Quotes of All Topics . Occasions . Authors
There's a period just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.
I started shooting pictures because I had all these photographers around me, and life was kind of boring creatively because you play the same songs every night. So I looked for another outlet, and I started shooting.
It's very embarrassing to talk of your own work before shooting for it and even before it is released. I have been a witness to many of our actors turning red-faced after their films release. I'd rather not be there.
When we shot "Stargate," he [ Jaye Davidson] came up to me at one point and said, "I don't like shooting movies," and I said, "Why?" "Too many people stare at me." I said, "Then you're totally in the wrong business."
I had this vision of shooting a great white in the studio with all the edge lights I use for movie posters. I knew that I couldn't bring the great white to the studio, so I had to bring the studio to the great white.
When I was shooting for 'Mahabharat,' in those one or one and a half years, I didn't live my life. I was living as Arjun. Not even one single day I was Shaheer. But that paid off very well, as everyone loved my role.
Believe me, when I finish shooting 'Mad Men,' there's a huge chunk of time where I have a really hard time leaving my house without fake lashes on. Which is a complex because I'm not very good at applying fake lashes.
I really liked the helicopter pilot in 'Dawn of the Dead', when he gets bitten and comes out of the elevator. That guy was amazing. He did this incredible walk that we didn't even know about until we started shooting.
I spend so much time in Los Angeles and normally stay at a corporate apartment when shooting 'Top Chef: Just Desserts,' but when I have the chance to stay somewhere more luxurious, I love The Montage in Beverly Hills.
For me, every photograph is a portrait; the clothes are just a vehicle for what I want to say. You're photographing a relationship with the person you're shooting; there's an exchange, and that's what that picture is.
No matter how much I plan the overall arc of the character, you get there day one on the film and you shooting certain scenes first, and it goes completely different to anything you ever thought of, and then it's done.
We go through, I think, six different drafts of each script. And then my shooting it is roughly, you know, fifteen percent of the total work that gets done on a show. Then it's all post-production animation after that.
I have much less confidence on the greens than I do on the court. Everybody asks like if putting is like shooting free throws. Like that six-footer for par or something like that. It has a very similar kind of mindset.
I went across the fields to avoid the straight highways, along the firing lines where people were shooting at a small wooded hill, which is now covered with wooden crosses and lines of graves instead of spring flowers.
I try to see everything I do. It's a good learning tool for me. You kind of remember what you were going for when you were shooting it, and then see how it comes across in the context of what comes before and after it.
My Soul to Keep is the ultimate love story with a black man and a black woman. I call it the ultimate love story. It's about an immortal. We're shooting for this Fall and that's been a six year development right there.
We with [ Marjane Satrapi] always work together on the script which is very important. We even film each other and we start to imagine things so that we are ready, because when you start shooting, it's pretty stressful.
From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it.
I'm still shooting on low budgets, though none of my movies has lost money, and I rarely get sent anything that stars a guy or is a thriller or is seriously dramatic. And I would love the opportunity to do those things.
Shooting this one was kind of like a two month party, we would literally play music between takes, and other movies that were shooting on our lot would play hookey, come over and hang out and stuff. We had a great time.
More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.
We do like digital projection. We like shooting on film, finishing digitally, and projection digitally. That's what I like best. It's still a movie. It's not someone's camcorder and it got projected. That's mean, I know.
Every other movie is one of those action things. I mean, 'Lost in Space'? A bunch of good actors running around shooting at special effects on a soundstage? I took my kids to see that and felt like I was on an acid trip.
I've got a pretty wide range of stuff that I'm interested in in life. But producing... it gives me a lot more time at home to spend with my family as opposed to being away on location shooting nights for months at a time.
With 'Grimm,' it's a lot of fun for me to be able to play within the familiar world of fairy tales. As for satisfying my inner fantasy geek, anything that would have me wielding a sword or shooting a bow would be a dream.
I have this home in New York, I have a long-term relationship with my boyfriend, who's from Australia, and I had this business that I had maintain. Even though I wasn't actively shooting, there's a lot of peripheral work.
Some might consider me an unlikely advocate for gun rights because I sustained terrible injuries in a violent shooting. But I'm a patriot, and I believe the right to bear arms is a definitive part of our American heritage.
