Quotes of All Topics . Occasions . Authors
I was pretty dead set against ever writing an academic novel. It's always been my view that there are already more than enough academic novels and that most of them aren't any good. Most of them are self-conscious and bitter, the work of people who want to settle grudges.
I really love my True Match concealer: it is great if you just want to cover some spots, and you don't have to cover your whole face. I don't really like wearing a face full of makeup all the time; I just like covering up the spots that I am a little self-conscious about.
For me, the first fact of human existence is the human body. But if you embrace the reality of the human body, you embrace mortality, and that is a very difficult thing for anything to do because the self-conscious mind cannot imagine non-existence. It's impossible to do.
It avoids a self-conscious relationship to the act. We live in the most self-conscious society in the history of mankind. There are good things in that, but there are also terrible things. The worst of it is, that we find it hard to give ourselves to the cultural process.
I could completely do without the fame. It makes me self-conscious. It is a responsibility. I believe that if people look up to you in any way, especially kids, then you have a responsibility to inspire them, both in your work and in your life. So, for me, that is a weight.
When I first started VMware, I was very shy and self-conscious about speaking. I grew out of this by giving talks each week in front of the whole company; gradually, as we scaled, I had talked to more and more people, and this is how I conquered my fear of talking to people.
I'm a very self-conscious person; I think we all are, but I'm especially not very comfortable in my body. I always feel really weird and awkward on the street or on the stage. It has nothing to do with circumstances; it's just an ongoing psychological state, like white noise.
I don't have much patience for people who are self-conscious about the act of eating, and it irritates me when someone denies themselves the pleasure of a bloody hunk of steak or a pungent French cheese because of some outdated nonsense about what's appropriate or attractive.
I admire our ancestors, whoever they were. I think the first self-conscious person must have shaken in his boots. Because as he becomes self-conscious, he's no longer part of nature. He sees himself against nature. He looks at the vastness of the universe and it looks hostile.
Half the time, when I first run onstage, I can't look directly at the audience just because of self-consciousness. It's human nature. Sometimes you feel like the man, and sometimes you don't. But sometimes that self-conscious energy is good for the show, it draws people in more.
I think a lot of women want to be, like... 'I'm cool with stretch marks and my body changing.' To be honest, I thought I'd be a lot cooler with it, but I'm struggling with my weight gain. I know I'm healthy... but I was expecting to not be as affected by it... I'm self-conscious.
You ask people what their ethnicity is, and a lot of Scots-Irish people either don't know or if they know it they just don't acknowledge it. It's not something they really identify with. They're just plain old Americans, plain vanilla. I don't think they are a self-conscious voting bloc.
I just like watching people who really are not self-conscious, who aren't aware, because I fear that one could become too self-conscious, too artful, as an actor. Sometimes if you look at somebody, you can extrapolate from their exterior what might be happening in their interior. I'm nosy.
I won't look online. The whole fan thing makes me self-conscious, which is not to say I don't appreciate it or understand it. If Mickey Mantle were around, I'm sure I'd have a ton of questions to ask him that might make him uncomfortable. I get it. That doesn't mean it's not really awkward.
I had never been to a fashion show before going to the Burberry show last month. It was an extraordinary spectacle. I was incredibly green and had no idea what an undertaking it is. I also have a new respect for models because they are so close to the front row and must be so self-conscious.
Home gigs can be hard because it's an odd collision. More than anything, I feel self-conscious when my family are in the audience. I'm doing this job which is not quite acting - part of it is me, part performance. You're presenting a cartoon of yourself to people who know you as a line-drawing.
I was very self-conscious about my body from a young age. At school, I played football and netball and did ballet as well so was very athletic. I wasn't curvaceous; I had muscles on my arms and shoulders. Often I felt like hiding them rather than showing them off, as I felt they were masculine.
Are black people conscious of how excruciatingly self-conscious white people have become in their every interaction with black people? Is this self-consciousness an improvement? Maybe not, because I'm thinking of people in categories rather than as people, which is a famously dangerous thing to do.
The organization of the government itself is something which we ought to examine in a more self-conscious way - the Federal Reserve and the Treasury and the Securities and Exchange Commission. The mission that each of them has is mainly economic but should be informed by good organizational practices.
When I was in school, martial arts made you a dork, and I became self-conscious that I was too masculine. I was a 16-year-old girl with ringworm and cauliflower ears. People made fun of my arms and called me 'Miss Man.' It wasn't until I got older that I realized: These people are idiots. I'm fabulous.
