Quotes of All Topics . Occasions . Authors
When I am making a sequel, it needs to be different from what you have already seen. Yet, it needs to maintain a certain discipline so that people still associate it with the prequel.
If I do do a sequel, I'm going to have to know for sure that the script is better than the original. So I'm going to be very careful about that because I'm not eager to repeat myself.
It has taken Thomas Harris 11 years to publish the sequel to 'The Silence of the Lambs,' which suggests that while everyone was desperate to read it, he was not desperate to write it.
On the sequel, you've lost the element of surprise. Usually, on the first one you may not go very, very deep into character; the second one you start to explore the character a bit more.
'Baby Boy' is one of my favourite films, and Tyrese keeps telling everybody we're going to make a sequel. I mean, we have a story right now but we don't know where we're going to take it.
A movie as specific as 'Heathers,' which took place in a specific time and specific place and in which many of the characters got killed off, I never thought it made sense to see a sequel.
When I first did 'The Fast and the Furious', I didn't want there to be a sequel on the first one. I thought, 'Why would you rush to do a sequel - just because your first film is successful?'
When we were shooting for 'Jatt & Juliet 2,' the director, Anurag Singh did not tell us that this was going to be a sequel. The only brief given to us was that, 'go and have fun on the sets.'
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
'Shantaram' is the second in the series of a quartet of novels that I have planned about my life but is the first to be written. The third book is a sequel to 'Shantaram,' the first a prequel.
It's not only 'Aashiqui.' In the case of any cult film which has a sequel or a remake, it is very difficult for the new one to live up to expectations because nostalgia is very difficult to beat.
I had a feeling about directing Cocoon II: The Return. At first I wasn't too interested because it was a sequel. Then I read the script and was excited by the relationships and its mystic quality.
Basically, I always thought that if I had a movie that did well enough and warranted having a sequel, I would seriously entertain it because that's a huge blessing when that happens in your career.
At one point I intended to write precursor and sequel novels, about the establishment of the Web and its next evolution, but I am very unlikely to now; they would take place in a different universe.
Everybody talks about how 'Everybody Wants Some!!' is the spiritual sequel to 'Dazed and Confused,' but there's a real trap in trying to recreate 'Dazed and Confused' - that magic is it's own thing.
The time has mainly gone on getting Inform into a decent shape for public use. I suppose the plot of 'Curses' makes a sequel conceivable when compared with, say, the plot of 'Hamlet' but none is planned.
I'm so enthralled with the whole universe of 'Pacific Rim.' I never get tired of it. I could do a sequel or two without ever getting sick of it. It's a once-in-a-lifetime idea that you never get sick of.
I think that building any product that has a lot of user loyalty is a bit like making a sequel to a great movie or video game - people generally want 'more of the same thing, except better and different.'
'Would I mind if someone wrote a sequel to one of my books?' I asked myself, and I decided that I wouldn't, providing that the writer was respectful, had read my book first, and wasn't drunk when doing it.
I was thinking about doing another film at the same time, which was the sequel to Basic Instinct and I just had a feeling that wasn't going to happen. You know, I just kind of read the writing on the wall.
Other than Peter Jackson doing 'Lord of the Rings,' I don't get it when filmmakers follow up a movie with a sequel to the same movie. God bless 'em if they can be up for it, but that would drive me insane.
It was sheer coincidence that 'Amaidhi Padai' had an open-ended climax. The idea for a sequel kept coming up, and I decided to act on it, nearly 20 years after the first film. It was not a planned decision.
There are a lot of parallels between doing a sequel and doing low budget movies, which is they give creative parameters. As a creative person myself, I work better with parameters as opposed to anything goes.
We are cannibalizing our audience by only giving them regurgitated material. Every movie is either a remake, a sequel, based on something else. Based on a former television series. Based on a successful videogame.
The futuristic city on 'Legends Walking's cover rejects any connection with the contemporary setting of 'Changer.' It was as if every effort was made to keep readers of 'Changer' from finding this stand-alone sequel.
I'm not one of those people who had a burning passion for 'Peter Pan' all my life. Although I can't remember a time when I didn't know the story, I didn't carry around with me an ambition to one day write the sequel.
If I had done a sequel to 'Day of the Tentacle,' there probably wouldn't have been a 'Full Throttle.' If I did a 'Full Throttle' sequel, there wouldn't have been a 'Grim Fandango.' It's important to make new stuff up.
