Renaissance extends beyond food, of course. Just about every major Italian furniture designer now has a shop in Paris, and Le Bon Marche recently opened an outlet for Santa Maria Novella perfumes, elixirs and soaps from Florence on its ground floor.
I think a pastor used to be viewed as the one-stop ministry shop. The pastor served on every committee, volunteered at every event, and made all the hospital visits. I think that is changing and I think that is healthy. Both for the pastor and the congregation.
There was a story that I was in a shoe shop and that I threw a pair of flip flops at the wall, shouting, 'I can't believe how overpriced these are!' I thought, 'Gosh, if I'm gonna take a big stand on something I would hope it would be for more than flip flops!'
I went to the Heidelburg Castle, a 1200-year-old castle, looked around. It was pretty awesome, but you know, they've got a coffee shop in there, and they have some sections closed off. I wanted to see the part where they tortured people, but it was cool, though.
I am a physical retailer by trade - if your shop is burgled you don't immediately think, 'Is it North Korea? Is it the Mafia?' But with cyber you don't know initially whether you're dealing with a state actor, as they call them, a small-time criminal, an insider.
I was in New York and I went to a meatball shop with my friend and there was paparazzi there and I thought, 'How did you know that someone was gonna come to this meatball shop?' But I was pregnant and I wanted a meatball sub and let me tell you, it was delicious.
If you've never lived outside London, and if you've always had a car, it's difficult to understand how dire bus services undermine your standard of living: from being able to get to work, meet friends in the pub, get the weekly shop or take the kids on a day out.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
Eye-popping tales of growing income inequality are hardly new. By now, nearly every American must be painfully aware of the widening pay gap between top executives and shop floor laborers; between 'Master of the Universe' financiers and pretty much everyone else.
We are all in this together. We want to have, I suppose, a single point of entry so that anyone coming near a disability service can get a very complete picture. Government needs to understand that picture, and we need to be able to offer somebody a one-stop shop.
Aged six, I sailed from South Africa to England by steam ship with my family. It was a three-week journey. I remember crying on my birthday when I didn't get the enormous teddy bear that was for sale in the ship's shop but, aside from that, I had a wonderful time.
I worked at a Web development shop and other start-ups and eventually started a project called Ludicorp, which built an online game. We soon ran out of money, and Flickr was the last-ditch effort to save the company. It quickly became a very unstoppable juggernaut.
I own my own company, so I've never had businessmen telling me what to do or getting worried if something doesn't sell. I've always had my own access to the public, because I started off making my clothes for a little shop and so I've always had people buying them.
All my tattoos, they've been thought out, thought over, been a work in progress for at least a year before I've got them. So I'm not walking into a tattoo shop, picking tattoos off a wall. It's something that means something to me. It's something that I believe in.
I was, like, 12 or 13; the first hip hop song I tried to rapping to was Macklemore's 'Thrift Shop,' and my English was so bad, but learning to rap to different songs really helped me with my pronunciation, and looking at the lyrics on Rap Genius and stuff like that.
Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again...?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.
I wasn't a girl who grew up wearing dresses, but I was always attracted to fabric. When we'd go to a shop, the fabric I'd pick was always the most expensive. It was always the silk or cashmere. It was something in me, that desire to choose quality. It's the same now.
I've done so many jobs. As an actor, you have to. I didn't have my parents footing the bill when I moved to New York. I moved here with, like, 300 bucks. I was a bike messenger. I was a waiter. I was a bartender. I worked in a consignment shop for high-end designers.
My mom is a woman who grew up in a small farming village in the West Bank called Beit Ur El Foka. She only went to school up to 8th grade and then dropped out to go work in a tailor shop that made dresses and different embroidered designs to make money for her family.
The other day, a doughnut shop in Portland called Pip's Originals tweeted me telling me that they named a doughnut after me called the 'Dirty Wu.' It is a cinnamon sugar doughnut drizzled with honey and Nutella. It was so good. I just won the Oscar in the sci-fi world.
I shop everywhere from Maxfield to antique stores. I love Alexander McQueen and Vivienne Westwood, and I love vintage. Golyester has the best selection of mint things and dead stock. I collect 1940s to 1970s platform shoes, and that's where I got a few of my best ones.
I'm a pretty organised packer, laying out everything beforehand, as I don't like to take extra stuff. I've got a good eye for judging how much I can stuff into one suitcase. I've often not brought the right items, but I'd never avoided a chance to shop, unlike most men.
It's one thing, holding open the door for someone at a grocery store, or the library, or just about anyplace else. But the doughnut shop is a different thing altogether. This is a get-in-and-out-as-fast-as-you-can operation. There's no room for courtesy or chivalry here.
Honestly, before I started working at the comic shop, I was not a huge comic reader. I grew up reading 'Archie' and have an incredible love/hate relationship with Archie Comics. I got back into it when I started living with some roommates who were really comics fanatics.
I was useless in the classroom; I would spend my time looking out of the window after the first 10 minutes. But when you do an apprenticeship, you don't have to wait for the teacher to tell you when it's time to start, because you are on the shop floor learning for real.
