Quotes of All Topics . Occasions . Authors
I fear that my mind would starve and that I might find myself in danger if I had no visual information, that it's chiefly the light, the shapes, the spaces, the colors that I see that compel me to keep moving forward in life and that keep me safe.
It is poison - rank poison - to knuckle down to care and hardships. They must come to us all, albeit in different shapes, and we may not escape them. It is not possible. But we may swindle them out of half of their puissance with a stiff upper lip.
Each book develops a strong organic shape. And when that shape is complete, the book is complete. I don't know where the end is. I don't start at the beginning. It's like playing Tetris in my head in a very slow kind of way. All the shapes join up.
Someone who copies a Van Gogh does not therefore become Van Gogh, and the same would go for Mozart or anyone else who contributed something that was original. Certainly in the way that I described visualizing numbers in abstract, meaningful shapes.
If you look at the soap bubbles in the sink when you're doing dishes, you'll see the incredible diversity of shapes in there. There are cubes in there; there are decahedrons and tetrahedrons; there are odd, irregular shapes without names, you know.
Any concept of biology is not only sterile and profitless, it is distorted and untrue, if it puts its primary focus on unnatural conditions rather than on those vast forces not of man's making that shape and channel the nature and direction of life.
I feel like with everything you do, everything you make, everything you experience, y'know, even the dumb stuff that you don't even really pay much attention to, like the mundane stuff that happens to you every day, it shapes the person who you are.
My first advice is to keep God first in everything you do. Second is stay in shape, stay ready and learn about the business because you don't want to be in a business you know nothing about, because they will take advantage of you, in this business.
Sweet is the lore which Nature brings; Our meddling intellect Mis-shapes the beauteous forms of things We murder to dissect. Enough of Science and of Art; Close up these barren leaves; Come forth, and bring with you a heart That watches and receives.
Self-similarity is a dull subject because you are used to very familiar shapes. But that is not the case. Now many shapes which are self-similar again, the same seen from close by and far away, and which are far from being straight or plane or solid.
I just really like fun, cool, interesting, quirky girls. And sometimes you find that in 6'2 model bodies and sometimes they're short and brunette. All shapes and sizes - it's really about the personality. That sounds cliche, but it's so freaking true!
You learn different things through fiction. Historians are always making a plot about how certain things came to happen. Whereas a novelist looks at tiny little things and builds up a sort of map, like a painting, so that you see the shapes of things.
The first photograph I ever experienced consciously is a picture of my mother from before she gave birth to me. Unfortunately, it's a black-and-white photograph, which means that many of the details have been lost, turning into nothing but gray shapes.
The only shape in which equality is really connected with justice is this - justice presupposes general rules. If these general rules are to be maintained at all, it is obvious that they must be applied equally to every case which satisfies their terms.
People have been saying the novel is dead for as far back as I can remember. The novel will never die, but it will keep changing and evolving and taking different shapes. Storytelling, which is the basis of the novel, has always existed and always will.
Results "are no good unless they answer (or can be made to seem to answer, or can be twisted and wrenched and piled into odd shapes until they hint at being somehow perhaps on the verge or answering) a question that someone might conceivably want asked."
I just work, to the exclusion of most other things. I rarely work in a frenzied manner, just kind of - if you take the beater that whips the icing or the eggs into shape - on the upper end of medium speed, that's kind of how I am about seven days a week.
Family traditions are more than arguments with the dead, more than collections of family letters you try to decipher. A tradition is also a channel of memory through which fierce and unrequited longings surge, longings that define and shape a whole life.
Because of the shape of my eyes, I can wear a lot of make-up. I can do a smoky look in the evening, but in the day I wear a lot less. Most women don't deal with lip pencils - they have been given a bad name, but are essential, especially as we get older.
Beginning runners come in all shapes, sizes and pre-existing conditions, so there's no magic formula for determining exactly how much basic running is needed before you start speedwork. Most experts, though, recommend three or four months of preparation.
Orbs are little bundles of positive energy and they think they can move between 500 and 1,000 miles per hour. They look like little round planets, but they come in all shapes and sizes. Conventional photography can't pick them up, but digital cameras can.
Blade Runner appears regularly, two or three times a year in various shapes and forms of science fiction. It set the pace for what is essentially urban science fiction, urban future and it's why I've never re-visited that area because I feel I've done it.
When I was a kid, I collected cactuses. I had hundreds of different kinds in my room. I was a weird child. Everyone was playing football, and I was collecting cactuses. I spent all my money on them. I had so many colors and shapes. I even gave them names.
I'm constantly thinking about design, shapes, patterns and colors, so I just want to be more of a blank canvas. But there is a comfort in knowing what you're going to wear, and that probably comes from Catholic school, where I wore a uniform for 10 years.
Cultivate the habit of zest. Purposefully seek out the beauty in the seemingly trivial. Especially in the trivial. The colors and shapes of the foods you eat. The shadows a vase makes on your table. The interesting faces of the people on the bus with you.
