Quotes of All Topics . Occasions . Authors
My parents were willing to spend time and invest time in my hobbies, no matter how odd they seemed. When I was really young, I collected rocks and minerals. But mostly I would hang out with friends, playing basketball. It was not the most eventful childhood, but I think that's good.
For many years, it seemed as if nothing changed in Norway. You could leave the country for three months, travel the world, through coups d'etat, assassinations, famines, massacres and tsunamis, and come home to find that the only new thing in the newspapers was the crossword puzzle.
I found 'The Twin' sitting on a coffee table at a writers' colony in 2009. It carried praise from J.M. Coetzee. That seemed ample justification for using it to avoid my own writing. I finished it - weeping - a day later, and I've been puzzling over its powerful hold on me ever since.
I started in business journalism from the outside, so when I started writing about markets and business, I was struck by the fact that markets seemed to work well even though people are often irrational, lack good information and are not perfect in the way they think about decisions.
I wrote the Dickens book because I loved Dickens, not because I felt a kinship with him, but after writing the book it seemed to me that there was at least one similarity between us and that was that Dickens loved to write and wrote with the ease and conviction of breathing. Me, too.
I was never particularly a part of the following of tango; I just liked it... most of all, I recognized that the urban content and the approach seemed very familiar and very connected to the songs that I was doing, the kind of songs that I wanted to write - the songs about the street.
I went to M.I.T. in the summer of 1951 as a 'C.L.E. Moore Instructor.' I had been an instructor at Princeton for one year after obtaining my degree in 1950. It seemed desirable more for personal and social reasons than academic ones to accept the higher-paying instructorship at M.I.T.
I wanted to be involved in TV and film in some capacity, so a compromise, because acting seemed unrealistic, and so risky, was to get into the production side. And it was a really fortunate, smart move looking back on it, because it gave me perspective on another side of the business.
But I liked Yeats! That wild Irishman. I really loved his love of language, his flow. His chaotic ideas seemed to me just the right thing for a poet. Passion! He was always on the right side. He may be wrongheaded, but his heart was always on the right side. He wrote beautiful poetry.
It just seemed like Buddhism, especially Tibetan Buddhism - because that's mainly what I've been exposed to - was a real solid organization of teachings to point someone in the right direction. Some real well thought out stuff. But I don't know, like, every last detail about Buddhism.
I've wanted to be a writer since I was a boy, though it seemed an unlikely outcome since I showed no real talent. But I persevered and eventually found my own row to hoe. Ignorance of other writers' work keeps me from discouragement and I am less well-read than the average bus driver.
I was a supporting character in other people's lives, which seemed right and familiar to me. I was also an outsider: English in the U.S., American in England, dogged yet comforted by that familiar feeling of alien-ness, which occupied that space where my sense of self should have been.
The historical Woodrow Wilson suffered from numerous complaints which we might today label as psychosomatic. Yet, Wilson did have a stroke as a relatively young man of 39 and seemed always to be ill. He was 'high-strung' - intensely neurotic - yet a charismatic personality nonetheless.
When my father bid $5,000 for the 1962 Championship Game, that was a huge amount. It was double the bid the year before. Pete Rozelle was flabbergasted. Who was this guy who was willing to spend so much money on what seemed like relatively worthless rights to the NFL Championship Game?
'Smurfs' just seemed like a great way to represent a young father to be, guy in a marriage, work in conflict, and I was really interested in the technical CG side of things. I'd never done a movie that I thought would be so physical and yet so precise. So I was intrigued by all of that.
The male role models I had all seemed to have been in the military. My father served in the army. My uncle was in the Marine Corps. Both of my grandfathers served in WWII. There weren't any career soldiers in my family, but when I was young it seemed like a way of arriving at adulthood.
I have to credit high school for allowing us to mess around with movie stuff at a time when it was a novelty. Experimenting with that and having a very good group of friends to work with made it a very easy decision that this seemed like something I wanted to do with the rest of my life.
I used to enjoy using dots where they would be least expected, not at the end of a sentence but in the middle, creating the effect... of a skipped beat. It seemed to me the mind reacted - first!... in dots, dashes, and exclamation points, then rationalized, drew up a brief, with periods.
Acting is a great way to make a living, especially when I consider what my alternatives were and probably still are. I mean, you are only making movies. It is a lot less pressure than being a surgeon; although it seemed like the only other thing that I was qualified for was manual labour.
