Quotes of All Topics . Occasions . Authors
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
We must force the government to stop the bird migration. We must shoot all birds, field all our men and troops... and force migratory birds to stay where they are.
Guys telling you to shoot it when you're open - you have nothing else to think about, but if you're open or not. That's it. As soon as you catch it, you let it fly.
I have a great little camera, and I had a theory that if the story is interesting, it doesn't matter what medium you shoot it on. You just have to make a good film.
I do like the whole idea of going to a location to shoot a movie, and there is a start date and a finish date, and a lot of special things happen within those weeks.
I was once stranded on a broken-down boat in shark-infested waters in the middle of the Indian Ocean for five days before we were rescued while doing a 'Vogue' shoot.
I'm being told it saves money to shoot in Toronto, because of tax benefits, the crews are cheaper, but what I save in the bottom line, I lose in a million other ways.
I find it a turnoff whenever men aren't into some kind of sport. And, no, video games don't count. I dated a guy who was into video games, and I wanted to shoot myself.
I've seen an increasing willingness to hire Canadians for lead roles that shoot up here. When I started, they would always just fly in L.A. people to do the lead roles.
When we shoot 'Scrubs' I spend every waking hour of my life in an abandoned and haunted hospital. All I can date there are ghosts and they tend to be horrible snugglers.
The more obstinately you try to learn how to shoot the arrow for the sake of hitting the goal, the less you will succeed in the one and the further the other will recede.
When you shoot a musical, you're shooting to lipsynch tracks, so we had to figure out our choreography and work out what we wanted to do with each number before we did it.
I love when people tell me that I was gonna be a bust. I enjoy when people tell me, 'You suck. You can't dribble. You can't shoot,' because it's like, gotta go to the gym.
I think that realistically we can shoot for the title this year. If we stay healthy and be persistent throughout the season, I think we have good chance to go all the way.
Waking up with beautiful views, visiting breathtaking shoot locations and meeting wonderful people along the way on our days off, all makes me feel very lucky and blessed.
I mean astronomically, that one doesn't even make sense. Because if you shoot for the moon, you're not going to land on the stars. The moon is closer than all of the stars.
When you shoot a film, it takes six months, and it's very important keep the morale of the crew up top, all the time, and keep them on their toes, and keep them enthusiastic.
I've got to tell you what, the soldier doesn't fight very hard for a leader who is going to shoot him, okay, on his own whim. That's not what military leadership is all about.
Tom Arnold and I, we have a huge firefight scene on top of a German tank. I get to shoot 50 caliber rounds. We shoot a helicopter out of the sky. That's the only fight I'm in.
Usually, I don't revisit a scene once shot. However, in 'Gentleman,' every morning on the sets, I had to revisit the last four scenes and then shoot for the next set of scenes.
Long ago, I was lucky enough to shoot 'Flashpoint' and 'Durham County' at the same time. It doesn't happen often in an actor's life that you get two great parts simultaneously.
That's the only way I can control my movie. If you shoot everything, then everything is liable to end up in the movie. If you have a vision, you don't have to cover every scene.
I couldn't wait to get on the ice. I couldn't wait to get to practice. As a kid, I couldn't wait to shoot pucks or play in parking lots, or play on the river or play on the bay.
'Legion' was a lot of fun to shoot. It was a real unique apocalypse scenario that takes place in a diner out in the desert. Very much like a drive-in B-movie, but in a good way.
I always take working out seriously, but before a shoot I do extra sit ups and squats. I also eat more vegetables and drink a ton of water, because it really helps my skin glow.
I was spooked when I first got the role, as I was afraid I wouldn't have the companionship I need on a shoot, because I'm so into the process itself, not so much the end product.
'Southcliffe' is extremely dark. It's an extremely depressing, intense story, but the shoot was like being at Disneyland. It was unbelievably different from what we were filming.
Electricity can be dangerous. My nephew tried to stick a penny into a plug. Whoever said a penny doesn't go far didn't see him shoot across that floor. I told him he was grounded.
Generally, when a record label suggests album ideas for you, you smile politely, and then proceed to shoot it down, because it's never what you as an artist feel is right for you.
It's true that as Mr. Chan makes more American movies - and gets older - we will never again see the kind of fistfight choreography that the star would devote four months to shoot.
I can't go and shoot people in the back of the head because It's a kids' movie, which is actually quite a good test because you haven't got the overt threat of a knife in the face.
When you're able to shoot in Europe and internationally, those locations don't lie. The feeling doesn't lie, the quality of the light. You can always tell when it's shot in London.
Americans have a warrior's mentality, most of them. That's how this society was built. The fact that you own a gun and shoot to defend your life is a very American way of thinking.
People in the media grew up in the Northeast and can't comprehend the notion that there are people who like to go out to the clay pits and shoot and, afterward, go eat fried chicken.
Why shoot for the moon? It matters because when you try to do something radically hard, you approach the problem differently than when you try to make something incrementally better.
Argentina and Burma. I have been to most of the countries in the world, but not those two. I want to shoot doves in Argentina. Burma, of course, because no one has really been there.
When you are cleaning, sweeping, swabbing floors and running around for the littlest of things on a shoot for an ad or a documentary, you realize how tough life is behind the camera.
There are some people, you know, they think the way to be a big man is to shout and stomp and raise hell-and then nothing ever really happens. I'm not like that I never shoot blanks.
The word 'good' has many meanings. For example, if a man were to shoot his grandmother at a range of five hundred yards, I should call him a good shot, but not necessarily a good man.
I grew up in rural Dixon, CA, and I've been hunting with my father ever since I was a young boy. He taught me how to hunt and shoot, firearm safety, and have respect for the outdoors.
With the fight scenes, they would take a video camera and shoot alongside the camera so we would piece it together on the computer and had an extremely rough cut of what we were doing.
I'd rather enjoy meals, order bottles of red wine and eat creme brulee at the end of dinner. Then, when they call you for a photo shoot, you just go, 'Okay, time to hit the treadmill.'
But I'm never gonna get to a point in my life where what it costs to shoot a movie is going to determine what it is. The limits of my imagination is the only thing that's gonna stop me.
I like the days when all the filmmakers had was a film roll, a camera and a gangster. The Mack Sennett comedies were all like that. They'd create little teams to go out and shoot films.
I consider myself to have been the bridge between the shotgun and the binoculars in bird watching. Before I came along, the primary way to observe birds was to shoot them and stuff them.
My dad once told me, he was like, 'The only time you should lie is when someone's holding a gun to your head and says 'Okay, lie or I'm going to shoot you.' And that really stuck with me.
Shoot, after you've been through freeway traffic in Houston or Dallas, there's no road in the world that can scare you. Besides, we're pretty much used to driving long distances in Texas.
When I was running Atari, violence against humanoid figures was not allowed. We'd let you shoot at a tank... but we drew the line at shooting at people, with blood splattering everywhere.
I think that Paul Gasol is the most skilled big man in the NBA today with his ability to post on either block, the way he runs the floor, and the way he can shoot the mid-range jump shot.
We're about to shoot an episode on Air Force One, for instance, and we're going to take liberties, small liberties, with Air Force One, as we take small liberties with our White House set.