Quotes of All Topics . Occasions . Authors
It seems ridiculous that you can be in one state with your driver's license and buy a firearm, and then in the next state it is totally illegal. There are real problems to that, but as soon as you bring up the subject and say 'gun control,' it sets a red flag.
I have to work with the team at Blizzard and the producers on the film and convince them that, as a fan, I have a unique and hopefully entertaining way of taking people through the first contact story, which is really what sets up 'Warcraft' for everyone else.
Social media, unfortunately, just makes it a lot easier to be jealous. It sets up false expectations of reality, so it's really easy to look at someone else's life online and assume that they have everything going great for them and that their life is perfect.
I am quite handy; not to sound bragadocious, but I've been working with wood and building things my entire life. I used to be a skateboarder and built ramps with my father. Then, the first two years I lived in Los Angeles, I worked as a carpenter building sets.
I'm not a big prank guy, because I don't like them done to me. I've been on movies sets where one guys goes into his trailer, and then people move the stairs, and he comes out of his trailer, and there's no stairs. That's not funny! I don't want to be that guy!
So you have to force yourself out of a comfort zone and really try to figure out what are the key ingredients, the key skill sets, the key perspectives that are necessary, and then figure out a way to attract the very best people to fill those particular roles.
I think I'm slightly OCD. I'll be desperate to get a part, but as soon as I do, the sense of pride wears off almost immediately, and fear of not doing a good job sets in. I'll think, 'This is a dream come true,' and then, 'It's not OK until I get a good review.'
In big movies, interests are not aligned between those above the line and the financier, because above the line gets paid whether the movie works or not. The financier only makes money if the movie works, and that fundamentally sets up a contentious relationship.
We actors are fortunate people, getting paid to do what we love - it's like getting paid to eat cake! There isn't much to complain about. In fact, on the days I have an off, I'm constantly telling my friends how I want to be on the sets because I miss it already.
Movie-making is serious business. The director and the crew are already under a lot of pressure to give their best to the audience. Therefore, the best part for me as an actor is to act well in the movies and make a jolly atmosphere with the co-stars on the sets.
Shellac was asked to do a recreation of our first album, but we've always been a band that improvised our sets. That's critical to the way that we function on stage. Whatever the mood takes us on stage can vary from night to night with what you feel like playing.
If I give a book as a gift, it is invariably a children's book with beautiful artwork and a simple text. I adore the feel of them, the care taken in the artwork, and the high visual stimulation that sets off the simple but often powerful message the text conveys.
When I'm working, on sets or stages, my contracts specify in the rider that no plastic bottles be used. When I'm playing with my band, we all use metal and non-plastic containers for drinking to be ecologically sensitive and show others that this is the way to go.
I don't like to design single objects. I like my pieces to have a relationship to each other. They can be mother and child, like the Schmoo salt and pepper shakers, or brother and sister like the Birdie salt and peppers, or cousins, like most of my dinnerware sets.
I never shot on sets, but if I was traveling somewhere or on location, I would always have my camera, and I'd always be - it's that kind of fly on the wall approach to photography, though. I don't engage the subject. I like to sneak around, skulk about in the dark.
I find theatre easier than films, because it gives you an environment of a dark hall, the audience concentrating with you... whereas, film sets are not conducive to long rehearsals, and it is difficult to pick up the emotions amidst all that is going on around you.
Each weekend I play at least one and maybe two sets of tennis a day. My doubles team was in the finals recently at my tennis club in Palm Beach and lost a tiebreaker after a three-hour match. I must confess, by the end of the three hours, I was relieved it was over.
I have protection. I have police protection. I have personal bodyguards. I have three sets of them. But believe me, this is really psychological for the family. If they want to get me, they can get me. And every time that I have been saved, it's been by coincidence.
Across all religions in the United States, people 18-30 are more spiritual than before, but they don't like organized religion. What sets Birthright apart is that no one's hitting on you to be Jewish in any particular way, and you can define Jewish any way you want.
With a post Brexit economic policy that sets our economy and country on the right track, with new freedoms, the U.K. will exercise greater fiscal flexibility and regulatory reform to transform our country into a dynamic engine of prosperity, job creation and growth.
A policy of knowing your replacement is one of the best ways to drive a growth culture. It anticipates and eliminates the most harmful politics in leadership for an expanding company and instantly sets the right tone for a high-talent, growth-mindset executive team.
I love working with directors who have good taste. It's incredible when a director can say something and things open up for you. I went to The University of North Carolina School of the Arts, and some of my best experiences on sets have been working with other alums.
Back when I was a professional model-maker at Industrial Light & Magic, my specialty was hard-edged construction - spaceships, miniature sets, and architectural stuff. These objects were sometimes just 12 inches across yet needed enough detail to fill a movie screen.
I don't have writer's block, really. I do have times when I can't get the lead, and that is the only part of the story which I have serious trouble with. I don't write a word of the article until I have the lead. It just sets the whole tone - the whole point of view.
A soccer game is a Wagner opera. The narrative sets up, the tension builds, the music ebbs and flows, the strings, the horns, more tension, and suddenly a moment of pure bliss, trumpet-tongued Gabriel sings, and gods descend from Olympus to dance - this peak of ecstasy.