John and I had a few meetings about what direction the sequel should take. I made some real insane suggestions. True to what you'd expect, he ignored them all and just picked up Halloween II where the original left off.
'Abraham Lincoln: Vampire Hunter' is without a doubt the best film we are ever likely to see on the subject - unless there is a sequel, which is unlikely, because at the end, the Lincolns are on their way to the theater.
We wanted to do a sequel with Jim and Jeff. They said that the word was that Jim didn't want to do any sequels. We approached him and he said he would do it, but not until next year. New Line said it was too long to wait.
I'm not really a sequel guy. I did 'Angels & Demons' after 'The Da Vinci Code,' because I like working with Hanks, and I felt it was a really different sort of world that we were visiting. That was, of itself, interesting.
I really don't know why Scarlett has such appeal. When I began writing the sequel, I had a lot of trouble because Scarlett is not my kind of person. She's virtually illiterate, has no taste, never learns from her mistakes.
I also know that in the second movie, the sequel, Eric made some huge advances with the robot suit. That just made it even better. You put the suit on and moved your arms then the robot's arms would move in sync with yours.
I feel the way I always do about sequels. If there's an idea that excites me enough, and it feels like a way to do something new and fresh, then great. But I don't ever want to do a sequel just for the sake of doing a sequel.
I was very fortunate that my first novel captivated the imaginations of so many readers who asked for a sequel. After that, one book led to another as I discovered other facets to my characters I wanted to investigate further.
The impossibility of a sequel ever recapturing everything - or anything - about its ancestor never stopped legions of writers from trying, or hordes of readers and publishers from demanding more of what they previously enjoyed.
I would love to see a sequel to 'The Rocketeer.' I'd love to see that! I don't know that I would be in it. I may be a little long in the tooth to play 'The Rocketeer.' But I would love to be a part of that in some form or fashion.
Constantly, I've been asked to make a sequel to 'Beckham.' However, I thought a West End show was the proper way to go. Once we made the show, I wanted to make sure that I embraced the West End genre rather than just put the film on stage.
Certainly 'Wonder Woman' needed to be made, and I'm so beyond thrilled with how it came out. I met Patty Jenkins, and I told her, 'I'm sure you're going to make a sequel, and if you need anybody Amazonian, there's always me. I'm available.'
Go out and find a copy of 'The Shrinking Of Treehorn' and its sequel, 'Treehorn's Treasure.' Written by Florence Parry Heide and illustrated by the great Edward Gorey, master of the gothic and the macabre, these books are small masterpieces.
When you're writing for a sequel and there's a movie that's been deemed sacred ground by the fanbase that's the predecessor, you cannot do anything to tread on that, so it's a bit trickier than just being able to sit down and write something.
'How to Train Your Dragon,' the first one, was a film I'd seen prior to being approached for the sequel. I don't often watch family animated movies, but it's one that I loved and thought was really well done: beautifully crafted storytelling.
'The Conjuring' was a massive success, and honestly, it set the bar quite high. So I was nervous about making the sequel, and I wasn't sure if it will still have the same impact as the first one did. But that's what moved me to make the sequel.
'Crouching Tiger, Hidden Dragon' is not a direct-to-video, low-budget sequel: it's a big film. And it'd be fantastic to have the opportunity to see it on the IMAX screens at the same time, and IMAX has made arrangements with us for that to happen.
'The Irish Duke' is a sequel to 'The Decadent Duke' about Lady Georgina Gordon who married the Duke of Bedford. 'The Irish Duke' tells the story of their daughter, Lady Louisa, who married James Hamilton, the powerful and wealthy Duke of Abercorn.
I don't want to come in and do something that's been done before. You know, for me, it's not that I wouldn't come in and do a sequel to something, but it's only if I can bring something new to the table and I'm not following an extremely strict path.
I'm always surprised when a sequel is not as good or better than the first one. I never understand that. You've already set your own bar. You've already done the hard work. It should be easier to make the second one, but a lot of the times, it's not.
You can be precious about something like 'Blair Witch' and say, 'How dare you approach it as a sequel or remake' or whatever, but its legacy was so tarnished by 'Book of Shadows' that someone had to come in and do something in the spirit of the original.
There are more crime films about the corruption of power because our society has similar problems. It would be great for me as an actor to work on an 'Inside Men' sequel, but I hope it never gets made. Because it would mean the corruption is still there.
I always naturally want to change things up if I possibly can. I never want to write a sequel to a book. I don't want to go back over things. I don't want to adapt my own books for the screen. That's something that's important to me, the keeping it fresh.