Quotes of All Topics . Occasions . Authors
I like the thought that what we are to do on this earth is embellish it for its greater beauty, so that oncoming generations can look back to the shapes we leave here and get the same thrill that I get in looking back at theirs - at the Parthenon, at Chartres Cathedral.
The trouble is, once you say something about a source, then you've pegged it down, and so now I'm reluctant to say anything. If I say I developed 50 different shapes from Mississippian tumuli, that doesn't mean they're copies of tumuli - I'm not ripping off those shapes.
A crow may put on human shape or crow shape, but we remain crows,” he replied firmly. “Hawks, too, are the same, whether they are born in human nests or hawk ones. The nestlings must always be protected. Since you have chosen to protect these, I and mine will protect you.
A five-pound boneless rolled-and-tied breast of veal, like any other piece of meat fit for braising, can come in many shapes and sizes. So recipe times aren't uniformly applicable. A long and thin tied roast will cook more quickly than its stouter, football-shaped cousin.
The shape the words end up taking are themselves the meaning of the words, they are retrospectively what we meant to say. There's no way of knowing this until you register it in visible form. But the other side of this is that you do have some idea of where you are going.
Edinburgh is a world city, visited throughout the year for its beauty and history, but in August, it is the City of Hope. There is something very exciting and romantic about performers of all shapes and sizes, honing their stuff for the biggest arts festival in the world.
Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.
As a kid, I lived almost entirely inside books, and eventually the books started returning the favor. A lot of my internal world feels like an anthology, or a library. It's eclectic and disorganized, but I can browse in it, and that hugely shapes both what and how I write.
The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
We wanted to be in great shape, we wanted to be able to cope with zero gravity, we wanted to be able to cope with accelerations and decelerations and so on. So all of us trained so that we were probably in the best physical condition we had ever been in up until that point.
When a Dalmatian sees a cow he must be like, 'What the hell happened to him? I am high right now. That dalmatian is fat and smeary.' When the cow sees the Dalmatian he must be like, 'He looks amazing. I am so out of shape, this is ridiculous. My tits are on the ground here.
If you're naturally a certain size, I think it suits you and you can see that. There's no point in trying to conform for the sake of it. People are meant to be different shapes, and their different shapes are so interesting and, ultimately, why people fall in love with them.
Having a Christian worldview shapes my decision-making with respect to all aspects of my life. I always respect people in public life who are principled, and those principles have to be connected to something. And my faith is what serves as the anchor and directs my actions.
When I cook with my son, I might chop vegetables and have fun with different shapes. Cooking is a way to teach kids about other things, like reading or math with all of the weights and measures. There are so many things that are part of cooking that are also very educational.
If you manifest your true self through nature and your normal surroundings, I find that the most eerie. Like when you see birds suddenly start flying in a different direction or when you see moths forming weird shapes, I think that's the weirdest way to let yourself be known.
I think we all waste a lot of time measuring ourselves up against impossible standards in lots of ways. We need to learn a few things, one of which being that physical beauty comes in all shapes and sizes, including a lot that the women's magazines have never even thought of.
That it should be the questions and shape of a life, its total complexity gathered, arranged, and considered, which matters in the end, not some stamp of salvation or damnation that disperses all the complexity into some unsatisfying little decision - the balancing of scales.
The number of strokes to the inch controls the pitch of the note: the more, the higher the pitch; the fewer, the lower the pitch, the size of the stroke controls the loudness... the tone quality is the most difficult element to control, it is made by the shape of the strokes.
My mum taught me that bodies are bodies, and they come in all shapes and sizes - we should be free about that. My legs are a bit dangly, and my knees point inwards. Everyone has insecurities, but I try not to focus on them. It's important to be confident with what you've got.
Although skin color is undoubtedly the most salient signal of racial identity in America, other actual or imagined bodily features have also been seen as distinctive markers of Negritude. These include the shapes of heads, feet, lips, and noses as well as the texture of hair.
When somebody listens and laughs, you're always in better shape than when you're with those folks who just kind of look at you when you say something funny. You wonder if they're looking at you because they're mad that they didn't say it or something. It's hard to handle that.
It's one of my favorite times of day. I'll have an array of notes, things that I want to think about. Something will start to take shape, and I'll play around with it. It's not usually an intense time. It's sort of a playful time. But it's when some really good thoughts arise.
I don't even have voice mail, and people get all out of shape about that. But, you know what, I don't want to transcribe your message; I want to talk to you. And that kind of freaks people out a bit. They go, 'Oh, who has time to talk?' and I'm like, 'Well, I'm gonna make time.
I have to have the sensibility to keep Versace company in good shape because there are so many people working for it, and we need to have the company grow and also be relevant. So I work very hard for all that to happen, and I wish people would know me for that and be satisfied.
As a young girl, I watched my mother hand-stitch thobes while sitting on the floor with a lamp at her side. She would make the small designs of flowers and different shapes. Just thinking about it brings up so many memories of my mother and how proud she was of being Palestinian.
I'm terrified of being too famous. What I'm really afraid of is that the audiences will go into the theater and not be able to forget that it's me, that fame will stand in the way of my acting. I want to keep being able to change into different shapes and different personalities.
