Quotes of All Topics . Occasions . Authors
On the one hand, I'm so relieved that I've actually managed to finish my very first series and that I've been able to see my characters through to the end of their journeys. On the other hand, I feel like how parents must feel when they send their kid off to college. It's a bittersweet mix.
But doing 'Parenthood,' I've never ever been happier in 35 years. I drive to work and I drive home. I'm like a factory worker and that is in my DNA. I love having a steady job with the same people. It's made me so much calmer and more content. Now I just hope the series goes on for 15 years.
I started out on the stage, then I had a great career in television for quite a few years. The good news about a TV series is that they give you a certain amount of fame and money. The bad news is that you're in people's living rooms every week and get associated with a particular character.
One of the series I like is D.M. Cornish's 'Monster Blood Tattoo,' in which he creates a whole language. Kids who are reading that are building a language in their heads. There's no real cognitive difference. I think kids are excited by language, and they're not always given credit for that.
From 1945 to 1991, China was engaged in a series of wars that nearly broke them. This generation has been through hell: the Great Leap Forward, hunger, starvation, near collision with the Russians - the Cultural Revolution gone mad. I have no doubt that this generation wants a peaceful rise.
I obtained my first job with the Eagles through a series of internships that began during my junior year of college. From there, after obtaining the job, it was a combination of hard work and perseverance and showing them the type of person that I was that helped me climb the coaching ladder.
Although I have to say, it's become a lot harder for me since I won the world series because everyone wants to beat me. For example, bluffing is really tough now, because there's always someone who calls me on the off-chance that they'll then be able to say they read a world champion's bluff.
Most of us can now record a whole series with the click of a button. We all have DVD players, and the rise of the DVD box-set means we watch this stuff in two, three-hour sessions. So there is this real appetite out there for lengthy, pretty intricate drama. All that is great news for writers.
It just tends to be that the grass is always greener. If I'm doing a movie, I suddenly think, 'Oh God, I wish I could just get a play script I could get my teeth into.' If I'm doing eight shows a week in a West End musical, I think, 'God, how lovely it would be to be in a TV series right now.'
Life is a series of punches. It presents a lot of challenges. It presents a lot of hardship, but the people that are able to take those punches and able to move forward are the ones that really do have a lot of success and have a lot of joy in their life and have a lot of stories to tell, too.
I directed a short series for Hulu called 'Paloma,' and being in an editing room, I learned a lot about acting. It gave me a new bolt of energy in terms of my interest in filmmaking because it made me realize how collaborative filmmaking can be and also that you're not just limited to one job.
I don't watch a lot of television. I try to watch all the good movies, but I've got about twenty of these television series that I should be watching. I haven't seen 'The Wire.' I haven't seen 'Mad Men.' I haven't seen Kevin's thing. What's that called? 'House of Cards.' I hear it's wonderful.
When you finish a series like 'Ugly Betty,' there are so many voices around you telling you what you should be doing next and what would be good for your future, sometimes you can't hear yourself. I've gotten pretty good at tuning everyone else out. Now it's just me; what pleases me creatively.
'Man Down''s my absolute priority. If they give me another series, I'll throw everything into it because I really like the characters. But after that, I'll certainly be getting back on stage because I haven't done a proper gig for two years. Which is ridiculous for someone who loves it so much.
The present moment is changing so fast that we often do not notice its existence at all. Every moment of mind is like a series of pictures passing through a projector. Some of the pictures come from sense impressions. Others come from memories of past experiences or from fantasies of the future.
There's a cumulative effort within the course of a game, a series, and a season, too, where you see so many pitches and have so many at-bats that you can wear down an opponent. Once you develop that reputation as a club, year after year, players come in, and they tend to fit in with that profile.
Catharsis isn't art. You can't rely on catharsis to get a laugh. Because guess what? People do laugh when something's shocking, but that is, to me, the absolute fakest of laughs. That's not something that sustains a television series, or a movie, or even 45 minutes of a stand-up set at Carolines.
