Quotes of All Topics . Occasions . Authors
I have a husband and two kids, and they're usually around when I'm shooting, then I go home. We have dinner, and that's what I'm dealing with when I go home.
My granddad passed away a month before I started shooting for 'Ishaqzaade,' and my mom died just before the film's release, both within a year of each other.
We live in a crazy time. Every other week, there's a school shooting. There's always some nutty thing and I've always wanted to kind of understand the crazy.
I haven't spoken to Oprah herself. She had so much going on, since her network show was wrapping up at the time we were shooting. I can't fault her for that.
When you are shooting traditional motion capture, it's a big footprint on set. There are, like, 16 cameras that are needed and constraints over the lighting.
Shooting an improv-based film is incredibly liberating, exhilarating, and fun, but editing that kind of movie can be difficult for obvious continuity reasons.
I deal with this spiritual issue every day - either shooting or processing or sorting or discussing or having conversations - I'm in constant contact with it.
When I was shooting 'Mud,' every day was my favourite! I had so much fun on this film and loved working with all the cast and crew! It was a great experience.
I'm currently shooting 'Ava's Possessions,' which is a really fun movie about a woman who gets possessed by a demon. I call it 'Memento' meets 'The Exorcist.'
Waterworld was the best time of my life. It was physically demanding, but it was fun. I mean, you're in Hawaii for nine months shooting on the water every day.
I'll miss the comments from the people on the street who love the show and who have felt its impact on the culture. I won't miss the shooting schedule, though!
They're not shooting me for deserting the United Stated Army - thousands of guys have done that. They're shooting me for bread I stole when I was 12 years old.
Nothing is cut while I'm shooting. I edit between nine months and a year, and usually have around 80 hours of footage I have to get down to an 82-minute movie.
When you're on a sound stage and you're shooting a fire stunt, this weird thing happens where the fire eats up all the oxygen and everybody gets a little dingy.
We deal with erratic travel and shooting schedules and it can be tough. It requires a little effort but if you want to be in a relationship you will find a way.
We had a week off in the middle of shooting, but as soon as everyone stopped, we all went down with six different types of flu and other unmentionable diseases.
I was in Deadwood at the time and on hearing of the killing made my way at once to the scene of the shooting and found that my friend had been killed by McCall.
A week before shooting, they told me, You don't have the part, yet. We're still trying to find a handicapped kid who can act. Either that or we break your legs.
Some of the best writing I've done, whether I'm shooting a story or thinking of a script, I write it in my head as I'm running. Running literally jogs my brain.
Of course you have to create the conditions of a certain belief. And maybe ignoring something that you don't want to see, at least for the time of the shooting.
You know, episodic TV directing is a very long and arduous job. You have very short schedules, short short shooting days, and you have to get lot of pages done.
I've always been really active. I grew up playing sports, so I'm always shooting hoops or throwing the football with my friends. I'm super-active in that sense.
Shooting a new story out of order every week is a fundamentally different beast than stage work, where you tell the same story every night from beginning to end.
In a very real sense, all you do when you're shooting film or television is you shoot a scene, and then you shoot another scene, and then you shoot another scene.
Hollywood has a longer pre-production period and they juggle shooting schedules more carefully for each cast. In Korea, we shoot day and night without much break.
'Red Dawn' was really the most fun I ever had making a movie, because I love Westerns, and I love the idea of being a tomboy, and riding horses and shooting guns.
The great thing about filming a film is that you all have your final day's shooting, but you always know that you're all going to be coming back for the premiere.
It would be fun to be eighty-five and have a Broadway debut. That's the goal I'm shooting for. When they revive 'Driving Miss Daisy' for the seven-hundredth time.
I've hidden behind the camera my whole life because I much, much, much prefer shooting. Being behind the camera is my safe space, and it's my creative space, too.
If you're doing movies on a set... many times, I've shot the end of a movie in the first week of shooting. Because of locations or budgets or actors' availability.
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
Everything I do with my day is related to Superwoman. I'm either doing conference calls or writing a script or reading a script, editing a video, shooting a video.
It's always challenging when you're shooting a film. Shooting things out of order and keeping continuity on all levels is always for me the most challenging thing.
I was out on the shooting range twice a week [for Skyfall]. I worked out with a personal trainer for two hours a day, five days a week. So, it was quite demanding!
The director took my face in his hands and asked me to show him my teeth, as with a horse. This happened on a Wednesday, and by the following Monday I was shooting.
I've been in enough movies to know that when you're on the set and you start shooting, you're looking at playback and you get a sense of what it's going to be like.
Well, like any time you're shooting documentary stuff, you've got to be in the moment, and you've got to be able to be in control enough to capture what's happening
Jessica Jones is very unique, and we are all in awe of the response from the public. It seems that everyone connected with the character, and we enjoyed shooting it.
When 'Dabangg' released, we were shooting in Chennai, but we still went to watch it in a theatre. I am not bothered if people try to mob me or ask me for autographs.
Well, like any time you're shooting documentary stuff, you've got to be in the moment, and you've got to be able to be in control enough to capture what's happening.
In film, I find it very useful always to do some preparation before you start rehearsals or start shooting, because there's so much that's against you on a film set.
No week is ever the same in my world! An average week in my life changes based on my shooting schedule, if I'm promoting a project, or anything else I have going on.
Think of me as the weathered sheriff coming back into Dodge 'cause the youngsters are shooting up the church and scaring the horses and not doing right by the women.
A lot of people refer to power as shooting a loaded gun. When you have to shoot the gun, you've lost the power. Other people's knowledge of your gun should be enough.
The beauty of where I'm from - this small little town called Wallburg, North Carolina - I didn't have a TV; I was out playing ball with my dad, shooting clay pigeons.
I was in Mauritius, shooting for 'Break Ke Baad,' and I went for skydiving. It was a life-changing experience. Travelling, dancing, and reading are my other pastimes.
Stage acting lets you feel the character a little better, but in the movies, you have to keep regenerating your energy level when shooting scenes over and over again.
When you move into becoming more of a shooting guard, you get more catch-and-shoot three's, lot of pin-downs and things like that where you shoot the three a lot more.
I think I can be pretty special. I think I can impact a lot in the NBA, especially with my size and my shooting ability and athleticism and just being a humble person.