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Fess up, 'Hunger Games' fans: Does anyone care about Peeta or find him attractive? He's the Ron Weasley of the series: he gets points for callow valor and sympathy for his run of bad luck, but he remains a pasty, earnest bore.
For a genre that's about looking to the future, science fiction has sure been looking backwards lately. Nostalgia is what sells best, with readers spending their money on movie tie-in novels and sequels to long-running series.
Basically, they had asked me if I would shave my head or wear a bald cap. I said look, if you are doing a series for five years I would want to shave my hair because I would go bald with all the gum and glue from the bald cap.
I am lucky, I don't have aches and pains. I do Pilates regularly, which is a series of stretching exercises, and I recommend it to anyone of my age because the temptation is not to exercise when you get older. Well, you should.
The Committee's review of a series of intelligence shortcomings, to include intelligence prior to 9/11 and the pre-war intelligence on Iraq, clearly reveal how vital a diverse intelligence workforce is to our national security.
Playoff basketball isn't about who scores, stats or putting numbers up on the board. It's just about winning at the end of the day. When you play a game in a series, it becomes chess. It becomes who can outsmart the other team.
For starters, this country embodies something utterly unique: History's first democratic empire. Beginning in the post war era, we have used free trade and democracy to create a series of interlocking relationships that end war.
'Star Trek' tends to take itself a little too seriously. They were either very dramatic shows, or if we did a humorous show, it was always a little like, 'Oh, we're doing humor on 'Star Trek,'' especially on the original series.
I believe life is a series of near misses. A lot of what we ascribe to luck is not luck at all. It's seizing the day and accepting responsibility for your future. It's seeing what other people don't see And pursuing that vision.
'Son of Frankenstein' is never talked about in the same tone as James Whale's 1931 'Frankenstein.' But it should be. It was Boris Karloff's last appearance in the Frankenstein series and stars Donnie Dunagan, then a child actor.
Series finales have that responsibility to leave you feeling good about entire series. You want to feel like the viewer closes the book satisfied. And if you strike out on the finale it skews how you feel about the entire series.
As I got farther and farther along in the series I did less and less preparation. I didn't use outlines or sketches. I just had a vague idea of what I wanted to tell and then the dialogue just came to me as I was inking the page.
You know what I want? The answer is, I truly don't know what I want. I don't want to do a television series. I want to do dramas as well as comedies, but I have no idea what kind or in what order. Just give me the chance at them.
My husband and I like to reminisce about how, when we were 9, we read straight through L. Frank Baum's 'Oz' series, books filled with wizards and witches. And you know what those subversive tales taught us? That we loved to read!
A combine is a series of athletic tasks that help a coaching staff measure an athlete's ability to be competitive in a sport. A bobsled combine requires a sprint, broad jump, two-handed shot toss, and a back squat and power clean.
It's not how you start the season, it's how you finish. If you wind up helping the team make the playoffs, that's what you play for. You don't play to put up your numbers, but to try to get a chance to make it to the World Series.
Life... is not simply a series of exciting new ventures. The future is not always a whole new ball game. There tends to be unfinished business. One trails all sorts of things around with one, things that simply won't be got rid of.
In an individual sport, yes, you have to win titles. Baseball's different. But basketball, hockey? One person can control the tempo of a game, can completely alter the momentum of a series. There's a lot of great individual talent.
When we talk about stem cells, we are actually talking about a complicated series of things, including adult stem cells which are largely cells devoted to replacing individual tissues like blood elements or liver or even the brain.
The Architect is just one of a series of works which examine the confrontation of innocence and experience, illustrating the complex ethics of power that exist between reader and writer, critic and artist, the human and the divine.
I was in a TV show called 'Orrible' with Johnny Vaughan, I did the last series of 'Teachers', I did two or three different characters on 'The Bill'. Just stuff like that. The 'Inbetweeners' was the first thing that really took off.
Stories had always been told about male genies coming out of bottles, but they were usually fat, old men. Never had the genie been a gorgeous woman, so that idea really appealed to me, and I created the series based on that premise.
You can binge a TV series or watch a reality show, and they're not innocent. They take a lot of room in your brain, and you don't have any space left for your own thoughts. They give you a scripted reality. It's an ideological tool.
The relation of repetitions for learning and for repeating English stanzas needs no amplification. These were learned by heart on the first day with less than half of the repetitions necessary for the shortest of the syllable series.
We want to take our time with 'Descender' and let the story unfold at its own pace. But we have carefully planned each world and worked to give each its own look and feel. And each of the 9 core worlds will play a role in the series.