Well, the idea of God as a supreme being means that he is simply like us, writ large, and just bigger and better, the end product of the series; whereas this divine personality that we meet in the Bible was, for centuries, regarded simply as a symbol of a greater transcendence that lay beyond it.
But It doesn't make sense for us to have a continued reliance on a supply of oil where whenever there is unrest in another part of the world, gasoline prices jump up. We need a renewable fuel industry that's more than corn-based, of course, and there are a whole series of great opportunities here.
What is good for you creatively is usually bad commercially. You thrive financially by sticking to a series and not fiddling about too much. You do yourself harm by moving away from the series and the genre. By trying things not based in that particular mode of writing, you will just lose readers.
For the second series of 'Luxury Comedy', I tried to drop the 'Noel Fielding' from it. I thought that would make it less like a solo project and more like a show. Also, it would probably have been easier to take the reaction to the first series if it had been a project rather than my name and face!
I have on my bookshelf a series of books with opposite titles: 'The Alpha Strategy' and the 'Omega Strategy'; 'Asia Rising' and 'Asia Falling'; 'Free to Choose' and 'Free to Lose'; 'How to Win Friends and Influence People' and 'How to Lose Friends and Alienate People.' Visitors love the collection.
My goal all along has just been to work and support myself. I've been really lucky to walk away from the 'Twilight' series unscathed. Somebody asked me recently what it's like to be a star. I thought that was the strangest question. If you saw my day-to-day life, the word 'star' just doesn't apply.
The difference in working on a TV series and a movie comes down to one thing for me, and that is the travel. With 'The Bold and the Beautiful,' we are in one remote location, but with a movie, you get to travel, explore, and experience different things every day. But I've really enjoyed doing both.
It is true that in quantum theory we cannot rely on strict causality. But by repeating the experiments many times, we can finally derive from the observations statistical distributions, and by repeating such series of experiments, we can arrive at objective statements concerning these distributions.
I essentially started out with a Western series for WildStorm/DC but didn't want to be perceived as a 'Western artist.' I did a couple of super-hero things at Marvel but didn't want to be one of those guys, either. I loved all these genres and wanted to play in a very big toy box. Enter 'Planetary.'
Madonna is her own Hollywood studio - a popelike mogul and divine superstar in one. She has a laserlike instinct for publicity, aided by her visual genius for still photography (which none of her legion of imitators has). Unfortunately, her public life has dissolved into a series of staged photo ops.
If the world is an objective reality that exists independently of us, then humans themselves, even in their own eyes, are nothing more than objects, and their life stories merely a series of disconnected historical accidents, which they may wonder at, but which they themselves have nothing to do with.
During his presidency, Truman and the Republicans were locked in a series of furious assaults on each other that outraged him and made Truman an enduring foe of a party and its representatives, which he saw as on the wrong side of almost every domestic and foreign policy issue he considered important.
I think 'Lost in Space' certainly shifted from being an ensemble adventure series about a family facing the unknown alien environment to this trio of comedians - Dr. Smith, the Robot, and Will Robinson being the straight guy. It definitely changed its tone over the three seasons and 84 episodes we did.
I think when you have a National Championship Game, a Super Bowl, a Final Four, a World Series, I don't see why there is any reason to pick out one individual as the MVP because it is about a team winning a championship. Maybe that best explains what I believe in at the core in my work as a broadcaster.
Whether it is a film, television serial or web series, there are three basic things that I consider when I give a nod for a project. Firstly, is the story bringing any effect on my mind. Secondly, the integrity of the makers, and how it will impact the society once the story goes on the public platform.
I think when people mean that Discworld books have become darker they really mean the series is growing up. In 'The Colour of Magic' most of the city is set alight. It's a joke, in much the same way that the Earth is destroyed almost at the start of Douglas Adams's 'The Hitchhikers Guide to the Galaxy.'