I know how I shop and how I am inspired to buy things, and the majority of it is from Instagram. I look at people like Yasmin Sewell and Leandra Medine from the Man Repeller, as well as the countless models that have really cool street style, for inspiration all the time.
You'd never look at a Rembrandt and say, 'That's just wood and canvas and paint - how much?!' It's all about how many people want it. It works on a pair of jeans as well - they're just material and stitching, and as soon as you walk out of the shop, they're worth nothing.
It's just really important I think for fashion to be affordable, because everyone should have the opportunity to wear cute things and be happy and comfortable in what they are wearing. That's definitely how I like to shop and how I like to think about clothes and fashion.
Put me in a vintage shop, and I am like a child with sweeties. I find it a million times easier to find a vintage dress than trawl the shops for a pair of jeans, so I am either dressed in really nice vintage, or I am in a pair of tracksuit bottoms looking like a scruffbag.
When you cook, you get to shop. You get to vote if you want the pastured raised pork or the organic grain. You can get to help produce your agricultural system, and you give that up when you outsource your cooking. You become dependent on what's offered - and that's a shame.
I'm quite British; I've got big, flat feet, and I can't wear heels. I've got very, very pale Celtic skin, so my legs are always a frightening blue color. So when you take out clothes that reveal your legs, shoes that have any kind of heel, no shop will actually take my money.
I like shopping at retail places like JC Penney or Macy's, and maybe buying a top or a shirt, and then buying a skirt from Rue 21 or Forever 21 because they have the maxi skirts, which I appreciate so much, and then topping it off with something that I buy from a Somali shop.
Once, Naseeruddin Shah told me that the wafer shop was the best acting school that I could have attended. And I completely agree. I observed every customer very minutely and picked up some quirk or the other. Later, I used those experiences while playing different characters.
I would say that there's definitely some advantages with me being able to talk shop with some of the effects people. Because I come from a post-production world, I can speak shorthand with them. I don't think many other actors can say that and know how the process 100% works.
If you listen to 'Pod Save America', which is run by former Obama staffers and Democratic party partisans, you'll be exposed to ads for home delivery of everything from gourmet meals to underwear, presumably in the belief that you're too busy being fabulous to go near a shop.
In 1990, I was in 'The Three Sisters' at the Royal Court and won the Clarence Derwent award for my supporting role as Natasha - the prize was £100. I could have paid the gas bill, but I ended up buying a porcelain and silver Bavarian coffee set in an antiques shop in Penzance.
Regressing back to an infant state is nothing to be proud of. Rich Americans don't drive themselves, don't cook, don't do their own nails/hair/make-up, don't shop, and I suppose all they've got in common with rich British people is that they don't raise their own kids, either.
You know, 'Cheers,' you didn't have to leave the bar because what they were saying in the bar was important. 'All In The Family' is the same rule. On 'The Golden Girls' they didn't have to leave the table. And 'Friends' - the coffee shop. You can contain it if it's interesting.
Most of my actor friends don't believe it's possible to let go of it and be happy, and for a while that was true for me. For the first two years I ached, every day. And I had such bad dreams. But then I made the decision to start working on my little shop and all that went away.
On the night of the winter solstice, when the dead get their annual reprieve, they go up to the 24-hour donut shop and wedding chapel to get hitched. Marriage is a good and proper pursuit for dead people. For a while, it relieves the dark, shuddering loneliness of the afterlife.
During my pre-college years, I went on many trips with my father into the oil fields to visit their operations. On Saturday mornings, I often went with him to visit the company shop. I puttered around the machine, electronics, and automobile shops while he carried on his business.
If you're a new artist, practice your art and share it. Set up shop somewhere, whether it's a street corner or a coffee shop. I got my start in a coffee shop that didn't even have live music. I wanted to play in coffee shops that did have live music, but I didn't have an audience.
Working behind the cocktail bar was a different kind of escapism, a creative outlet with a newfound respect for alcohol. I didn't drink as I was also working day shifts in a coffee shop and, later, the fire service, and needed my wits about me to pull off my 60-hour working weeks.
Social media requires that business leaders start thinking like small-town shop owners. This means taking the long view and avoiding short-term benchmarks to gauge progress. It means allowing the personality, heart and soul of the people who run all levels of the business to show.
My mother Molly had a nervous breakdown after my father Chic died, aged 50. He was a very generous man who ran a shop in Dundee giving a lot of people tick. When he died, a lot of people hadn't paid their bills, so he died with a lot of debt. After he died, my mother went doolally.
To be an entrepreneur in Europe, there is a stigma attached to it. There's a reason why England is known as a nation of shopkeepers. Part of it is the idea that it's better to have a shop and keep it up and running than close the doors and try to do something much more significant.
I've battled my weight since I was 12. My parents took to us to New York once, for a holiday, and there I'd buy fruit loops from a 24x7 shop and sit down with my books. I never played; I wasn't that kind of kid - I just read. I ate chocolates like peanuts. I was 86kg till I was 19.