Quotes of All Topics . Occasions . Authors
All of my favorite actresses are comedians at heart: Shirley MacLaine and Madeline Kahn, Diane Keaton and Debra Winger. And they are all amazing dramatic actresses, but everything they do is funny.
Growing up, I used to watch 'Happy Days,' 'Laverne & Shirley,' 'All in the Family.' Those were the shows I watched growing up with my family. And, believe it or not, 'McMillan and Wife' and 'Columbo.'
To let the people know there was life beyond Shirley Dean, we decided to focus on voter registration; each day I set up my card table somewhere in the district, signed people up, and passed out noses.
I know there is something out there, and like most people, I tend to believe in it more when things go bad. But I'm not like Shirley MacLaine, who probably believes we were past lovers in another life.
I'm benefitting from the sacrifices and seeds sown by Shirley Chisholm, John Lewis, and so many others. Those of us who are beneficiaries owe it to have a season of service in which we try to give back.
Tina Fey and I have 15 things in development: 'Laverne and Shirley', 'Starsky and Hutch 3', 'Cagney and Lacey', 'Wonder Twins Activate From Two Hot Broads', 'Little House on the Prairie: The Musical: The Movie'.
Whether it was H. P. Lovecraft's doomed towns or Shirley Jackson's lonely, looming 'The Haunting of Hill House,' the boondocks had all the fun. As a black kid in Queens, New York, I couldn't have felt more removed.
I've loved Patti LaBelle since I was a little girl. I love her so much because she's spontaneous. I love Shirley Murdock, Keyshia Cole, Jazmine Sullivan and Tweet and Faith Evans. Faith's songs got me through a lot.
Thelonious Monk was one of the musicians I most connected with early on. I'm a huge Betty Carter fan, and the way that Abbey Lincoln and Shirley Horn grew immensely from the time they were young is so inspirational.
Nothing's changed from when I'm seven years old to now. Nothing's changed at all. I like the same stuff that I did - Kiss, Van Halen, 'Happy Days,' 'Laverne & Shirley,' 'The Brady Bunch,' monsters and all that stuff.
The interior nature of 'Basic Black' is central to its unfolding. Shirley Kaszenbowski, regarded from the outside, is the embodiment of the invisible woman. She is in her early forties, long married, with two children.
Happy Days,' 'Laverne & Shirley,' 'Mork & Mindy' - it takes no effort at all to conjure, physically, the profound excitement I felt watching these shows in prime time. I remember sitting on the floor, too close to the TV, rapt.
I started singing in pubs and clubs around Belfast when I was 10. My dad is a musician, and he took me 'round; I impersonated Tina Turner and Shirley Bassey, and the crowd couldn't believe what was coming out of this little girl.
Fortunately, the leadership of black immigrant communities has always been present in all black liberation movements from leaders like Marcus Garvey to Shirley Chisholm to Malcolm X and Harry Belafonte. We know this is our legacy.
My dad, he would go through these periods of self-doubt. We'd do something that was controversial or that wasn't welcomed by everybody, and he'd go, 'Well, Shirley, our parents cursed us with ethics, and we passed it on to our children.'
One movie I think is just terrific is 'Bernie,' with Jack Black and Shirley MacLaine. That was a great surprise to me - so witty, so entertaining, a true story, and I'm not a great Jack Black fan, but he's great in it. I think it's a gem.
I was down in Wilmington, Delaware, doing 'The Desk Set' with Shirley Booth. I was at the DuPont Hotel. I walked out, and there was this grill next door called the New England Grill. I loved seafood. They said very nicely, 'We don't serve colored people.'
Legends like Jim Murray at the 'Los Angeles Times' and Shirley Povich at the 'Washington Post' were the most beloved guys at their papers. They'd write a cherished column for 30 years, and that was it. There was nothing else to do, no higher job to attain.
The first real concert, other than going with my dad to see Three Dog Night, was Smashing Pumpkins and Garbage. I was fourteen or fifteen. I liked Shirley Manson because she reminded me of Annie Lennox. They both have these deep, sexy, powerful alto voices.
Shirley Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.
Men say, 'I've loved you since I was 7 years old,' and I say, 'Well, you never contacted me.' And very often women say, 'Do youuuuuu know what I have?' and I want to say, 'Yessssssss, I do.' Because inevitably the answer is, 'An original Shirley Temple doll.'