I thought Korra was 17 so Mike and I have to get our stories straight. The main characters are in their late teens, we've always loved those kind of teen love triangle type stories and there was plenty of that in the original series.
People get on a show and they fought tooth and nail. Almost 95% of the actors out there want to be on a television series. Then as soon as they get onto one, no, no, I want to be a movie star. This television series stuff, no, no no.
Going to Omaha for the College World Series - the people there are tremendous - huge crowds and a lot of excitement. I still remember those days - you make a lot of friends that you never forget when you win a championship like that.
I spent a year slaving over a hot rollergrill in a Metrodome concession stand and watched the World Series there - and a Super Bowl and a Final Four. I can honestly say - regardless of outcome - that I left every game floating on air.
I've been working some really long hours for the last five or six years. Anybody who works on series television knows, and especially women because women spend probably two hours more than the guys with all their hair and makeup crap.
While Fledging is a different type of book, The Parable series serve as cautionary tales. I wrote the Parable books because of the direction of the country. You can call it save the world fiction, but it clearly doesn't save anything.
Five World Series rings, 3000-plus hits, the fame, the fortune and playing for the second most historic franchise in baseball... These are just some of the reasons kids would always say they want to grow up to be just like Derek Jeter.
At a time when every series we're supposed to be DVR-ing is very important, very serious, has to do with heavy, heavy matters, I think 'Wet Hot' provides a respite to that DVR homework. It's totally the gummy bears of your programming.
Well, I know that I'll never forget that, but also I won't forget the hundreds of people who sent me letters, telegrams, and postcards during that World Series. There wasn't a single nasty message. Everybody tried to say something nice.
I had a series of jobs in the small fishing village in West Wales where my family lived when I was a teenager. I worked as a fisherman in the day, and then the skipper and his wife ran a small restaurant - she'd cook the fish he caught.
After I did nine years of a television series, I didn't want to do anything really that involved going to a set and being in front of a camera for quite a while. And when I did start to want to do things, I wanted to focus more on film.
To me, there is something superbly symbolic in the fact that an astronaut, sent up as assistant to a series of computers, found that he worked more accurately and more intelligently than they. Inside the capsule, man is still in charge.
There needs to be a planned series of speeches, interviews, etc., over the next two or three months by administration officials and other public figures talking about President Ford, what he is trying to do and what he has accomplished.
Before the advent of the Web, if you wanted to sustain a belief in far-fetched ideas, you had to go out into the desert, or live on a compound in the mountains, or move from one badly furnished room to another in a series of safe houses.
The sexual deviance - I'd be lying if I said I didn't miss that; but we do have hints of it but in a more psychological way and therefore more human way, arguably. Or certainly to the extent that the animated series takes that sexuality.
I recently finished a job, an HBO movie 'Getting On,' a very dark comedy. It comes from a British series of the same name. In this role I have no hair, no make up and no nails. I play a very small role; she is not over the top and sassy.
You walk through a series of arches, so to speak, and then, presently, at the end of a corridor, a door opens and you see backward through time, and you feel the flow of time, and realize you are only part of a great nameless procession.
The main relationship in the whole series was the one between the camera and Fleabag. I had to convince myself that whoever was watching on the other side of the camera was instantly complicit with Fleabag and instantly a friend of hers.
What they did was to make a pilot and it may well go to series at the next festival but I don't have any news on that. It's already been on Paramount actually, but as it's on Paramount it'll probably be on several more times... hopefully.
We all know that the 'reality' of reality TV is an artful construction, an effect not only of editing but of a Lorenzian rat-in-a-mirrored-labyrinth artificial environment which attenuates psychology into a series of territorial twitches.
I stated that I'm a libertarian Republican, which means I believe in a series of issues, such as smaller government, constraint on budget deficits, free markets, globalization, and a whole series of other things, including welfare reform.
I think that by following the route that I have tried to outline, one gets into a much more interesting and productive series of questions than those that result from saying simply that Chinese don't like milk because they don't like milk.
I never realized that growing up in Brooklyn, flying jets, working on Wall Street and starring in a sci-fi series was the prerequisite for the fast-paced demands of talk radio. But, if that's what it takes to succeed, I'm glad I did it all.
I taped my first series for PBS in 1982 at WJCT-TV in Jacksonville, Florida. The show, called 'Everyday Cooking with Jacques Pepin,' was about saving time and money in the kitchen - and it was a celebration of simple and unpretentious food.
While the 1963 Birmingham church bombing is the most historic, there also was a series of church burnings in the 1990s. Recognition of the terror those and similar acts impose on communities seems to have been forgotten post-Sept. 11, 2001.