Quotes of All Topics . Occasions . Authors
Different things made 'Cheers' and 'Frasier' special. Both of them, though, were honest. It was the old Shakespeare thing: Hold the mirror up to life.
I studied Shakespeare all through high school. Both of my parents teach English and history, so it has always been around my experience as a young man.
Tales of power and ambition and intrigue and betrayal and desire - when you're telling those in a big way, you automatically want to go to Shakespeare.
I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
For example, Americans seem reluctant to take on Shakespeare because you don't think you're very good at it - which is rubbish. You're missing out here.
The public is absolutely fascinated by aging. They don't want to get old. And you can see - read Shakespeare. Read the sonnets. They're all about aging.
Was there ever such stuff as great as part of Shakespeare? Only one must not say so! But what think you? - What? - Is there not sad stuff? What? - What?
I've only written 30 songs or something. Dylan's written over 500 songs. There's no comparison. He's the Shakespeare of rock 'n' roll and popular music.
I did Shakespeare in college, and the nerves I got doing Shakespeare are the same nerves I get doing 'Mad Men.' I want to get the dialogue just spot-on.
I don't think my looks are modern. I always imagined I'd end up doing Chekhov, Ibsen and Shakespeare all my life and never play a contemporary character.
Italy during Shakespeare's time had citizens of all cultures and colors. To pretend that it did not is ignorance. And I don't waste my time on ignorance.
I cut school to read Shakespeare and to learn about that because, for the first time, I felt like I really discovered a passion - the passion of my life.
Shakespeare in Love... such smart writing of an alternative view of history, and such beautiful acting. Like most Americans, I'm a sucker for the accent.
It's like saying French shouldn't be taught because you don't understand it because it's new. Shakespeare is just like learning a new, exciting language.
I didn't even know for years that people ever even got paid for this, because they don't teach you that in school. They don't say Shakespeare got a check.
I love poetry. I love rhyming. Do you know, there are poets who don't rhyme? Shakespeare did not rhyme most of the time, and that's why I do not like him.
I grew up doing regional Shakespeare, and when Hamlet sees the ghost of his father, there's something about that that you don't really do in film anymore.
I love American English, not least because a lot of it was ours to begin with. Indeed, many Americanisms can be found in the works of William Shakespeare.
Sir Derek Jacobi has been an inspiration to so many actors and audiences throughout his brilliant career. To see him in Shakespeare is an event in itself.
An actor should be ready to play any role within reason. For example, I think the most ridiculous thing for me to do would be to try and play Shakespeare.
I don't admire Freud as much as some people do. Imagine Shakespeare being aware of the Oedipal complex when he wrote Hamlet. It would have been a disaster.
I did my English A level in England, and we studied Shakespeare. I had great, great high school teachers, and we parsed the text within an inch of its life.
It's also crazy how Shakespeare has that cadence, and it's about locking into the jazz of the language, just like locking into the rhythm in N.W.A's lyrics.
On occasion, a well-constructed drama can do what no reality or news program can do, what Shakespeare does brilliantly, is it can show both sides' opinions.
I believe that nothing comes of nothing, even in Shakespeare. I wanted to know where he got the matter he was working with and what he did with that matter.
I'm always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
I've said it before, and I'll say it again: I think it's really important to remake things. If you never remake the classics, no one would know Shakespeare.
Shakespeare's frequent horseback journeys from London to Stratford, and from Stratford to London, must have made him familiar with the county of Oxfordshire.
It is difficult to know how the Tudors actually spoke because we're going back before Shakespeare; much of the drama from that period is courtly, allegorical.
People think for Shakespeare you have to have a big English accent, but it's not true. He designed it so it can be performed in any accent in any time period.
I wasn't a model schoolboy. Of course, I was forced to sit through Shakespeare and I really got into some of it, though it depended on who was reading it out.
The language is always powerful in Shakespeare, but with 'Antony and Cleopatra,' the speeches are so big and muscular and rich - exhausting to speak, actually.
Frankly, the British always looked at this as a dumpy industrial area, but this was where Shakespeare lived and wrote and performed some of his greatest works.
In speaking, for convenience, of devices and expedients, I did not intend to imply that Shakespeare always deliberately aimed at the effects which he produced.
Do you know, I have no idea how I got 'The Avengers'? I'd left the Royal Shakespeare Company, and I was one of a long list of girls, and got it on my audition.
When I read 'Paradise Lost,' or 'Richard III,' it is clear that Milton and Shakespeare took real pleasure and satisfaction from creating these epitomes of evil.
I've done a lot of Shakespeare over the years. You start to realise how the plays fit together; he's always using pieces from one and slotting them into others.
If we wish to know the force of human genius, we should read Shakespeare. If we wish to see the insignificance of human learning, we may study his commentators.
I owe a great deal to Harold Hobson, doyen drama critic of the 'U.K. Sunday Times,' who championed me as Shakespeare's Richard II at the 1969 Edinburgh Festival.
Dreaming is an act of pure imagination, attesting in all men a creative power, which if it were available in waking, would make every man a Dante or Shakespeare.
When you tell a film financier that you want to do a Shakespeare film, their face drops. Shakespeare films don't have a very wonderful history at the box office.
Shakespeare does a great job of taking 5,000-year-old stories and turning them into modern pieces that are true to the original essence but are completely remade.
Sometimes you do feel a script that glows in your hand the moment you start reading it. By page four of Shakespeare in Love, I said, 'I have to be in this movie.'
The euro pleases dispirited people for whom European history is not Chartres and Shakespeare but the Holocaust and the Somme. The euro expresses cultural despair.
I did a season at the Royal Shakespeare Company. People say, 'Why aren't you doing theater anymore?' And I say, 'Look, my kids have gotten used to wearing shoes.'
I do think that, for instance, we've been very lucky to have theatrical careers and be associated with Shakespeare which sometimes gives you a kind of bogus kudos.
Keats himself spoke about how Shakespeare was capable of erasing himself completely from the characters he had created. As an actor, that is what I'm trying to do.
I want to be known as 'The Big Shakespeare.' It was Shakespeare that said, 'Some men are born great, some achieve greatness, some have greatness thrust upon them.'
Shakespeare is practically our only link with the classic and the past. The future of education has much to do with whether we will be able to cling to him or not.
White people use their literature to maintain culture. That's why you find references to Milton and Spencer and Shakespeare and Dostoyevsky in contemporary novels.