One of the first shows I ever did was 'Laverne & Shirley.' I played this sleazy guy that came into town with a friend and was going to date Laverne and Shirley, but we really wanted to get into the bowling alley because it was next to the bank we wanted to rob.
I'd watch old movies with Judy Garland, Shirley Temple and Bette Davis and long to be part of that glamorous world. A lot of that glamour is gone now. In my own small way, I hope I'm bringing some of it back. But it would be great if I could inspire women to dress up.
After I left 'Laverne & Shirley,' I got a ton of offers to play the goofy guy next door, and there were a couple of series that I was offered that turned out to be successful series, but it was too close to what I'd done on my series, and I was really glad I didn't take it.
For Lennon and me, we grew up with Laverne and Shirley or Lucy and Ethel. For us, those are our inspirations. And I think Amy Poehler and Tina Fey led the way for us to be fearless in the way we kept shoving our message and our comedy voice down people's throats until they listened.
The first song I remember listening to in a language other than German was 'Goldfinger,' by Shirley Bassey. I was seven years old at the time and I had no idea which language it was or who the lady was singing it, but it touched me and I realised that it was the sort of music I liked.
I grew up in Burbank - but not the Burbank of valet parking and TV studios. In the late 1950s, there was a small apartment complex on Elmwood Avenue that rented mostly to families on welfare. I lived there from age 3 to 11 and again from 14 to 18 with my mother, Shirley, and my younger sister, Toni.
When I was 11, I moved to Los Angeles to live with my father and stepmother and my half brothers. I became really close to my stepmother, and I am still very close to my brothers. My stepmother is the actress Shirley Jones, who was in 'The Partridge Family' alongside me, so we worked together for years.
I do love Shirley Jackson, but I don't deserve to be named in connection with her. I remember reading 'The Haunting of Hill House' and having goosebumps for hours. The way she builds narrative pressure in that book is just amazing. I think you could reread it a few times and actually go out of your mind.
Truth is, I love all the horror guys and girls: Gord Rollo, Shirley Jackson, Harlan Ellison, Ramsey Campbell, Dan Simmons, Thomas Ligotti. Each one of them brings something wonderfully different and, because I love the genre, I love those who love the genre, too. And I hope the genre ends up loving me back.
I was a little tomboy, growing up, but we had to go to the library every weekend if we wanted some form of entertainment. And I would gravitate towards the Shirley Temple, Judy Garland section of the library, and I would just pop that in and watch on replay because kids can watch movies over and over again.
My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double - she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother.
Ambiguity and the horror of possibility play a part in so many of my favorite horror stories: Shirley Jackson's 'We Will Always Live in the Castle,' Mark Danielewski's 'House of Leaves,' Victor LaValle's 'Big Machine,' Charlotte Perkins Gilman's 'The Yellow Wallpaper,' Stewart O'Nan's 'The Speed Queen,' and so many more.
If you think of the 1930s in film as the decade of Gable and Lombard, Cagney and Harlow, Stanwyck and the Marx Brothers, think again. The biggest star - No. 1 in the 1936, '37 and '38 exhibitor polls - was a three-time box-office champ before she was 10. Shirley Temple, singer, dancer, and prime exemplar of Movie Cute, owned the '30s.
One night, I went out with my teammates. I don't drink alcohol, so I wasn't drinking. This girl walked up to me; she was talking to me. She was like, 'Why aren't you drinking?' I was like, 'I just don't drink. Alcohol is nasty.' She said, 'I might have something for you.' She went and got a Shirley Temple. Then I was like, 'Ohhh, OK.'
Throughout the entire time I was filming 'Thirteen,' I'd just lock myself in my room and listen to Garbage's first album. It was Shirley Manson, Nirvana and Radiohead who got me through everything. Also, Alanis Morissette and Tori Amos. They were so beautiful and strange, and they gave women permission to be angry and emotional, but also strong.
George Wallace for some strange, unknown reason, he liked me. George Wallace came down to Florida, and he went all over Florida, and he said to the people, 'If you all can't vote for me, don't vote for those oval-headed lizards. Vote for Shirley Chisholm!' And that crashed my votes, because they thought that I was in league with him to get votes.