Quotes of All Topics . Occasions . Authors
My dear fellow," he continued more soberly, "If you have managed to complicate things by forming a sentimental attachment in less than a week, then I doubt there is anything I can do for you. You, sir, are a romantic, and I suspect your condition is incurable.
I have complicated feelings about nostalgia. I think that sometimes it can be dangerous. It can airbrush the truth, or fictionalize the truth, which leads to the worst kind of sentimentality. But I'm also a sentimental person who feels quite a bit of nostalgia.
Strangely enough, my favorite airport is Logan Airport in Boston - but largely for sentimental reasons. My first real summer job was working as a journeyman for the airport's resident maintenance crew - a small army of union electricians, plumbers, and carpenters.
My dad's side of the family had lots of artists and musicians. There's an emotional, quite sentimental quality to Slavic culture. It's very open, it loves art, it loves music, it loves literature. It's very warm, it's very up, it's very down. I would celebrate that.
My search is always to find ways to chronicle, to share and to document stories about people, just everyday people. Stories that offer transformation, that lean into transcendence, but that are never sentimental, that never look away from the darkest things about us.
The purpose of life is to help others, and if you can't help them, won't you at least not hurt them? I know that is a platitude, that that is sentimental and can easily be attacked. But loving, caring is simple, and we make it complex. Our own neuroses make it complex.
I have too much respect for people to try to control them. But they are estranged from love, afraid to reach out and touch one another. We're afraid to appear sentimental or speak in platitudes because people will say, 'What a jerk!' It takes courage in our culture to be a lover.
The real lover of cats is one who demands a clearer adjustment to the universe than ordinary household platitudes provide; one who refuses to swallow the sentimental notion that all good people love dogs, children, and horses while all bad people dislike and are disliked by such.
The working classes in England were always sentimental, and the Irish and Scots and Welsh. The upper-class English are the stiff-upper-lipped ones. And the middle class. They're the ones who are crippled emotionally because they can't move up, and they're desperate not to move down.
I think the first outfit that really kick-started my relationship with Chanel means a lot to me: it was a black, sort of Studio 54-inspired jumpsuit with gold stars all over it, and I wore that, and that's how my relationship with Chanel began, so, you know, it has sentimental value.
I know that for every reader who has lost the habit or can't find the time, there are people who've never enjoyed reading and question the value of literature, either as entertainment or education, or believe that a love of books, and of fiction in particular, is sentimental or frivolous.
I was a teacher most of my life, which I loved. I had a very happy working life, and when I retired, I thought I must do something, and I've always read a lot of fiction - you learn so much from fiction. My sentimental education came mostly from fiction, I should say, so I thought I'd try.
I have no idea how to get in touch with anyone anymore. Everyone, it seems, has a home phone, a cell phone, a regular e-mail account, a Facebook account, a Twitter account, and a Web site. Some of them also have a Google Voice number. There are the sentimental few who still have fax machines.
That's the rub about 'Community' - for all the high-concept cleverness, it really comes down to vulgar humanism, the dumbest kind of sentimental identification. We watch it because we like these people and we miss them when they don't show up. They become part of the stories we tell ourselves.
There was a guy called Carlos Thompson, who was I think Argentinian, and he was doing a series called 'Sentimental Agent'. That was the very first thing that I did. It was supposed to be taking place in some exotic location, but in actual fact, it was Chertsey with a few shivering potted palms.
I was living out on Long Island in Baldwin, New York when Hurricane Sandy hit. With the storm surge, the whole first floor of our house was under about three feet of water. We lost a lot of valuable stuff - sentimental stuff like pictures and Christmas ornaments. Nobody expected flooding that bad.
People relate to things that feel real to them. All the good, happy, over-sexed and moneyed endings on TV are not the way most of us feel in our lives. The success of 'E.R.,' I think, is not relying on overly sentimental stories that are solved where people's lives wrap up nicely with happy endings.
There are two men in Tolstoy. He is a mystic and he is also a realist. He is addicted to the practice of a pietism that for all its sincerity is nothing if not vague and sentimental; and he is the most acute and dispassionate of observers, the most profound and earnest student of character and emotion.
When I'm driving past the place I used to work, or when I'm driving past the comedy studio where I used to take photos in exchange for classes, or when I'm driving past the yoga studio I used to clean on the weekends - it's not that far removed from me yet. I get very sentimental over things like that.
I think a lot of writing, or a lot of young writers, especially, hold themselves back unnecessarily because they're so upset about the idea that they might be sentimental or so concerned about being criticized that way or even being that way that they just shy away from any strong expression or emotion.
[Sherlock Holmes] has to understand the world. That's very much John's [Watson] influence on him. But like a lot of the friendships and relationships in that world, it's born out of necessity. It makes him better. There's a pragmatism to it. It's not whimsical or sentimental. It's born out of necessity.
