It's sometimes tiring to get off a long-haul flight and go straight to the studio for a shoot, but if you really plan everything well, you can get so much out of combining travel with work.

You see a lot of European influence coming in with bigger guys having a larger skill set, shoot the ball, handle the ball, pass the ball. I'm hoping that'll develop into something I can do.

I had this notion that maybe I wanted to be an actor... I thought it might be a neat career. I thought if I was going to try that, I should shoot for the best, and I auditioned for Julliard.

One of my mantras is, 'Embrace what makes you unique, even if it makes others uncomfortable.' I keep that with me in my back pocket. Shoot, I keep it in my front pocket! I keep it in my hair.

I've used a stylist twice, and that was when I didn't have time to go shopping or pick up an outfit for a photo shoot. I think you should dress yourself, have fun with it - it's only clothes.

If I'm going to see people, I won't wear heavy makeup. It's not attractive on me. When you see those pictures on my Instagram, they are usually for when I'm doing a photo shoot or an interview.

My 2005 calendar we actually did a shoot in Lake Las Vegas. Since I had requests do some swimwear and athletic shots we tried them and they came out good so we inserted them into the new calendar.

Beyond fashion, I think that culture has a side where they love to shoot you up like a clay pigeon and then take out their rifles. I lived that, and I got to see the perspective from up in the sky.

When kids tried to pick on me, I always had one line to shoot them down with: 'I make more money in a week than you'll make in your entire life.' Which probably wasn't true, but they thought it was.

A first kiss is hard to fake on screen. It's tempting to practice before you shoot, but why blow that natural awkwardness on a rehearsal? There's something so beautiful about it that can't be faked.

You don't service a big, fun premise comedy and then shoot yourself in the foot with too much irony. You need the audience to invest in the fun and the warmth and generally care about the characters.

I've always fantasized about being on TV. And I was. Then I fantasized about being in the movies. What could be better than captain of a space ship? I get to ride horses, shoot guns, have adventures.

I'm in awe of directors like the Coen brothers who can shoot their script and edit it, and that's the movie. They're not discovering the movie in postproduction. They're editing the script they shot.

When you shoot a special, you have no idea what's going to happen, and the fact that I got to do the first one with Comedy Dynamics was a roll of the dice. It was a game changer for me professionally.

We rehearsed our 'Scarface' to the nines. Long period of rehearsal, so that by the time we started to shoot, it was almost like doing a play. We all had a grand time doing it. It was a wonderful cast.

I just want get to as high as I can go. I think that's the safest and most politically correct thing I can say. I'm not trying to take anyone's spot. I want to create my own lane and shoot to the sky.

In my real life I live in the countryside, I walk a lot, I shoot clay pigeons, I don't get involved in the film business or anything, and then in my cinematic life, I think I am drawn to the dark side.

I'm not a very efficient filmmaker. There's a lot of guys, filmmakers like the Coen Brothers who shoot a whole movie and maybe don't use 12 setups. I'm in awe of people like that; I'm just not that guy.

It affects you when you get shot at, when your children get shot at. In our case, we had one shooter, a guy from Illinois mad that Trump won, and decided to come to Washington and shoot GOP congressmen.

Humans are ridiculous. We're all pathetic strivers who will fall short. If you can accept that, it's optimistic because you can shoot for the moon and know you're never going to get there, and that's OK.

My sister does all this community-service type stuff in Portland that makes the world a much better place. And I make as much in a two-day commercial shoot as she does in five years, which is ridiculous.

For a man to strike any women is most brutal, and I, as well as everyone else, think this far worse than any attempt to shoot, which, wicked as it is, is at least more comprehensible and more courageous.

I don't have an issue with whether - from a legal standpoint, with whether or not government can impose the ultimate punishment on people. We do it in capital cases. Police officers shoot fleeing felons.

My biggest hobby is airsoft, which is similar to paintball. Essentially, it's military simulation, but the guns shoot plastic BBs. My friends and I go out in the woods or the desert and play all day long!

I shot 'Blue Valentine' on 16mm for the past, and for the present on the Red Camera. I feel that both formats are valid. The stories should dictate the format we shoot on. Filmmakers should have a choice.

The thing about America - it's different everywhere, but visually, it's amazing to shoot in the desert in the New Mexico light. It's really hard to shoot in that desert and make anything look not amazing.