A better way to help American companies compete against competitors abroad is to remove all series and myriad of obstacles they face in America, whether it's union rules in some states or massive amounts of regulation imposed upon them, one of the most expensive combined corporate tax rates on the planet.
I used to watch the old 'Flash Gordon' series on TV, and it was thrilling to rocket to the planet Mongo every week. But after a while, I figured out that although Flash got the girl and all the accolades, it was really Dr. Zarkov who made the series work. Without Dr. Zarkov, there could be no Flash Gordon.
I like to tell people that 'Ballers' has something for everyone. If you are a football fan, then obviously, 'Ballers' is the way to go. The series are using real team names so that's a plus. If you have no interest in football, it's still a show about life, and there's something for everybody on that show.
I graduated from university with a degree in architecture and then ended up doing a series of internships with different firms. And once I was in an office environment, I realized that at school what I was doing was 98 percent creative, 2 percent makework, but in the real world, it was the other way around.
Even with the 'Top Boy' series with Ashley Walters... I've been talking like on the creative direction wave with Drake about the series. Making greatness with it. The whole style of what's going on in London, the sound, is real. It's an actual thing that actually happened. So it deserves to be on the telly.
When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.
As a child I was really into fantasy books with elves and goblins and swords, and I went through a phase for a few years when I was reading endless series. But in the end I became totally fed-up with all these sub-Tolkien rip-offs because they all end up doing the same old things and there's no rigour to it.
In terms of characters I wish I had created - just because I haven't dealt with anything like them - I'm really impressed by characters who can endure over time, whether that be a long series run like a Harry Bosch, or a character who endures over generations and continues to please readers: Sherlock Holmes.
I go into any movie that's historical fiction thinking, 'OK, I'm here to watch a work of art, something delivering a series of opinions, and if it's a good work of art, these opinions become so deeply embedded in complexity and richness that I won't even be bothered by the opinions. I'll make my own mind up.'
I did this whole series on the buffalo soldiers-on black soldiers-I did another series on black cowboys, and I presented myself to the gallery system, and all these people with these massive collections didn't know there were black cowboys or black soldiers. I ended up hitting a niche I didn't know was there.
'Monster Hunter' was its own series, its own franchise, and it just so happened that we wanted to make a realistic fantasy-based action game, and because we had the staff available to make something like that, we're able to make this game. The ideas for 'Dragon's Dogma' came from a completely different place.
Occasionally, I hear grumbles about everything being a series or a trilogy, but apart from the question of them maybe selling more books, I think that there's a real problem in trying to introduce a new world or a new concept while also getting your reader to pay close attention to your characters and themes.
As the eldest son of an Alabama sharecropper family, I was constantly troubled by a collage of North American southern behaviors and notions in reference to the inhumanity of people. There were questions that I did not know how to ask but could, in my young, unsophisticated way, articulate a series of answers.
The Lean Startup is a process for turning ideas into commercial ventures. Its premise is that startups begin with a series of untested hypotheses. They succeed by getting out of the building, testing those hypotheses and learning by iterating and refining minimal viable products in front of potential customers.
In 2004, Lawrence Wright wrote in the 'New Yorker' about 'The Kingdom of Silence,' where a massive sewer project in Jeddah was really a series of manhole covers across the city with no actual pipes underneath. I, as the editor of a major paper at the time, can say that we all knew - and we never reported on it.
Following 25 children for the TV series 'Child of Our Time' has been extraordinary. The BBC's original plan was to commemorate the new millennium. What better way than to film a number of expectant mums from across the U.K.? Coming from widely different backgrounds, all were due to give birth on January 1, 2000.
It's not an understatement to say that I owe everything as an actor to 'Merlin.' It was pretty much my first job, and I didn't know what I was doing for many years on it. It wasn't until the third and fourth series - the fourth series especially - that I really found my feet with the character, and as an actress.