Quotes of All Topics . Occasions . Authors
A lot of my friends growing up were hunters, but I spent all my time on the ice hurting actual humans playing hockey. I never had the chance to run through the woods and shoot at a moose or deer. I was shooting pucks at goaltender's heads.
I've been shooting the ball and running a little bit. It's just going out here now and forgetting that I've been out and try to get back in and make sure I know what's going on out there on the floor and that we're just not lost as a team.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
When I decided to see what Nascar was all about in 2005, it was an intellectual project, the same reason I went to the shooting range on West 20th Street and tried shooting a rifle at paper targets. I was addicted to both things instantly.
Moments of crisis, like the shooting in Newtown, tend to produce brief spikes of popular interest in gun control. My research on media attention suggests these spikes are extremely short-lived, and that they may be decreasing in intensity.
London is completely unpredictable when it comes to weather. You'll start a scene, and it's a beautiful morning. You get there at 6 in the morning, set up, you start the scene, start shooting. Three hours later, it is pitch black and rainy.
The crazy thing about 'Hook' was it was one of the movies in town that everybody knew about. It was the biggest film shooting in Hollywood at the time and the idea of Robin Williams playing Peter Pan really captured everybody's imagination.
Because I'm shooting 'The New Normal' and 'Real Housewives of Atlanta' at the same time, so my schedule is double. I leave one show and go and shoot the other. The cameras are with me for, like, every day of my life. So I'm extremely tired.
When I first started shooting 'Sharpe,' back in the early 1990s, I'd kiss my two elder daughters goodbye at the end of August - Evie wasn't even born then - and I wouldn't see them again until Christmas. That was tough. They were hard times.
Everything for me has happened so quickly. I finished shooting 'The Blind Side' not this past June, but the June before, and all of sudden up to now, it seems like it's gone from zero to 60 for me. I feel so fortunate to be able to say that.
Well, my life hasn't really changed... I've been homeschooled for a long time. So that helped a lot because of shooting and stuff. But, I have had friends who I've been friends with for years and years and they are my true friends, you know?
Skype is one of the world's greatest inventions. I use it almost daily to connect with the people I care about when I'm away shooting. It makes the distance so much more bearable and I actually feel like I'm in the same room as my loved ones.
If you ask footballers to pick out the player they most admire, so many of them will pick Paul Scholes. His passing and shooting is of the highest level and he’s the most consistent and naturally gifted player we’ve had for a long, long time.
Obviously, there's a part of me that takes the world of violence and death very seriously. However, when it comes to protection, or when it comes to just the skill of shooting... I've gone to the range with sniper rifles and things like that.
I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.
The process for doing voice work goes by much quicker as opposed to shooting a feature. You can pretty much go in and knock it out in a day or two. It feels very natural for me to express myself using only my voice, so it wasn't too difficult.
Sentencing a political opponent to death after a show trial is no different to taking him out on the street and shooting him. In fact, it is worse because using the court system as a tool of state repression makes a mockery of the rule of law.
I've seen so many photographers rush to do books the minute they start shooting, but one great thing about photography is that the images don't go away, so the more I sit with these images, the more I learn which ones have had the most impact.
A normal day of working in Burbank is 14 hours, sometimes more. On 'The Revenant' sometimes it was eight hours, but we were shooting only five. So they were short days, but they were very strenuous because of the weather. And it was very dark.
I'm shooting in Brooklyn, we've got all kinds of crap going on, and I'm all alone now in a big hotel suite that you can't believe the size of it and a thing sticks in my foot and I just think it's the funniest thing that's ever happened to me.
I used to throw up before I went on stage, every time. Even though it's only 200 people in the audience, and a movie like RoboCop is going to be seen by many, many people, I know I'd be much more nervous doing a play than being on set shooting.
Asteroids have hit the Earth millions of times. We can see them as shooting stars every night. When they get bigger, things get complicated. It is only a matter of time until a big one hits us. And since we can do something about it, we should.
When I work, obviously the material is the first and most important thing. Then the director and who I'll be working with. And then the location comes into it. Where is it shooting? Because I have a family that has to uproot to do that with me.
When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.
With indies, all they have is their script and it's very important to them. The characters are better drawn, the stories more precise and the experience greater than with studio films where sometimes they fill in the script as they're shooting.
It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
For 'Vikings,' we have to do so much outside shooting, and it's normally - I think with American shows, it'll be 60 or 70 percent inside and a little bit outside, but with us, it's almost 70 percent outside, and that's huge and really difficult.