There will be all these fifty-year-old women wearing hot pants and squeezing themselves into pretzel shapes and then there will be me. Just reaching for my toes like they're China. 'Hello there! You're so far away, I can't get to you! Can you even hear me?
If I can get on to my sofa and occupy myself for four hours, at intervals through the day, scribbling my notes, and able to read the books that belong to me, in that they clarify the density, and shape the formless mass within, life seems inconceivably rich.
I also discovered Pilates when I got pregnant, as people kept saying it's a great way to stay in shape, and now I can't get enough - it's amazing. It helps with aches and pain and, even for non-pregnant people, it's a great way of getting those lean muscles.
I know how easy it is for one to stay well within moral, ethical, and legal bounds through the skillful use of words - and to thereby spin, sidestep, circumvent, or bend a truth completely out of shape. To that extent, we are all liars on numerous occasions.
I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the original idea.
The formal stuff feels old and windy. Not to say you shouldn't know prosody. But it's a wonderful time for exploratory poetics. Contemporary poets are inventing all kinds of wild, complex shapes for poetry, as we see. It's a wonderful time, less ego-centered.
The heft of a life in the hands grows both lighter and weightier. Over time, my life has become more saturated with its shape and made-ness, while my poems have become more and more free. The first word of every poem might be "Yes." The next words: "And then."
Programmers and marketing people know how to get into your subconscious - they spend millions of dollars researching colors, shapes, designs, symbols, that affect your preferences, and they can make you feel warm, trusting, like buying. They can manipulate you.
He will therefore have to use what knowledge he can achieve, not to shape the results as the craftsman shapes his handiwork, but rather to cultivate a growth by providing the appropriate environment, in the manner in which the gardener does this for his plants.
I get an idea about something. I just start thinking about it, and then I get onstage and I talk about it, and then I think about it some more and talk about it some more, and think about it some more and talk about it some more, until it starts to take a shape.
Route 192 is its own thing, and you can't find that anywhere else. The colors and shapes of the buildings, the way that all the small businesses in a way feed off of the parks and sort of rip off the themes of Disney - you're not going to find that anywhere else.
Getting back into shape [after bringing twing] was challenging, like it is for anybody who has a baby. The first few pounds drop off really fast. And then you're like stuck with those last 10 to 20 pounds, let's say, and then you've really got to get disciplined.
I don't think people have ever really been in touch with science. They're drawn to it, but they don't know why they're drawn to it. For example, you may be blown away by the structure of something, like a soccer ball or a geodesic dome, with its hexagonal shapes.
When I write plays, I'm already seeing the shapes on stage, of the actors and their interaction, and so on and so forth. I don't think I've ever written one play as an abstract piece, as a literary piece, floating in the air somewhere, to be flushed out later on.
And the camera position, the organization, looking for repeating forms, shapes, trying to set up a visual rhythm seemed to come very natural. All of a sudden I was in a forest of aluminum and steel rather than a forest that we might think of in a traditional sense.
The natural world is the only one we have. To try to not see the natural world - to put on blinders and avoid seeing it - would for me seem like a form of madness. I'm also interested in the way landscape shapes individuals and populations, and from that, cultures.
I am intrigued with the shapes people choose as their symbols to create a language. There is within all forms a basic structure, an indication of the entire object with a minimum of lines that becomes a symbol. This is common to all languages, all people, all times.
Real shapes and real patterns are things you would observe in nature, like the marks on the back of a cobra's hood or the markings on a fish or a lizard. Imaginary shapes are just that, symbols that come to a person in dreams or reveries and are charged with meaning.
When you start defining yourself, you put yourself in boxes and I don't want to be trapped in anything because I will always evolve - I will always change. It's like water. I take on many shapes. Everyone should be that way and not define themselves. I am everything.
What we do sometimes when we're in the sessions recording the dialogue is we'll set up a video camera and we'll video the whole session. So then the animator, if he wants, can draw upon those tapes to pull expressions, mouth shapes, maybe some gesturing that happens.
One of the great things to pretend is that you're not only alright, you're in great shape. Now to have that come true - I've actually gone on stage depressed and that's worked its magic on me, 'cause if I can convince you that I'm alright, then maybe I can convince me.
My shape reminds me a lot of my grandmother, whom I was really close to. She died when I was 13, and we have a really similar body type, the squat New England woman who can roll out dough and bring in your lawnmower. That's kind of the vibe of my body, and I'm into it.
Since your outcomes are all a result of your moment-to-moment choices, you have incredible power to change your life by changing those choices. Step by step, day by day, your choices will shape your actions until they become habits, where practice makes them permanent.
Definitely with the fit of clothing - how it really depends on mere centimeters and millimeters of difference in terms of how lengths can make such a big impact on your shape. I learned how to incorporate a cute peter pan collar on a dress and not make it look juvenile.
One of the important lessons of the Internet is, how easy it is to get things done completely shapes what gets created. For that reason, technologies like Amazon's cloud service are very important. Even if they aren't technically impressive, they make things easy to do.