I don't really collect anything. I grew up in a family that collected things, and then they'd get sick, and people die, and then they have their basements full of stuff that goes from one box to the next, so I try not to get sentimental with stuff. I just try to collect memories; I guess that would be it.
The notion that the 'leader' has the right to ask huge sacrifices of your generation for a notional future paradise - if you'd be good enough to lie down under the wheels of the juggernaut - that sentimental and self-aggrandising rationalisation for brute force and cowardice I felt from adolescence was wrong.
It would no doubt be very sentimental to argue - but I would argue it nevertheless - that the peculiar combination of joy and sadness in bell music - both of clock chimes, and of change-ringing - is very typical of England. It is of a piece with the irony in which English people habitually address one another.
I am a bit difficult to be around sometimes. I can be stubborn on a lot of things, and I'm set, but I can also adapt in a conflict situation and don't hold on to an ego. I end up seeing the larger good and adapt to it, provided it benefits me. I may come across as a cold person, but I am extremely sentimental.
I think the philosophy that you have to have if you travel frequently is, stuff is just stuff. Even if it has some sentimental or family connection, if you lose it in the world, it's still just a thing, and I think if you don't have that attitude, you will get incredibly stressed out and not enjoy your travels.
If your great-great-grandfather participated on the Confederate side, and you hold some sentimental value to that, and you want to fly the flag and hang their picture up in your home, that's fine. But it should not be on anything that taxpayers pay for, because taxpayers are a part of the Union, not the Confederacy.
I get very tired of books that feel emotionally empty. I would much rather have writers err on the side of being overly sentimental than not. I think that the perfect balance is a story that moves you without being maudlin, but I don't enjoy books that are empty of emotion and there's no connection to the characters.
For most, the largest asset is their home. This becomes a sentimental issue, I know, but if you're holding on to a home that you can no longer afford - or you need the liquidity - you need to think about solutions. One might be to bring in a tenant or roommate; a more drastic measure is to sell the home and downsize.
Many movies about people recovering, moving on, and redeeming themselves are really wonderful and inspiring. But I think the more sentimental ones that are less good make me feel isolated - like, if you can't pull yourself up by your bootstraps like the guys in the movies, there is something wrong with you. That's a shame.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
Amongst my friends, I am known as the most cynical person they know - I'm incredibly cynical. I don't believe in God, I don't believe in the supernatural, I don't believe in anything! And I'm terribly cynical, and somehow or other, all three of my films and much of my television work has been rather sentimental, and 'heartwarming'.
Keeping physical items from the past is important - we keep old toys, grandparents' jewelry, yearbooks, dance recital programs - and we assign meaning to them. Those items become the memories, and that's a very healthy thing to do. The problems occur when we have too many of those sentimental items, and they start weighing us down.
As a reader, when the writer gets sentimental, you drift, because there's something fishy going on there. You recognize a moment that's largely about the writer and the writer's own need to believe in something that might not in fact exist. As a reader, you think, 'Where did the story go? Where did the person I'm reading about go?'
I'm a little hesitant to make my characters sentimental or to risk having the work labeled sentimental. It's something that I resist as a reader, and I don't resist it in life. I'm not an unmoved person by any stretch, but I think I don't want, I guess, to indulge those kinds of things sometimes in fiction. I can't tell you why exactly.
I have a love/hate relationship with Amy Grant, but I do go back to her Christmas albums once in a while. They're dated and sentimental and the production is nearly unlistenable, but there's something about her vocal performance that just feels really true. I would take her Christmas albums over Mariah Carey's or Destiny's Child's any day.
I would hate to think I'm promoting sadness as an aesthetic. But I grew up in not just a family but a town and a culture where sadness is something you're taught to feel shame about. You end up chronically desiring what can be a very sentimental idea of love and connection. A lot of my work has been about trying to make a space for sadness.
I'm afraid that people who know me as I usually am will discover I have another side, a better and finer side. I'm afraid they'll mock me, think I'm ridiculous and sentimental and not take me seriously. I'm used to not being taken seriously, but only the 'light-hearted' Anne is used to it and can put up with it; the 'deeper' Anne is too weak.
I have a little bit of a pet peeve about how the middle class is depicted in movies. I feel like they tend to be either depicted in a very sentimental way, where everybody has a heart of gold except for the villains you're supposed to hiss at, or there's a sort of indie-style version... When it's done well, it's brilliant, it's 'Blue Velvet.'
If you really think back to the great writers, there's a lot of happiness in Tolstoy; there's a lot of love, there's childbirth, and there's dances. And likewise in Shakespeare and even Cervantes, there's a lot of celebrations of the positive manifestations of life. Technically, I found it harder to do, so that's kind of a good late-life challenge - without getting sentimental or chirpy.