Shooting clay targets is a very cleansing experience. It's very relaxing. It takes a lot of concentration. It's also very social, since you're usually shooting with friends. You can talk and forget about almost anything else that's on your mind.
We are not really privy to all that crazy stuff that goes on in the show. I go to work, eat, and talk about food. The wild things happen when we aren't around. I expected Top Chef to last three or four seasons and we are now shooting season ten.
I run a fast pace on my sets, man. I like the energy of the scene to be the energy on the set. I think it affects the actors, and I think it affects the crew. There's that sensation like you're really shooting it for real, like in a documentary.
I really tried to get comfortable with the notion of shooting digital on 'Foxcatcher' and just couldn't. I shot many tests and experimented with all sorts of techniques to manipulate it into a place that worked for us, but it just didn't happen.
In the aftermath of the shooting at Marjory Stoneman Douglas High School in Parkland, Fla., a false accusation has made its way back into the media: President Trump made it easier for the mentally ill to get guns. This claim is absolutely false.
I think a lot of times, especially for certain stories, photographers travel together for safety reasons, and they also invariably cross paths. But you could have 10 photographers shooting together in the same spot but capturing different images.
I'm kind of lucky that we've finished shooting 'Cougar Town,' so I'm able to kind of just enjoy my pregnancy and be a stay-at-home mom and go to prenatal Pilates and do all that fun stuff that, if I were working, would be almost impossible to do.
I once said that effort is between you, and you, and nobody else. The same can be true between and individual and their camera. What you're shooting is between you and you and nobody else. Outcomes are for the audience. The action is yours alone.
The four of us couldn't have made a record with the time left over when we were shooting the show. We were on stage from 7.30 in the morning 'til 7 at night. Later on, when there was a break from filming, and we were sick of doing it the old way.
That's the great part about television: It's alive, and it changes and evolves with the way the characters evolve. Stuff that happens to you in your life when you're shooting a TV show, you have to be careful, because it might end up in the show.
I used to follow celebrities, and I remember I watched Sanjay Dutt and Pooja Bhatt shooting for 'Sadak'. I was standing on the road at three in the night, but little did I know that I would be making a film with Sanjay at some point in my career.
Music is very helpful, not just for the actors, but the whole crew and myself. It gives you the tone of the scene. Everyone is focused on the tone of the scene when we are shooting, and we are having an emotional reaction to the music immediately.
I did a film that was similar to that world, which was Brotherly Love, and the audience fell in love with [my character] June. So to be honest, I remembered what I did in that movie and studied that film and my mannerisms while shooting in Philly.
From Blue Valentine I kept my wedding ring. I actually kept it on for a while. After the shooting had stopped, I was still wearing it – I couldn’t quite take it off – and now I keep it above the kitchen sink where I do dishes, as a little memento.
When I heard about how big a star Puneeth Rajkumar is, I was anxious about working with him. It was only after we began shooting that I realized how chilled-out and down-to-earth he actually is. We worked hard on the set but also had fun doing so.
Some actors specialize in shooting weapons and punching people. Some have the market on playing buffoons cornered, others specialize in roles that require heavy makeup or outrageous wardrobe. Some trade exclusively in a post-ironic blase attitude.
When I was in Mumbai for the promotion of 'Makkhi,' I met Ajay Devgn, Kajol, and Shah Rukh Khan, and I wanted to meet Aamir Khan. He was shooting out of India. I also met my favourite director, Raju Hirani. All of them showered praises on 'Makkhi.'
If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest Hemingway walking into a saloon, finding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead.
You know, I've carried a weapon for 10 years, never shot anybody, never robbed anybody. It has saved my life twice, but I know they're not toys. I practice with firearms, I enjoy shooting, it's a hobby of mine and I have a healthy respect for them.
Mostly, when you are shooting for action or intimate scenes, and you need to hold them, it takes away the mood if you both are not in sync. I have faced such situations and I think having a good bond with your co-stars only adds value to the scene.
In between shooting for Awake, I was attempting to have my own pilot season. The audition for Anger Management actually came during a week that I was already testing for a couple other shows and we werent really letting any other shows into the mix.
When I went to the University of Texas, my first day of freshman year in 1994, I took a student tour, and I asked about the tower shooting. I was told, 'We're really not supposed to talk about that.' That was the official stance from the university.
I played golf for 25 years before I made a hole-in-one of any kind. I was on the tour for years before it finally happened. Eventually I made 23, but boy, that first one was a long time coming. It was the price I paid for not shooting at every flag.