Quotes of All Topics . Occasions . Authors
This much I have learned: human beings come with very different sets of wiring, different interests, different temperaments, different learning styles, different gifts, different temptations. These differences are tremendously important in the spiritual formation of human beings.
I worked on a weekly one-hour show live from Los Angeles called 'The Dixie Boat Show.' We only had one camera, so there was a lot of panning because it was always on, and anything that went wrong, from actors fluffing their lines to sets falling down in mid-scene, you let it go by.
If people are failing, they look inept. If people are succeeding, they look strong and good and competent. That's the 'halo effect.' Your first impression of a thing sets up your subsequent beliefs. If the company looks inept to you, you may assume everything else they do is inept.
Right now, I think robots are where it's at. And yes, I'm biased. Robots and space, because with home rocket kits and Lego Mindstorm sets, people can get involved. I was raised on Transformers and GoBots, so I can't imagine what kids who are building real robots are dreaming about.
It's strange because even in the vaudeville days, ventriloquists were never the main attraction. They were the guys brought out to stand in front of the curtain while sets were being changed. Ventriloquism wasn't even celebrated as an art until Edgar Bergen came along in the 1930s.
I suddenly became an unprofessional tantrum queen but people tend to forget that we associate these terms only with actresses. So many times, actors report late to the sets or don't even show up. But most women will tell you how we don't even have the luxury to be five minutes late.
The circadian neurons are one of the few circuits in neurobiology where we have a chance to understand at multiple levels how different sets of neurons communicate with each other - including understanding the wiring rules, the biochemical rules, and the functional behavioral rules.
That's kind of fuse for the show - those first 10-15 seconds you're onstage. The curtain drops and you see the crowd for the first time and they see you for the first time. The response and the energy that's going on right there - to me, that sets the tone for the rest of the night.
I've learned 90 percent of what I know from watching and listening to actors. A good leading actor is the rock of the show. Their energy and their tone really sets the groundwork for how everything is going to work. I've been lucky to deal with stars who are very giving and generous.
Filmmaking is so heavy: there are so many people and trucks and teamsters and costume people and hair people and makeup people. I try to make it light and as simple as possible. It's great for actors. It puts the story up front. It's not about shots and dollies and lighting and sets.
Chicago's known for the drill. Keefs, Lil Durks, and whatnot. My music, on the other hand, it has a message to it. I think that's what sets me apart. I think it gets deeper than saying anything on a trap beat. I'm putting stories together, and people are relating to what I am saying.
There is a calculus, it turns out, for mastering our subconscious urges. For companies like Target, the exhaustive rendering of our conscious and unconscious patterns into data sets and algorithms has revolutionized what they know about us and, therefore, how precisely they can sell.
Creating a set list is like making a running order for an album. Certain things get pitted against one another that make more sense. One song sets another one off, or it might diminish it. You're just constantly looking for the next thing that's gonna make sense in a particular place.
A team may have some great players, but typically, the team that works best together does the best. I look at running Broadcom in the same way. We have a culture where people have different skill sets, but they are happy to leverage their skills to help others and to help the company.
When you talk about running big venues, obviously the WWE has sold out arenas all over the world throughout the years and it seems like every WrestleMania sets a new record. But, I believe l and I'm not mistaken that the first guy to run a dome was Bill Watts when he ran The Superdome.
When you're doing comedy constantly, you're organized: you know where everything is, you know how to get out of it, you know how to stretch it. But, like, doing 'SNL,' I stopped doing spots, and then I would finally do some sets - it take me so long to, kind of, get in the rhythm of it.
Coming from the Malayalam sets, when I went to Telugu, people told me that I wasn't acting and that it felt dead. It was very subtle in Malayalam, while it is slightly dramatic in Telugu. It is quite fascinating to understand what each industry expects of you and work according to that.
One of the things that we're trying to do with Creative Labs and all our experiences is explore things that aren't all tied to Facebook identity. Some things will be, but not everything will have to be, because there are some sets of experiences that are just better with other identities.
I felt there needed to be a show for teenagers that didn't make them feel judged. 'Skins' never tried to preach. It allowed young people to make their own decisions about what to do and whether it was right or wrong. Young people really respond to that, and that's what sets 'Skins' apart.
Intuition is the wisdom formed by feeling and instinct - a gift of knowing without reasoning... Belief is ignited by hope and supported by facts and evidence - it builds alignment and creates confidence. Belief is what sets energy in motion and creates the success that breeds more success.
Professionalism and punctuality are extremely important, especially in the career path I've chosen. Being on sets, film schedules can be very stringent and tight. They are sometimes at odd hours in various locations. Being there when you're called just ensures that the day starts smoothly.
I don't really have to switch on and switch off because I enjoy the process of enacting a role on the sets, all those mad hours of shoot and then heading home after work. I don't divide it like normal and abnormal life. For me, the entire process of doing my work and heading home is normal.
As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade.
As a decision maker, you rely on information being passed to you by the people who report to you. As the CEO, however, you cannot rely solely on this information. You also need to 'dip' down into your organization and learn directly from employees at all levels and virtually all skill sets.
A calculator is a tool for humans to do math more quickly and accurately than they could ever do by hand; similarly, AI computers are tools for us to perform tasks too difficult or expensive for us to do on our own, such as analyzing large data sets or keeping up to date on medical research.
I've worked with more than 50 directors ,and I've paid attention since day one. That's pretty much been my education, apart from studying art history and shooting with my own cameras. I've seen 50 different sets of mistakes and 50 different ways of achieving. You just leave the bad part out.
