Quotes of All Topics . Occasions . Authors
The TUC's new slogan 'a future that works' sets a profound challenge. Austerity and rapid deficit reduction is failing in its own terms, but even at its best it is short-sighted, muddle-through politics with no vision of a new economic model.
Oh, my father's had a huge, immense impact on my career. I grew up on movie sets that he was working on, and it just become a part or was a part, was the only part of my life because I spent my whole childhood traveling and being on film sets.
But love, like the sun that it is, sets afire and melts everything. what greed and privilege to build up over whole centuries the indignation of a pious spirit, with its natural following of oppressed souls, will cast down with a single shove.
NBC was trying to convert all of their local programming to color right away to encourage the sale of the sets, so I barely remember working in black and white, although I do know that I did do it, but there was not a major difference, though.
On Fantastic Mr. Fox, I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in order to do certain shots.
It is easy for Christians to have the false impression that once we have established a relationship with Christ, which we believe sets us right with God, the problems of life will somehow scoot away or they will slowly be removed from our lives.
The weather records of the U.S.A. are the best kept and most accessible in the world, thanks to consistent government/military taxpayer support. There are longer European data sets, but the U.S.A. data is enough to forecast major extreme events.
I run a fast pace on my sets, man. I like the energy of the scene to be the energy on the set. I think it affects the actors, and I think it affects the crew. There's that sensation like you're really shooting it for real, like in a documentary.
I feel like if you sit down and have an assistant engineer and a producer in a top-notch studio and everyone sets up all the mikes perfect, all of a sudden it's really hard to live that melancholy song. It's hard to really live it in the moment.
Scoring from a dead-ball brings me massive satisfaction. It sets me up as an example for other players to follow, copy, and perhaps even emulate over the course of time. For them, I'm a Juninho Pernambucano 2.0, a Brazilian with a Brescia accent.
TV and the press have always functioned according to the same sets of rules and technical standards. But the Internet is based on software. And anybody can write a new piece of software on the Internet that years later a billion people are using.
I took myself out of the business to study film at NYU and the School of Visual Arts. I grew up on movie sets and was fascinated with the camera and behind-the-scenes work. I felt it would help my career as an actor if I knew all aspects of film.
I see a minimum living wage as a long-term solution, but I'm not sure that's my favorite. I think society benefits if all the human race is empowered and aspiring to do great things. Giving people the skill sets to do great things will take work.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
Red Carpet Enterprise has been really well received since one guy can install it in about an hour, and it makes it trivial to deal with software management issues like deploying updates and creating standard package sets for your various machines.
Because of my negative image, people used to hate me. I remember an incident while shooting for 'Zamaanat.' I was bitten twice by a cobra and the crew went to call a lady doctor whose clinic was close to the sets. She just refused to attend to me!
After marriage, I will have two sets of parents who are proud of me. And I also know that I won't do anything that will embarrass them. That is the trust they have in me and the responsibility that I have as a wife, friend, and also as an artiste.
On shipbuilding, on submarine building, warship building, coastal surveillance or small vessel building, we have both public and private sector. The capacities have really been scaled up, and the skill sets, hi-tech skill sets, have been acquired.
I grew up on my dad's sets, but I was never star-struck or desperate to be famous. I grew up being a worker. It took me a long time to realise that my work ended up being seen by people. As far as I was concerned, I was just in the family business.
Sweet, loveable, and with every click revealing a new surprise, 'Botanicula' creates both a wonderful world where bees and twigs play in the universe and sets up a daring story of a group of unlikely heroes taking on a tree's last hope of survival.
The few days that I shot with Jayalalithaaji, I got to observe her very closely. I was very impressed by her grace, beauty, and dignity. She came to the sets with her mother. So did I. She remained aloof on the sets and didn't speak much to anyone.
It does kids no favors, and sets them up for a potential lifetime of poor health and social embarrassment, to excuse them from family meals of real food. Everyone benefits from healthy eating, but it is particularly crucial at the beginning of life.
I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.
It is in the genes of cities to bounce back from disasters - whether natural or man made. The denizens of suburbia have no choice but to survive and move on. But it is the manner in which different cities respond to emergencies that sets them apart.
My shows have never been related to my albums at all because my albums have all kinds of crazy instruments and stuff that could never be performed live. I'm used to people expecting this 12-piece band to show up with three drum sets and an accordion.
My mom is my role model. Charlie and I have two great sets of parents, but our moms are often the ones that go with us to competitions. My mom was with me in Sochi. I am so lucky to be a part of the Thank You Mom program partnered with Puffs and P&G.