I remember Tyra Banks giving me encouraging advice during my first Victoria's Secret commercial shoot. I was so nervous, and she told me to just relax and be confident - that made me feel very comfortable.

There were mornings in the make-up trailer where I'd have fits of laughter because of the extraordinary daily events of the shoot. Sometimes, it was all too much to believe. But the wildest things happened.

Our wild boar shoot at our home in Germany is always a riot because we invite lots of friends. We spend the day out in the woods, but then we get all dressed up in long gowns to dance around in the evenings.

I didn't like my hair and makeup one time on a photo shoot, and my publicist told me, 'You should just be happy with it - they haven't had a black girl on the cover since forever.' She's no longer my publicist.

When I reach the line, I just know I'm going to dribble the ball twice, and when I shoot, I know it's going in. I get there and relax. I've put more in than I have missed, so in my head, I know they're going in.

You need to hunt something that can shoot back at you to really classify yourself as a hunter. You need to understand the feeling of what it's like to go into the field and know your opposition can take you out.

I'm sort of like Jean-Paul Goude, the graphic designer who used to style Grace Jones and shoot all her visuals, just meaning that I use all mediums in one - music, fashion, and art. I'm hitting it from all angles.

I made some truly awful movies. 'Stop! Or My Mom Will Shoot' was the worst. If you ever want someone to confess to murder just make him or her sit through that film. They will confess to anything after 15 minutes.

That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think it'd be worth it to not be so strictly cost-effective and have an 8 hour day. The film's would benefit in the end.

My dad raised me with some good advice: 'Always tell the truth. Always shoot from the hip. You might not have many friends, but you'll never have enemies, because people will always know where you're coming from.'

I was shooting in the low 70s and 60s by the time I was 12. That's the great thing about golf. It doesn't matter how old or young you are. If you're 90 and can shoot a good score, people will want to play with you.

I learned from my community how to shoot a gun, how to shoot it well. I learned how to make a damn good biscuit recipe. The trick, by the way, is frozen butter, not warm butter. But I didn't learn how to get ahead.

I'm from Mexico, and I've heard some horror stories about cast members who can't stand each other. What we have on 'Jane' is a blessing. We do table reads for every single episode one day before it starts to shoot.

Jabari Parker is one of the best, if not the best, I've seen on tape. He's so hard to guard. You've got to guard from 23 feet. He can shoot it, or he can go one-on-one from there. He can post. He's so fast and long.

'Vegas' was something very close to me. I had such a blast doing that. I'm still a little upset that we never really got to shoot that final episode. So many people were invested in it. I'll always be sad about that.

Acting is sort of an extension of childhood. You get to play all of these roles and have so much fun. Playing an athlete would be so cool. Or where you get to shoot guns, ride horses. I wouldn't turn down any of that.

Now I know a lot about my body, like how important it is to eat well, as it makes you stronger in the end and helps prevent injuries. Or when you train, do you just start to shoot, or do you have a good warm-up first?

'Push' had a story, 'The Paperboy' story you could just throw up in the air and shoot holes through the book because the story wasn't as strong. But I felt the characters were stronger in 'The Paperboy'; they were vivid.

In terms of digital photography, I continue to print and use film for the most part. I still shoot with film, 21/4 film specifically, and I love it. I love it because I know what it does, how it really responds to light.

I had written in another draft a completely different kind of fight, but they said they couldn't afford to shoot it. They needed a fight scene, though, so I was told to put a fight scene in, but not the one I had written.

If we get to shoot the third one, which I'm really hoping we do, the third one's great. There's a big uprising and rebellion, and my character Gale's a big part of that. If we get to shoot that, I'll be very, very pleased.

Personally, I feel that if you shoot off 200,000 rounds, and your lead character pulls out a pistol and never gets hit, there's a sense of jeopardy that's lost. It becomes a little less exciting when things don't make sense.

With high-speed cameras, we can do the opposite of time lapse. We can shoot images that are thousands of times faster than our vision. And we can see how nature's ingenious devices work, and perhaps we can even imitate them.

My spray-tan woman is amazing. She comes to my house at 10 o'clock the night before a shoot. The results are so brown, flawless, and natural. It's just weird because my natural skin color is very white, almost whitish yellow.

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