For several years at the University of Virginia, students had an annual tradition of raising hell around campus, burning tar barrels and shooting pistols into the air.

Goals that are not written down and developed into plans are like bullets without powder in the cartridge. People with unwritten goals go through life shooting blanks.

Fellini and Bunuel changed my life for me, they are my favourites. If it is true that movies are dreams, both of them, Fellini and Bunuel were shooting in a dream way.

You could write your fingers off for 25 years... and never get the kind of hearing you could get from shooting off your mouth on television for a half hour every week.

I was shooting the third season of 'The Big C' and doing 'The Normal Heart' at the same time on Broadway, and I thought, 'I'll never do anything as difficult as this.'

David Duchovny is a dream; a dreamboat and a dream. He was so kind... He held my hand after we were done shooting and told me I did great. He's so good at what he does.

As filmmakers, you're not working on just one project, you're producing something, directing something, shooting something, and so it becomes hard to do it by yourself.

Right now a lot of people are still choosing to go to Toronto instead of shooting in New York City, something I haven't done and something I hope I'll never have to do.

Even during the cuts. He was Rust Cohle during the whole day of shooting. It wasn't until the end of the day that he went back to Matthew 'Just Keep Livin' McConaughey.

I didn't get to see Predator until halfway through shooting. It was great to get an education while I was shooting because it made me excited to be part of this legacy.

I did all my directing when I wrote the screenplay. It was probably harder for a regular director. He probably had to read the script the night before shooting started.

I didn't go out shooting for anybody in particular because I shot for everybody unparticular. I make records for Muslims, Christians, rock 'n roll kids, skateboard kids.

Aggressiveness was a fundamental to success in airtoair combat and if you ever caught a fighter pilot in a defensive mood you had him licked before you started shooting.

We didn't play any Joy Division songs for 10 years after the start of New Order, which was a very honourable thing to do even if it meant shooting ourselves in the foot.

The Marvel experience was particularly wrenching because I was sort of given absolute freedom while we were shooting, and then in post, it turned into a different movie.

The whole idea that the rescue was staged or the soldiers were shooting blanks, that's just obvious stuff. Why would you do that in the middle of a war? It's just crazy.

It's important for me as an actor to know the entire script before you start shooting, and especially if you're directing, you don't want to be struggling with anything.

When I heard I had gotten 'Downton Abbey,' I remember I was standing on a freezing cold street in Manchester where we were shooting the Manchester part of 'West is West.'

You can't have a relationship when you're shooting a 14-hour day and your husband is shooting a 14-hour day in the same city. It's a time thing and it's a together thing.

I left 'How I Met Your Mother' and jumped right onto an episode of 'S.H.I.E.L.D.,' the TV show. I wrapped, and the next day I was on set shooting 'Agents of S.H.I.E.L.D.'

When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it.

I wanted 'Night of the Living Dead' to look naturalistic, but we weren't able to do it because we were shooting with a blimped 35mm camera, which is automatically static.

The entire time I was up shooting 'Suits,' I was running back to my trailer to help get 'Nine Circles' produced. It's a no-brainer for me to keep that part of life alive.

I'm the kind of person who, if I see a shooting star, I wouldn't stay there and watch it. I'd run to my friends and tell them because I would want everyone to see it too.

When you shoot a musical, you're shooting to lipsynch tracks, so we had to figure out our choreography and work out what we wanted to do with each number before we did it.

Of course I would never compare myself to someone who actually went through a war, but I definitely matured shooting 'The Pacific.' I'm more calm and I have more patience.

I don't read 'genre' fiction if that means novels with lots of killing and shooting. Even Cormac McCarthy's 'No Country for Old Men' seemed pretty childish in that regard.

Some photographs are like a Chekhov short story or a Maupassant story. They're quick things and there's a whole world in them. But one is unconscious of it while shooting.

Once I got to the OTC they knew more about the physical aspects of shooting, and knew which muscles were more important to have trained and geared us a program around that.

Shooting guns is not something I would do in my spare time. I really don't understand why Americans can purchase guns so easily and why they use them for sporting purposes.

It was when I was shooting for a Telugu film in Hyderabad when director Meher Ramesh approached me for 'Veera Kannadiga.' I was game to explore a new language and said yes.

I wanted to make sure that the environment of the shooting itself was not that controlled, and the way to go about that course was to work with as small a crew as possible.

Even when I'm training alone, I always prefer doing soccer-related stuff. On my own, I'll run through cones or do some shooting exercises or pass the ball against the wall.

'24' is such a unique show. I've done a lot of television, but the real-time aspect - where we're shooting over 10 months and actually only doing one day - it's just crazy.

Some people talk about screen kisses being strange or uncomfortable. But I think that I got along with Anna well enough that it just happened; it was a fun day of shooting.

It's funny shooting movies because you get to see clubs during daylight hours, which no one should ever see - it's not pretty; there's a reason the lighting is dim in there.

I got a series with the WB next year. We start shooting in July. It's going to be called Safe Harbor, and it's an hour show. It's a Spelling show and will follow 7th Heaven.

I've always been the point guard, always been the floor general out there, and it's helped me see things I didn't previously see on offense from a shooting guard standpoint.

If your shot is broke, you at least want to shoot it comfortably. You want to be comfortable shooting a broke shot. You don't want to be uncomfortable shooting a broke shot.

As an actor if you're working you're usually in three places, you're either prepping something, you're shooting something, or you're post on something or promoting something.

I started out in theater, and then I got a job on a soap in New York. With a soap opera, its every day, all year long - there's no downtime, and you're shooting a show a day.

I have a very healthy dream life. I dream a lot many, many, many nights a week. When I'm shooting, it's even more - I don't know if it has to do with stress or with creation.

Currently I am working on another three books, doing a lot of magazine work, am shooting for fifteen stock agencies, plus my own photo library - all this keeps me quite busy!

When you have to work with and exist amongst cynical, burned-out personnel on a set, it doesn't matter what you're shooting or how much you're being paid - it's not worth it.

'The Squid and the Whale' I shot in 23 days. I would have loved more time for it at the time, but in some ways that kind of kamikaze way of shooting was right for that movie.

I have a few filmmaker friends who are known for shooting super-fast, and they say that you don't have the time to over-think things and how that helps things out creatively.

I never talk about shooting anybody, but I do acknowledge I was a member of the IRA, and as a member of the IRA, I obviously engaged in fighting back against the British army.

So I went to George and told him I had the opportunity to become the figurehead of a government safety campaign, and he agreed to give me the week off and reschedule shooting!

Some directors expect you to do everything; write, be producer, psychiatrist. Some just want you to die in a tragic accident during the shooting so they can get the insurance.

Oh, absolutely, it felt more serious than your typical job. One of the things that got us through how difficult the shooting actually was was that we are telling a real story.

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