I know the 4Ps (Planning, Priority, Perspective and Patience), and I believe that this knowledge sets me apart from others, as I know exactly how to promote a song, where to promote it. And basically, how much money should be spent in doing all that.
A movie contains literally tens of thousands of ideas. They're in the form of every sentence; in the performance of each line; in the design of characters, sets, and backgrounds; in the locations of the camera; in the colors, the lighting, the pacing.
The repose of sleep refreshes only the body. It rarely sets the soul at rest. The repose of the night does not belong to us. It is not the possession of our being. Sleep opens within us an inn for phantoms. In the morning we must sweep out the shadows.
When I'm working, I look forward to weekends. Film sets give your time a structure; otherwise, one day can run into another. I often find myself in unusual locations, so Friday nights I might head out with some of the cast and crew to explore the town.
Hartford had the Mark Twain Masquers, which was fantastic. They had been in business I don't know how many years. They knew how to build sets and sell tickets and put on a play. My day started at night. When I left the office, that's when my day began.
The sad fact is that the same terrorist scenarios, if they occurred in five different States, there could be five different sets of responses to the American people. We need, at a minimum, a level of coordination on communicating threats to the public.
In Bollywood, we are told exactly what to do and how to do it and not to counter things by saying there's a better way. We make our actors feel important by paying them more. But the real deal is when you let the actors take some decisions on the sets.
Obviously, I've been on sets before but nothing as big as 'Twilight.' You forget sometimes that you're on set of one of the biggest movies ever- so when you just sit back and think about it its just so incredible. It's such a great learning experience.
When I fly in a helicopter, I insist there be two sets of controls, one for me in case something happens to the pilot. I'm no expert, but I know enough to at least get the thing on the ground. Nothing scares me like the thought of not being in control.
Basically the school system sets you up with what it wants to set you up with. They're really good at it. I think they're too good. Problem is, what they're doing is conditioning kids to merely accept the culture at hand. But the rebels won't accept it.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists. I feel that musicians do it their own way, write their own songs and put on a great live shows.
My mother takes care of my health. She makes sure that the food cooked is in olive oil. She takes charge of our health also because my dad is a heart patient. So on sets, I do take care of myself. But at home, it's my mother who is the boss of our health!
All I can tell you is 'Black Panther' sets up the MCU to go in a really wonderful new direction, sets up a new language, a new world for the MCU to play in, and that construction is then rocked to its core when Thanos enters in 'Infinity War' - get ready.
I know if I react, and I want to get mad, and emotions come to the surface, I think quickly of my friends who have died and how they overcame their struggle and used their cancer and their lives for the betterment of mankind, and it sets me back in place.
It's too much of a responsibility, too much stress, and to do justice to Sri in my first film as a director would be really tough. We can't separate our personal equation and become professionals on the sets. So no, I'm not directing Sri in my first film.
As goofy as it sounds, I try to sing in the morning. It's hard both to sing and to maintain a grouchy mood, and it sets a happy tone for everyone - particularly in my case, because I'm tone deaf, and my audience finds my singing a source of great hilarity.
I think it's good that we're talking about it, but I think there's still a gendered nature to the way that people see female directors' skill sets. And I think we need to keep examining that. I don't know if people know how complicated the issue really is.
What I learned was that we Millennials possess one factor that supposedly sets us apart from those who came before us. Is it incredibly clear skin, since most of us took Accutane at some point? No. The recurring description of our generation is 'entitled.'
You know how on movie sets there are specific chairs for each person? I hate that. We don't have names on our chairs. We have five chairs. Anyone can sit on them. I think the idea of names on chairs on a set is terrible. It's so dumb. So we got rid of that.
Despite what you might guess, when monitoring your breathing, your body doesn't care whether you're inhaling enough oxygen. It cares only whether you're expelling enough carbon dioxide - that's the gas that sets off the panic button when you're suffocating.
My whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door.
You've got two sets of teenagers in England - the mods and the rockers. The rockers are motorcycle addicts. The mods dress like we do. We wear four-button jackets, cuban heel boots, shirts of our own design, with high collars and a tab underneath the collar.
I don't know what it is, exactly, but there's a negative drag on film sets after the second week or so, a mutinous vibe because the infinite capacities of the directors and everybody else become quite finite and everybody's under the gun and it becomes work.
The Metropolitan Opera, of course, is the gold standard in opera. The Met experience includes the huge stage, the vast audience, the elaborate sets. Anyone who saw 'Faust' there - I did - knows exactly what hell is like, complete with fire, smoke and terror.