I'm starting to shake it off, I am quite self-conscious, and it's only when I'm playing roles that I can escape that. The older I get, the more people tell me it's absolutely fine to be the way you are with all your quirks and nuances, and I wish I'd learnt that younger - I would have relaxed a bit more.
I guess I was just always one of those guys who asked those fundamental questions: 'Who am I? What's this for? Why? What does this mean? Is this real?' All these pretty basic questions. I like making movies about people who are self-conscious in that way, and are trying to feel their way through the world.
When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
It's a dirty little secret that I'm pretty self-conscious about coloring my own work. I just see so many people who love color more than me that I get freaked out every time I hit Photoshop. Black and white? I know exactly what to do, but color offers a million solutions to problems I don't even know exist.
I was never apposed or sought out nudity, but it was necessary in the Where the Truth Lies. If they didn't have the nudity, but they still had the scenes - because sex is used as a power tool in this movie - I feel it would have felt self conscious and I think the scene is meant for you to feel uncomfortable.
Let's say I find a lot of current American fiction too overwritten for my tastes, too self-conscious; I like something that's simpler and more direct. The story is what matters to me. I hope to make it seem real to readers, as if it happened just like this - so I don't want fancy descriptions getting in the way.
I've also gotten messages from men and women who are not the most attractive, in their minds, or are self-conscious about their weight. They're thanking me for doing songs like 'Proud Mary' and shaking a tailfeather, because they say I seem real comfortable in my skin and it made them want to be comfortable in theirs.
The early Stones were adolescent rockers. They were self-conscious in an obvious and unpretentious way. And they were committed to a musical style that needed no justification because it came so naturally to them. As they grew musically the mere repetition of old rock and blues tunes became increasingly less satisfying.
Some writing is a really nice solitary process, in a way, because you can be a little self-conscious around other people. If it's just you, and you're at your favorite piano, or whatever instrument, and you feel comfortable, then somehow, I always feel like it's opening a door and letting whatever is to pass through pass.
I'm a compulsive note-taker, and I used to feel self-conscious about pulling out my little notebook and taking notes during a casual conversation. Then I noticed that people really seemed to enjoy it; the fact that I was taking notes made their remarks seem particularly insightful or valuable. Now I don't hold myself back.
At first I wanted to go to university, but I really didn't dare to. I was too self-conscious, being a working-class kid. It was really difficult. I was going to study history, but the professor asked me some questions I didn't understand, and I didn't dare to ask what they meant. I left university and went to work in the Post.
A great deal of my battle, as an actor, is to whittle away the things that make me self-conscious and try to trick myself into not being self-conscious. So, it's always a challenge, whether I'm lying in a hospital bed or flying around with a rocket pack on my back, or what have you. On the best of days, it's a challenge for me.
At my heaviest, I was 5'8" and 175 pounds. I ate well, but in too large quantities, and I rarely made a concerted effort to burn off the extra calories. I'd beat myself up about being overweight, even though I had the tools to be in shape. Then I'd resort to an unhealthy diet to lose the weight that was making me self-conscious.
I've always been slightly self-conscious as an actor, and I guess that sometimes reads as pomposity. Starting when I was 30, I somehow gave off an impression at an audition that had them mentally put me in a three-piece suit or put an attache case in my hand. If there was a stiff-guy part, the director would brighten up when I came in.
I had started writing as a poet in a closed, post-Revival, claustrophobic world, where the shadows of the national upheaval and the intense effort - the intense self-conscious effort - to make a literary movement were still evident. Now we lived a life as writers that was more cosmopolitan, more open, that had more travel and exchange.
Novelists who pretend to understand what keeps them scribbling are really just guessing. A profound, unmet childish need to be acknowledged? Maybe. It hardly matters, though. The termite that asks itself why it keeps chewing risks becoming sluggish and inefficient, as does the writer who grows self-conscious in the middle of chapter five.
I feel when acting, I am sometimes overly self-conscious; I think, 'Going, no, don't, put your eyebrow back where it was and, you know, turn to the left.' You know, I'm sort of very consciously adopting this character. But with music, I don't know. I found it was a question of just closing my eyes and just sort of letting things come out.
I was one of the first six black kids to integrate a formerly all-white school. I remember being looked at all the time and people laughing at my hair. I was also very self-conscious about the food I had for lunch. I had egg sandwiches, and the other mothers gave kids fancy stuff like bologna and Marmite. It took about a year to settle in.