'Awake' was just the most beautiful show. For most of the shooting, we didn't know if they were going to air. You never knew. We were just trying to make it the best it could.

That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits.

Whenever I come here to Ilocos, I get sentimental because I always remember that as a child, I would ride a bike with my father in Paoay near where they were shooting 'Panday.'

The landscape is best described as 'pedestrian hostile.' It's pointless to try to take a walk, so I generally just stay in the room and think about shooting myself in the head.

When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.

I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.

With animation, if something does not fit, you always have the time to change it. When you make a live-action movie, when your days of shooting are over, they are over forever.

Every single director-actor I talked to, from Warren Beatty to Clint Eastwood to George Clooney, said the biggest mistake they made is not shooting enough footage of themselves.

For a London play, rehearsal time would be four weeks for the entire show. In films, I'd spend six weeks on the big dance numbers to get them perfect before the actual shooting.

When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise.

You can't start a movie by having the attitude that the script is finished, because if you think the script is finished, your movie is finished before the first day of shooting.

I literally designed and built the sets myself, and I kind of liked it. I always gave myself eight weeks to do that - sometimes even 10 - and the shooting took five or six weeks.

I understand the protests, but not the shooting and the attempts to bring down the state. We cannot allow hatred to control our lives. We must remain unified to defeat this evil.

You're shooting the quarterback, and he drops back to pass the ball, and you see the ball leave his hand at 10 frames per second. At 7 frames per second, the ball's already gone.

This might surprise you, but I do feel like I have, because the shooting of all these films was spread out, for the most part. They just happen to be coming out at the same time.

No nation, savage or civilized, save only the United States of America, has confessed its inability to protect its women save by hanging, shooting, and burning alleged offenders.

I dropped out of school at 17 and joined the Irish band The Frames, getting my first glimpse into the world of professional film making while shooting of a number of rock videos.

Having worked with Sarah Paulson on 'American Horror Story: Hotel' and seeing the lengths she goes to when shooting a scene, you go, 'Oh, so that's what this is going to be like.'

Paul is Starsky, and I met him before shooting. He was very kind and encouraged us to go with what we wanted to do. It was very sweet to see them back with the car after 25 years.

Programmers have been wandering out and shooting a shotgun into the night sky and hoping they hit something, and I end up paying $150 for channels full of nothing I want to watch.

The whole business of being an actor is to explore, from research to shooting to why you do it. You're trying to see why people do what they do and how it feels to do what they do.

I went through a divorce right as we were starting the show. My divorce became final right after we started shooting the first year, and during that time I was in such a low place.

It seemed like whatever I touched, I was breaking record after record. I just knew I was on. I completely destroyed all existing shooting records there - an omen of things to come.

I never want to be in that stage where a band ends up playing state fairs and casinos. I am not willing to go out shooting up Botox and eating corn dogs while judging pig contests.

I haven't been down to Navy Pier in such a long time. I know that's probably the touristy thing to do, but it just reminds me so much of 2000 when I was here shooting ["Hardball"].

I was a million percent in love with Edward Scissorhands. I remember looking in the mirror on the last day of shooting... and thinking how sad I was to be saying goodbye to Edward.

If someone suddenly lost their director the day before shooting and wanted me to step in, I'd be willing to. But I'd do brain surgery the same way. I'm always up for something new.

Nobody could dissapear to their trailer once it was up and running, you were all there on the same stage. It was 10 days of rehearsal and 10 days of shooting, which was very tiring.

Internationally, I love going to Switzerland. I went there many times for shooting and loved the Alps, the tranquility, cleanliness, the greenery and the warmth of the people there.

I come from a background of hanging out with friends and shooting videos with them, with funny stuff coming out of the group. I guess we got the same charge jocks get out of sports.

The world will always need revolution. That doesn't mean shooting and violence. A revolution is when you change your thinking. Confucianism and Christianity were both revolutionary.

Fortunately we've been shooting in North Carolina which means we're not in LA where you can hear people talking about you and you know so much about what's going on in the business.

Nobody could disappear to their trailer once it was up and running, you were all there on the same stage. It was 10 days of rehearsal and 10 days of shooting, which was very tiring.

I think my biggest break though came probably on Patriot Games because it was the biggest, longest second unit up to that point. It was like five months of shooting and a huge crew.

I don't expect an overnight change of all desktops to what the US Military used to call B3 level security. And even that would not stop users from shooting themselves into the foot.

I remember seeing Bill Hurt in New York once. I talked to him on the phone around 1988 and that's about it. I was shooting in New York and somebody said Glenn Close came by the set.

Actually, I had no idea what shooting hoops was or were. I thought dunking was something you did with a beignet and a cup of steaming coffee. I wasn't exactly sure what a Knick was.

My grandma tells me, 'Do you focus when you're up there?' I'm like, 'Yeah, I think about shooting a free throw.' I don't miss them on purpose. I promise, I'm not betting on the games.

The nuts and bolts of shooting a film and writing a film are still really difficult. But what makes it easier is the fact that you know you're going to go to work with your best mate.

I have a lot of kurtas and Rajasthani-patterned clothes. So I really wanted to do something with an Indian flavour. Shooting the video for 'Lean On' was like a dream come true for me.

If you're shooting to make the world 10% better, you're in a smartness contest with everyone else in the world - and you're going to lose. There are too many smart people in the world.

If the Bureau of Alcohol, Tobacco and Firearms insists upon a firefight, give them a firefight. Just remember, they're wearing flak jackets and you're better off shooting for the head.

I think I was never home when I was directing, because you're either prepping, shooting, or editing, and then acting at the same time. It's really time-consuming, but it was great fun.

A song like 'Shooting Star' - the thought process behind writing that song was that I looked around and thought, 'Wow, there's a lot of people dying at that time in the music business.'

I enjoy personal injury cases. I've tried quite a few of those. And, frankly, any kind of litigation that is trouble-shooting, whether it's equities, suits and injunctions, or whatever.

When I was shooting 'The Dark Knight,' I always felt like I was shooting an intimate drama for some reason. The scenes were all intimate, and they were always between a few individuals.

Once I start shooting I forget the scriptwriter in me. I like things flowing. If you have talented actors who bring their own ideas, it can be much better than what you have worked out.

I have died in so many spectacular ways, and I remember shooting them all, too. I imagine all those deaths will flash in front of me when I'm on my death bed, faced with the real thing.

During dull moments at school, I admit, I not only drew soldiers shooting one another but also tanks, bombers, fighters, and even the occasional space ship with planet-destroying powers.

The problem for independent filmmakers is that huge companies control all the promotion, all the advertising. Hollywood films' advertising budgets are as large as their shooting budgets.

Share This Page