I have very strong relationships with my actors when I'm shooting. When you love an actor's work, you always feel you have to go further, and you make several films together. One film just gives you time to get acquainted.
I think video games and that stuff should be as violent as possible, but age-appropriate. It should be realistic. When it's not realistic you run into kids running around shooting people and not realizing the consequences.
We gazed dreamily at the Milky Way and once in a while caught some shooting stars. Times like those gave me the opportunity to wonder and ask all those very basic questions. That sense of awe for the heavens started there.
Believe me, I understand the need for easy and speedy. After a 12-hour day of shooting 'Chopped,' say, I'm talking stir-fry, spaghetti, heck, peanut-butter sandwiches. But that's not about the joy of food. That's survival.
I wrote another wrestling film script. And we finished the shooting [with Lloyd Phillips]. But Henry Winkler came out with his own wrestling film, which did poorly. So the studios passed on ours, and it never got released.
No, I think I used to be pretty superstitious about certain things, but I'm really not anymore. As long as I have everything is in order and I have my things as far as the match goes, shooting I'm fine. But I really don't.
When you're shooting a movie, it's two months of your life usually. You don't really have time to see anybody else. Your friends are put on hold while you're shooting, and what you have is the family that you create on set.
I found myself drawn to the remote Kimberley region of Australia - in the far Northwest corner of the country - our last frontier. I still can't explain why. I kept coming back over many years and started shooting material.
I think people ultimately reveal themselves to everybody. I think that's the case with Sarah Palin's conduct, particularly after the Tucson shooting, I think she's sort of digging herself into a hole. I hope - I really hope.
The Safari Club International has worked the legal system hard to try to keep polar bears - threatened primarily by climate change, but also by hunting - on the list of creatures people can import as trophies after shooting.
When I think about defending Kyrie, I think about respect. His shooting percentages were close to 50/40/90 as a 19-year-old rookie. When you come into this league with numbers like that, defenders have to respect your jumper.
We were doing it under the most extraordinary circumstances, but the first out of the tent in the morning would be David Lean. He said to me on the very first day of shooting, Pete, this is the beginning of a great adventure.
I'm busy working on every aspect of my game - defense, shooting, rebounding - but I really want to become a better overall team player. Help my teammates become better players out on the court in order to win more ball games.
I don't do rehearsal. Some directors prefer to do rehearsal - readings before the actual shooting - but I don't like this process because I think there are certain things that are so spontaneous, and they cannot happen twice.
A lot of the time, we're shooting summer campaigns in winter because they have to come out the next season. It's the hardest to feel great in a bikini when it's cold... so I appreciate a swimsuit shoot that's in warm weather.
I think one thing that makes me delay projects more than other people is, I see this silver lining in a turn-down. Maybe if I just wrote a script and then pounded my head against all the doors, I would be shooting more films.
Shooting at Coco Chanel's apartment was an unexpectedly absorbing experience. The essence of Chanel is firmly rooted there in all of her possessions, and I truly believe that her spirit and soul still inhabit the second floor.
I can't begin to count how many times I have warned politicians and candidates to worry as much about the good coverage as the bad, because the more air they put in your balloon, the bigger the target when they start shooting.
I usually shower the night before, lay out all my clothes on the floor, so then I just fall into them, clean my teeth, stumble out the door, get into my car and go wherever it is that we're shooting. You have breakfast on set.
In TV, you're basically shooting an episode in 10 to 14 days; 14 days is a luxury situation. And in film, you have anywhere from a month to three months, or it can be even longer than that, depending on what the production is.
I have makeup that I can do in 15 minutes, 10 minutes, or five minutes, depending on what I'm doing that day. On a day when I'm shooting, it's 15 minutes. Five minutes is when I'm running around that day, and it's no big deal.
My great forte in killing buffaloes was to get them circling by riding my horse at the head of the herd and shooting their leaders. Thus the brutes behind were crowded to the left, so that they were soon going round and round.
In daytime, you're shooting an episode a day, which is on average about 90 pages of script a day. That is very hectic. On '90210,' you get to work through it a little more. You're not just flying through it just to get it done.