Shame is something you'll find a lot of - particularly Catholic - girls feel about their bodies, about their sexuality, about their diet, about anything you like. Shame is the way you keep them down. That's the way to crush a girl.

Race and class are rendered distinct analytically only to produce the realization that the analysis of the one cannot proceed without the other. A different dynamic it seems to me is at work in the critique of new sexuality studies.

My sexuality is not black and white. I'm a gay man who has occasionally drifted. I am not bi. I've had perfectly pleasant romances with women, but they weren't sustainable. My passion wasn't there. I would always be looking at guys.

It doesn't bother me or Curtis being questioned about our sexuality and it probably happens more because we're dancers. That stereotype is disappearing, but people always made ignorant, short-sighted comments when we were growing up.

For whatever reason, gay characters, or characters that deal with sexuality issues, who are black, in 'black films'... are typically not dealt with with any sort of complexity. They're exoticized: their being gay is sort of the point.

I had been afraid of breast cancer, as I suspect most women are, from the time I hit adolescence. At that age, when our emerging sexuality is our central preoccupation, the idea of disfigurement of a breast is particularly horrifying.

I actually have a peculiar feminism that does not involve the idea that women shouldn't be sexy. Female characters written in comics have always been pretty damned sexy, and used their sexuality. And I don't have any problem with that.

And I believe that public broadcasting has an important trust with the American people, it's an intimate medium of television, and that we can do reading and language development for young children without getting into human sexuality.

I'd always been a little bit uncomfortable talking about my sexuality just because it took me a while to fully accept it. I had a bit of traumatic time with my friends when I was younger, and it kind of just put me off talking about it.

Disability informs almost every part of my life. It's as important, if not more so, than my gender and sexuality. It's certainly a great deal more important to me than my religion or whether or not I caught a tram, ferry or bus to work.

We've fallen down on our responsibility to our children by somehow creating this world where they're surrounded by images of sexuality; and yet, we as adults struggle to talk to kids honestly about sex, the rules of dignity and consent.

There are so many people out there struggling with racism, or their sexuality or where they're brought up or how wealthy their family was ans these issues are not hidden, they were in the late 19 century and they're still important today.

I believe, certainly in the NHL, a player who can help a team win because he can contribute on the ice is going to be coveted whatever his beliefs may be or whoever he may be. That goes to national origin, religious beliefs, or sexuality.

Anytime I feel squeezed into a box, I just lash out. My gut reaction is to strike. It's a different character onstage: there's a whole dark sexuality that's completely different from me. You know, I don't let anybody know who I really am.

Mastery over the body - its impulses, its needs, its size - is paramount; to lose control is to risk beauty, and to risk beauty is to risk desirability, and to risk desirability is to risk entitlement to sexuality and love and self-esteem.

I read The NAMBLA Bulletin fairly regularly and I think it is one of the most intelligent discussions of sexuality I've ever found...I would have been so much happier as an adolescent if NAMBLA had been around when I was 9, 10, 11, 12, 13.

Other than my sexuality, I am vulnerable regarding my physical appearance, as I am not what people considered ideal by most standards. For the entertainment business, I am not the body type of what is typically cast for television or movies.

When I went to lobby Nelson Mandela while the post-apartheid constitution was being drafted, I asked him to endorse making it illegal to discriminate on grounds of sexuality. I'd been warned that he might giggle if I mentioned homosexuality.

There's prejudice everywhere. I don't think the music industry is as bad as the movie industry. But I have taken a few hits over the years for my sexuality, and for being honest about my life. In the end, it's the music that rules the roost.

Every year I teach dozens of students at the University of Birmingham. Most of the students on the gender and sexuality courses are women. I guess this is because the boys don't think that gender applies to them: that it's a subject for girls.

I hope that one day, the world gets to a place where you don't need to politicize your sexuality any more than someone needs to politicize their race - that we can just act and we can exist in this Zeitgeist, telling stories about one another.

I guess there have been a few questions about my sexuality, and I'd like to quiet any unnecessary rumors that may be out there. While I prefer to keep my personal life private, I hope the fact that I'm gay isn't the most interesting part of me.

I just didn't like the word 'gay.' I still don't like it. It's a dumb way of describing sexuality. I like 'queer' or other words, but 'gay' is a word that had a completely different-meaning word and has been reappropriated. I just don't like it.

My music touches on things I am concerned with in my own life - the idea of a woman's role in society, sexuality, desire, monogamy, fantasy and glamour. That's what keeps me alive, and if I couldn't keep creating that, I'd fall into a bit of heap.

Women have a certain sexuality, and I think their bodies are beautiful, and I'm not embarrassed to explore that in a film. But there are things you get offered that are vulgar and violent - just like there's a side of me that's vulgar and violent.

Blackface remains exoticist and offensive as a practice, not just because of its long tradition of being used to mock black selfhood, sexuality, and speech but because of its assertion that black people are merely white people sullied by dark skin.