That really sets great directors apart from good directors: their ability to make you feel like you matter, even if your part is much smaller. That's one thing I found with most of the great directors I worked with: They all have that skill. Not everyone takes the time.
The great thing about having spent all this time on film sets is that I've been able to watch directors and how they work. I now know that this is what I want to do as well: to tell stories visually. But it's definitely my vision that I want to put across, nobody else's.
The basic thing a man should know is how to change a tyre and how to drive a tractor. Whatever that bearded dude is doing on the Dos Equis beer commercials sets the bar. That's your guy. Every man should be aiming to be like him. The beard is just the tip of the iceberg.
Historically, bad money always drives out good. Accordingly, if a central bank anywhere in the world sets up its currency to be backed by any kind of hard currency, it would cause people all around the world to desire that currency for their savings, rather than dollars.
Outside of 'Justified,' I do like to keep it to comedy. When I'm not there, I try to seek out stuff that sort of more along the lighter fare. I have more fun on those sets than I do on drama sets just because when it's heavy, it's heavy, and it's hard to get away from it.
I feel opera is an expression of artistic excellence. To do it is expensive, as there's a requirement for an orchestra, good voices, excellent sets, and the fact that productions generally have only short runs. But I believe it's something we ought to achieve as a nation.
People tell you the world looks a certain way. Parents tell you how to think. Schools tell you how to think. TV. Religion. And then at a certain point, if you're lucky, you realize you can make up your own mind. Nobody sets the rules but you. You can design your own life.
When I was a teenager, I did a lot of pull-ups and push-ups. Every night before bed, I'd do 150 - in sets of 30 or so. Looking back on it now, I'm not totally sure that's the best way to improve as a climber. But it did make me a lot better at doing pull-ups and push-ups.
That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
As parents, can we counter the effect of television violence? One worrying feature in Britain is that so many TV sets are in a child's bedroom; this means that the mediating effect of watching with a parent, the ability to discuss and interpret what has been seen, is lost.
Most big popcorn movies are 'bad guy does something to good guy, good guy gets revenge on bad guy, sets the world right, and moves on.' And 'Ender's Game' is just not that simple, so it's an exciting challenge. It's a little terrifying, and let's see how audiences respond.
The wisest rule in investment is: when others are selling, buy. When others are buying, sell. Usually, of course, we do the opposite. When everyone else is buying, we assume they know something we don't, so we buy. Then people start selling, panic sets in, and we sell too.
Over-dependence on finite resources, like oil, ignores the ability of our great minds to develop alternative energy for the masses, and in doing so ignores climate change and sets up our students and workforce for failure by not educating them about the needs of our future.
It's through working with a lot of first-time directors that I realized that people learn on their feet. Everybody works on something for a different reason. Everybody has got something new to learn on these sets, and you don't have to know everything, the second you start.
I think something happens to us biologically when we have children where the worry sets in immediately. And I don't think that ever goes away. But you have to fight your instincts to build walls up around your children or to want to shelter and protect them from everything.
Amazon is now the definitive source for data about whole sets of products - fungible consumer products. EBay is the authoritative source for the secondary market of those products. Google is the authority for information about facts, but they're relatively undifferentiated.
Twelve-piece cookware sets for ninety-nine bucks are routinely hawked on late-night TV - often by friends of mine. But with a mere five pieces, you can do whatever you like - slay the dragon and then cook its tenderloin in the style of the duke of Wellington, if you want to.
Auctions typically are an opportunity for you to be able to acquire what you're looking for at a lower price; typically, the auctioneer sets the opening price at much lower than the retail price and certain interest develops and as more people come in it drives the price up.
What we face may look insurmountable. But I learned something from all those years of training and competing. I learned something from all those sets and reps when I didn't think I could lift another ounce of weight. What I learned is that we are always stronger than we know.
Directing is more what I would like to get into eventually. Frankly, I feel like it would be a waste if I didn't because I've spent so much time on film sets, and I know how they work, and I love them, and I love leading them. I would like to do that as a director definitely.
Obviously there is stuff that I wouldn't play in a club that I play at festivals, and vice-versa, but my sets are still dominated largely by my own music. I think that's what makes me stand out a bit. My music is also festival- and club-friendly, so it generally works out well.
I always have believed in the value of the diversity and resilience and just, really, the different skill sets that our community has. But we've never been able to find the right platform and find the right environment for us as a community - for us as a professional community.
My dad was in these pretty big films that were relevant to my age group. I remember him doing 'Richie Rich' when I was eight-years-old, and then 'Jumanji.' I remember going to these sets, and I loved being on film sets. I just found it fascinating watching how stories were made.
I think of myself as a Hollywood hillbilly, but I'm sick of all these questions people ask about Alabama. 'Do you have an outhouse?' 'Is there a lot of inbreeding in your family?' They think all Southerners don't have computers and TV sets and that we're all still living in 1862.
I've read up on magic, and I think it sets you free, and it gives you hope. You can explore worlds you didn't know existed. It stretches your imagination, and I like my own imagination to be stretched and also the children I'm telling the story to. It gives you a sense of wonder.