Quotes of All Topics . Occasions . Authors
I saw the Sex Pistols, and they were terrible.
I liked the Sex Pistols' music. I thought it was superb.
The Sex Pistols was a part of my life. Just a small part.
I never intended for the Sex Pistols to be immeasurably successful.
I love the Sex Pistols. I'm a big Beach Boys fan and a huge Zeppelin and Queen fan.
We feel we're the only British group worth exporting since the Sex Pistols, definitely.
I really liked the Sex Pistols when they came out and I thought they had a lot of melody.
I might do a solo album, maybe do covers, or do an acoustic thing. No Sex Pistols tours, nothing!
I think there were early critics who wanted us to change the world because the Sex Pistols failed.
I always think the Sex Pistols and the Ramones as very, very important because they stripped things down.
When I was in the Sex Pistols, I listened to Boston. But I couldn't tell anybody, you know. I'd get lynched.
We lived at the Sex Pistols' house because we were asked to vacate our room at the YWCA for 'keeping late hours.'
The Sex Pistols had it all - they had the snarl, they had the I-don't-give-a-crap attitude - plus, they could play.
There was a thing during those times in the '80s where it was like Sex Pistols then Nirvana and nothing in between.
People are like, 'Well, she doesn't know the Sex Pistols.' Why would I know that stuff? Look how young I am. That stuff's old, right?
I'm tired of Glen Matlock saying he was the songwriter for the Sex Pistols. I co-wrote as many songs... but I don't go shouting about it.
But when I was a teenager, I was in my room learning how to play bass by listening to Rush and the Sex Pistols. I wasn't reading Karl Marx.
I pretty much grew up when punk was big in the UK. The Sex Pistols were heroes for me. I used to run around like Johnny Rotten. I had a jacket like his.
It's not every day you get to create a band like the Sex Pistols, and what it changed, on a musical level. I love that we've done something that was important.
The bands that were big in '77, like the Clash and the Sex Pistols and Talking Heads, I got into them in the early '80s. And it changed my life. It got into my DNA.
I've always said, I thought the Sex Pistols was more Music Hall than anything else - because I think that really, more truths are said in humour than any other form.
When punk began to be a genre, people were going to go out and try to mine it. Some of the better groups, like the Ramones and the Sex Pistols, were very artificial.
I'm not an anarchist any more. I still love the Sex Pistols, but I don't want to be a punk rocker all the time, but I do want to carry on exploring new forms of acting.
Television sounded really different than the Ramones sounded really different than us sounded really different than Blondie sounded really different than the Sex Pistols.
The Sex Pistols came through Atlanta, and I got to go see them. That was historic. It blew me away; it was so much fun. I bought 45s of bands you don't hear about anymore.
The English scene got more media attention with their emphasis on fashion, with the safety pins and all. There were some really good bands over there. The Sex Pistols were great.
I started going to Madame Louise's, the lesbian club where all the punk bands used to go - the Sex Pistols, the Clash. I remember seeing Billy Idol walk in there; he was gorgeous.
At 12, turned 13, made a movie with Sex Pistols and The Clash. Learned about a lot of things I never knew and hope will never know again. Don't know how my parents let me do that.
Well, I thought the Sex Pistols were the cream of the crop. They came in and topped everybody, for sure. They took all the existing strands and made a perfect package out of them.
I wasn't planning on being a guitar player; I was going to be a singer. And I was for a little bit in the Sex Pistols - that is, until we got John Lydon. And then I realized I wasn't really suited as a front guy.
We had no money, and we had to go through 'punk' school. We ended up living in the rehearsal room that used to be the Sex Pistols rehearsal room at Malcolm McLaren's office. So we had this sort of interesting beginning.
My aunt made stuff; my mom was creative, so I was surrounded by that. When I moved to England, it was '75, and everything was happening. My whole teenage life is England, glam rock and David Bowie and Sex Pistols and Iggy Pop, all that stuff.
The signing of the Sex Pistols was a turning point for Virgin. It put the company on the map and, over the years, attracted bands such as Genesis, the Rolling Stones, Lenny Kravitz, and Janet Jackson. It also attracted Culture Club, who were ground-breaking.
I moved to Naples, Florida, and by 15 I was into punk: Green Day, Rancid, NOFX, Operation Ivy. Along with the classic punk bands, like the Sex Pistols, the Clash, the Misfits, Dead Kennedys, Minor Threat - all those bands that you get into when you're first getting into punk.
Elvis Presley, The Rolling Stones, David Bowie and The Sex Pistols may come and go, but rebellion remains a key part of the rock n' roll experience. However, that rebellion - the outgrowth of a youthful search for independence and identity - doesn't always take the same form.
Just as Bowie, Zeppelin, etc., became rock stars by remaking themselves in the image of the California girls, the Go-Gos became rock stars by pretending to be the Buzzcocks and the Sex Pistols. Jane Wiedlin always said her biggest influence was growing up in L.A. as a Bowie girl.
My very first gig was with the Sex Pistols, and it was also our first-ever gig. It was a very short set, and it was at Saint Martins College of Art in 1975. We were opening up for a band called Bazooka Joe, and their bass player at the time was Adam Ant, who went on to form Adam and the Ants.
Growing up in the '80s in central New Jersey as a weird kid with a blue mohawk listening to the Sex Pistols and dressing really funky, I was bullied pretty badly. It was every single day in elementary school and kept going into middle school, too. I felt totally alone, without a single person there for me.
I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.
The early music I heard was Top of the Pops. But in bedrooms, around the house with my brother playing the Sex Pistols, Sham 69 and the Ham and all these groups then going into that sort of mod turnover scene and then going into the New Romantics scene the coming of age myself in the mid-eighties and into the noughties, it was changing.