It's good to have a free space to laugh and cry and get angry about gender and sexuality. That's one of the things I am the most thankful for from my friends and my family. They've given me the place to freely have gender be a part of our discourse.

Stories about the ongoing dramas in our lives as we age are not being told because women find it difficult to be honest about what's going on - about, for example, our heightened sexuality as we age or about living in a society that only values youth.

When you're 20 or 30, looking ahead, you see these benchmarks for relationships, career, ambition, sexuality, and they went off into infinity. When you get to 50, you look at what's ahead of you, and there's an end. It goes into a nothingness, a void.

Understand that sexuality is as wide as the sea. Understand that your morality is not law. Understand that we are you. Understand that if we decide to have sex whether safe, safer, or unsafe, it is our decision and you have no rights in our lovemaking.

'When Katie Met Cassidy' is a romantic comedy about two very different women who find themselves uncontrollably drawn to one another. Issues of gender and sexuality play their part in the novel, but first and foremost, it's a fun, fast-paced love story.

I'm not really a musician. I'm a performer, and I love rock n' roll. I've embraced rock n' roll because it encompasses all the things I'm interested in: poetry, revolution, sexuality, political activism - all of these things can be found in rock n' roll.

When depicting Asian people in movies, books, and television or as historical figures, it's more important to humanize them and give them all of the dimensions of humanity, and that includes sexuality. Ascribe the human the full range of human qualities.

Sexuality, desirability has nothing to do with body type. It has to do with how you feel from within. I was at my fattest best in 'The Dirty Picture,' and I was called the most desirable. So there you go. I am quite well-endowed, so I have no complaints.

Issues over same-sex marriage and LGBT people in the PCUSA are not new: there is a 40-plus year history of arguments and tacit agreements over the issue of sexuality in the denomination, and the first openly gay minister in the PCUSA was ordained in 2011.

Famously, DC has been pretty great showing gay women, with characters like Batwoman, but has shown fewer prominent men on the sexuality spectrum outside of hetero. It's something we need to address. I also think it's lovely how the readers respond to this.

Sexuality didn't come into it when I was bullied, but for so many years, being LGBTQ was one of the biggest things you would be bullied for at school. Hopefully, as time goes on, it will be a completely accepted thing that people won't have to think about.

It's great when people have the confidence to discuss their sexuality if it works for them. I can't fault someone for not coming out, because I don't know their journey, what scares them, what's at stake, or how it will affect their personal life or family.

Capitalism, in the realm of sexuality, I figure, thinks that we behave in specific ways, like a breast is always going to produce a hard-on for some product, whereas the truth is that sexuality is always a continuum, which can be characterized by reversals.

All of us from fertile egg to embryo to corpse, are exactly that: warm, wet, furry animals compelled by the sexuality of our forefathers and foremothers to be, either directly or indirectly, our own exciting and excitable, provocative and provocable selves.

My grandparents were wealthy; my mom was not. I would walk into these worlds of privilege and then walk back into this other world. My little brother is biracial. So race and economic class and sexuality - these were always issues that were a part of my life.

Surely women's liberation is a most unpromising panacea. But the movement is working politically, because our sexuality is so confused, our masculinity so uncertain, and our families so beleaguered that no one knows what they are for or how they are sustained.

I don't know a single woman in her 40s who isn't incredibly full of life and sexuality and desire for everything. There's nothing sexier than life experience, and there's nothing sexier than knowing your own body and having a little bit of experience with that.

You could say I don't want for me be seen primarily as a gay writer. I've never hidden my sexuality. It matters that I'm gay, it matters that I'm white, it matters that I'm male, it matters that I'm American. But basically it's just less and less of a big deal.

Each person's drive to overwork is unique, and doing too much numbs every workaholic's emotions differently. Sometimes overwork numbs depression, sometimes anger, sometimes envy, sometimes sexuality. Or the overworker runs herself ragged in a race for attention.

A part of sexuality may go to research, and a much larger part must lead to aesthetic creation. The art of the future will, because of the very opportunities and materials it will have at its command, need an infinitely stronger formative impulse than it does now.

Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.

I wear crop tops and stuff, but I genuinely like that style, so it's just has to be genuine. Once you start getting to that world where you're using sexuality to try to propel something, you're losing the moment. You've lost; people are not focusing on that anymore.

In terms of style I typically veer toward a certain masculinity. My style inspirations range from images of my father in his 1970s suits, to Tilda Swinton, to Hugh Hefner, to Sharon Stone and her ferocious sexuality, to handsome men I see on the streets of New York.

As I read more and more fairy tales as an adult, I found massive collusion between their 'subjects' and those in my fiction: childhood, nature, sexuality, transformation. I realized that it wasn't by accident that I was drawn to their narrative structure and motifs.

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