I see genres as generating sets of rules or conventions that are only interesting when they are subverted or used to disguise the author's intent. My own way of doing this is to attempt a sort of whimsical alchemy, whereby seemingly incompatible genres are brought into unlikely partnerships.
I definitely feel that society sets expectations for transgender people to fit in and makes us feel as if we have to dress a certain way so that we blend in with everyone else. But I believe all transgender individuals should be able to wear whatever they want and not worry about fitting in.
Shooting on location and dressing locations in Los Angeles is shockingly expensive, especially when you're talking about webseries-level budgets, so the opportunity to build our sets in YouTube's space gives us a lot more room in our budget in being able to create the world of 'VGHS' properly.
I grew up on movie sets, so it was something I just found familiar. When I was growing up also, in high school, I would audition for things and my parents let me audition for things - with the thought that I wouldn't get them. And then I would get them... sometimes, and it would surprise them.
A person sets out to write a poem for a variety of reasons: to win the heart of his beloved; to express his attitude toward the reality surrounding him, be it a landscape or a state; to capture his state of mind at a given instant; to leave - as he thinks at that moment - a trace on the earth.
I remember being on film sets when I was younger, and only men got to do the cool action movies. So I thought, 'Maybe I'll get to produce one day and get to do cool stuff too,' which is what happened when we did 'Charlie's Angels.' Starting my production company was a big turning point for me.
Have you ever seen the video of the kid with the Spider-Man pinata? He just sets the stick down, walks over, and gives the Spider-Man pinata a hug. He doesn't want to hurt his Spider-Man. He loves him! And I think that's a universal feeling towards Spider-Man. You just can't help but love him.
We know what the birth of a revolution looks like: A student stands before a tank. A fruit seller sets himself on fire. A line of monks link arms in a human chain. Crowds surge, soldiers fire, gusts of rage pull down the monuments of tyrants, and maybe, sometimes, justice rises from the flames.
Balaji has always had great market presence, be it in film or television - everyone was talking about the titles, about what happened on the sets, even the most bizarre and outrageous things are out there to be judged by audiences who inevitably decide to come to the theatres to watch our film.
I like stand-up. But I'd also like a family and house and a yard. I want to work with a lot of people, have colleagues; and on good film sets, there's people there that work with the same people for years and years. I love that collaborative spirit in that medium. Comedy is a lot more solitary.
A lot of actors on film sets... very often they're not paying attention to the physical world around them. I think through studying art, I've always had that awareness and that's something that I've wanted to bring in to go beyond acting... As a form of expression, they are intrinsically linked.
To economists, prices serve as crucial signals to producers and consumers. In a regulated market, the state sets prices high enough for private companies to cover their costs and earn a guaranteed profit for their investors. But in a deregulated market, prices should vary with demand and supply.
I grew up on film sets and I had a ball. It wouldn't have had nearly as much fun if my dad had been working behind a desk somewhere. I remember being on the set of 'The Godfather: Part III,' and all the kids were running around and doing crazy things, and Francis Ford Coppola just embraced that.
The first day was memorable for me. I walked into this studio with these giant eyes, slowly met everybody and got to see the story boards and sketches of our characters. I got the see the sets and was just amazed that all this was to be something we all were going to be part of for almost a year.
I did an internship at the Ardent theatre company in Philly after dropping out of college. I was earning $165 a week building sets and cleaning the toilets. Cleaning toilets is a good way of getting in touch with your creativity. That's when you find out if you got anything going on in your head.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just thought, 'I can make something better than this.'
I'm always getting sent new stuff, so I have to incorporate digital equipment into my sets, but I try to play vinyl as much as possible. It's just the best-sounding format still. And I've been using vinyl since I started deejaying, for over 15 years, so it also just feels the most natural for me.
I will talk about two sets of things. One is how productivity and collaboration are reinventing the nature of work, and how this will be very important for the global economy. And two, data. In other words, the profound impact of digital technology that stems from data and the data feedback loop.
Running fills the cup that has to pour out for others. Running feeds the soul that has a responsibility to nourish. Running sets the anchor that limits the drift of the day. Running clears the mind that has a myriad of challenges to solve. Running tends to the self so that selfishness can subside.
Every day, every one of us sets the stage for our sentiment, our confidence, and our success by getting dressed. When you feel great, when you feel your best, it opens up a world of possibility. Feeling confident and self-assured are important inputs into good days, successful days, and happy days.
Having made a real 3D movie, you realize that, right from the production design, you're designing sets that complement the 3D. You're designing interactive elements, like rain or smoke - all this particulate matter in the air enhances the 3D. But if you're shooting in 2D, you don't know about that.
Up until the age of 13, girls are confident, and they feel like they can conquer the world. Then adolescence sets in, and girls lose their confidence. And 'Seventeen' is really about them taking an hour out of their month, unplugging, lying on their bed, and reading a magazine that believes in them.
At Burning Man, the audience is the show: the boundaries between stage and public overlap and melt. Every form of self-expression, every fantasy... everything has a place. It's kind of a utopia, and everyone who sets foot in it is so impressed that they do their best to respect it and keep it alive.
I remember kind of doing early acting and thinking, 'God, they don't paint behind the sets.' It's a bit of a shame, really - 'Oh, what's on the other side of this wall? Oh, you can see the plywood.' I was really disappointed. I just thought that these things were real, from watching things as a kid.