You are a valuable instrument in the orchestration of your own world, and the overall harmony of the universe. Always be in command of your music. Only you can control and shape its tone. If life throws you a few bad notes or vibrations, don't let them interrupt or alter your song.
What I'm against is a sport that rewards mass for the sake of mass to the exclusion of all other physical properties of the physique. In other words, there comes a point where, if you keep adding muscle mass, the human body loses its beauty, shape and form. That's what I'm against.
In high fashion, we're always accused of doing things that are not very relevant, not the real world. I know that it's important sometimes to do fantasy, but I felt like touching people and going back to different women and men, especially the idea of different ages and body shapes.
The only thing we are naturally afraid of is pain, or loss of pleasure. And because these are not annexed to any shape, colour, or size of visible objects, we are frighted of none of them, till either we have felt pain from them, or have notions put into us that they will do us harm.
A lot of us lead relatively sedentary lifestyles, so you have to motivate yourself and force yourself to go to the gym and do active things. The folks that have figured it out, found that thing that they love and made it a big part of their lives, it's easy for them to stay in shape.
When you make music, you're forming these invisible vibrations in the air into different shapes and consistencies and speeds in order to create music, and understanding how the math of that works just gives you more colors to paint with, and allows you to get to what you want quicker.
The most perfect melodic shapes are found in Mozart; he has the lightness of touch which is the true objective ... Listen to the remarkable expansion of a Mozart melody, to Cherubino's 'Voi che sapete', for instance. You think it is coming to an end, but it goes farther, even farther.
Imagining themes that are specific to coating lines, shapes, shades, thoughts, the decoration of our homes and the objects of utility or pure pleasure, adapting its purpose in a material-specific way to metal or wood, marble or fabric - it is, without any doubt, an absorbing occupation.
I think that's the great thing about interiors is that they can be treated like a great wardrobe. Choose a sofa and chairs that are staples in clean shapes that will keep for the next couple of years or decade. Then an easy way to bump up your entire room or your interiors is accessories.
When the horror recedes and the world resumes its normal shape, you cannot forget it. You have seen what is really there, the empty horror that exists when the consoling illusion of our mundane experience is stripped away, so you can never respond to the world in quite the same way again.
I've learned something on the road, traveling around: state shapes. The easier it is to draw the shape of the state, the harder it is to live in that state. So, if you live in a regular polygon, get the hell outta there. You gotta move to a squiggly area. Culture's attracted to squiggles.
I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.
Squaring numbers is a symmetrical process that I like very much. And when I divide one number by another, say, 13 divided by 97, I see a spiral rotating downwards in larger and larger loops that seem to warp and curve. The shapes coalesce into the right number. I never write anything down.
I know people who've had a nose job, and they've walked out feeling a million dollars, and their confidence is tenfold. Good on them! Natural beauty comes in all different shapes and sizes, but if you think surgery would right something you have a problem with, then why shouldn't you do it?
Zaha Hadid's Maxxi Museum is proof that Rome and contemporary architecture are no longer a paradox. The building is characteristic Hadid - with curving lines and organic shapes - and the permanent collection already boasts works by Francesco Clemente, William Kentridge, and Gerhard Richter.
I just like the process of taking something written on a sheet of paper and giving it life and shape. I like the collaborative process of filmmaking, which is all simply to say that I love my work and I would continue to look for things that have the potential to be engaging and successful.
There's much more. There's all that goes beyond – all ... that is Elsewhere – and all that goes back, and back, and back. I received all of those, when I was selected. And here in this room, all alone, I re-experience them again and again. It is how wisdom comes. And how we shape our future.
One of the things that kept most comics from being monthly was that very few artists could produce 24 pages per month. Jack Kirby was very much the exception to the rule, but his towering presence at Marvel started to dictate the whole shape of the industry - and that's where problems set in!
With the Larry Bertlemann portrait, I started with a photograph that I could use for it. I built the drawing's identity to serve as a graphic identity. After a number of sketches, I went into my own abstract vernacular of drawn lines and shapes to create the composition for the poster design.
When I started out in fashion, everything had to be very structured and tight and controlling, and now I'm getting to a point where I think - I could wear a great big parka, that could be quite fabulous. I haven't always got to show off my size, show off my shape. It's a turning point for me.
Public schools are not simply being corporatized, they are also subjected increasingly to a militarizing logic that disciplines the bodies of young people, especially low income and poor minorities, and shapes their desires and identities in the service of military values and social relations.
If people hate Michael Langdon, that's a good thing. I'm not going to debate that. I don't worry about making him likeable... My real focus in playing Langdon is making his intentions clear and how he operates and what his mission is and how he shapes the perception of who he is around people.
I realized that I had things in my head not like what I had been taught - not like what I had seen - shapes and ideas so familiar to me that it hadn't occurred to me to put them down. I decided to stop painting, to put away everything I had done, and to start to say the things that were my own.
As an actor, you want people to see you as a whole person, not just a single facet of your emotional spectrum. And whether it's the audience or the industry, you end up getting pigeonholed as one thing. So for people to see I can be funny and stay in shape is a bit of a weight off my shoulders.