No leader did more for his country than Winston Churchill. Brave, magnanimous, traditional, he was like a king-general from Britain's heroic past. His gigantic qualities set him apart from ordinary humanity; there seemed no danger he feared, no effort too great for his limitless energies.
I believe that there are many herbs and many trees that are worth much in Europe for dyes and for medicines; but I do not know, and this causes me great sorrow. Arriving at this cape, I found the smell of the trees and flowers so delicious that it seemed the pleasantest thing in the world.
I had been obsessed with insects and creepy-crawlies: I used to get up at five o'clock in the morning and go out into this field behind our garden and collect insects before everyone else got up, and suddenly, all I wanted to know about was music. It just seemed a very, very strange thing.
I spent 20 years doing research on regular and irregular verbs, not because I'm an obsessive language lover but because it seemed to me that they tapped into a fundamental distinction in language processing, indeed in cognitive processing, between memory lookup and rule-driven computation.
I remember very vividly, as a child growing up in England, living through the Cuban Missile Crisis. For a few days, the entire biosphere seemed to be on the verge of destruction. And the same weapons are still here, and they're still armed. If we avoid that trap, others are waiting for us.
I wanted to explore cancer not just biologically, but metaphorically. The idea that tuberculosis in the 19th century possessed the same kind of frightening and decaying quality was very interesting to me, and it seemed that one could explore the idea that every age defined its own illness.
The old Rankin-Bass animated specials seemed to exist in a loosely shared reality, which is what attracted me to them. Santa, Snow Miser, Rudolph, Frosty, even the Easter Bunny seemed to be on nodding acquaintance with each other, even if only in cameo appearances in each other's cartoons.
With recording, everything changed. The prospect of music being detachable from time and place meant that one could start to think of music as a part of one's furniture. It's an idea that many composers have felt reluctant about because it seemed to them to diminish the importance of music.
'Top Boy,' for some people, was very controversial because it seemed to be portraying black people in a certain light that they thought to be stereotypical. However, what I would say is that the writer went and lived in Hackney in East London for a long time and did his research really well.
I think, until I was 16, classical music had just seemed like a little bit of a rhythmic wasteland for me. Coming from bluegrass, where one conducts oneself rhythmically, it seemed like such a different approach, and at that point the difference that I was noticing was a real turn off to me.
On Monday and Thursday, I eat fewer than 500 calories a day; then I eat like a pig for the other five days. You 'surprise' the body: keep it guessing. I got the idea from a BBC documentary about this Indian man who seemed about 138 years old and said his secret was severe calorie restriction.
Since my education, I've done quite untraditional things. There are very few Etonians who went to Rada. And far fewer Etonians - certainly when I was there - went to Cambridge. I don't know whether it's the same now. Most people I knew went to Oxford, because it seemed more of an easy bridge.
My desire for my own sitcom began as a little girl - I spent hours lying on my belly on the shag carpeting getting lost in the world of the '70s sitcom. All I wanted to do was run away to the Brady house, The Partridge Family bus; even the project on 'Good Times' seemed better than Clark, NJ.
From Jefferson to Jackson to Lincoln to FDR to Reagan, every great president inspires enormous affection and enormous hostility. We'll all be much saner, I think, if we remember that history is full of surprises and things that seemed absolutely certain one day are often unimaginable the next.
I suppose for me as an artist it wasn't always just about expressing my work; I really wanted, more than anything else, to contribute in some way to the culture that I was living in. It just seemed like a challenge to move it a little bit towards the way I thought it might be interesting to go.
I was sure we would never see the adoption of the Euro. Countries giving up their currencies for a common tender was, it seemed to me, completely out of tune with currency being a carrier of people's cultural identity, celebrating national heroes and events, as it had been for hundreds of years.
I'm really grateful to my parents for having the confidence in me to let me go. I was terrified I might have to slink back to the village with my tail between my legs, and treated every job as though it were my last - I still do - but fortunately, I got work and things seemed to slot into place.
Free verse seemed democratic because it offered freedom of access to writers. And those who disdained free verse would always be open to accusations of elitism, mandarinism. Open form was like common ground on which all might graze their cattle - it was not to be closed in by usurping landlords.
I was satisfied with having a couple of fights a year, to enjoy them and have them be part of my training routine. When the UFC came around, it seemed like it fell in my lap. It was like I got so good at my hobby, and now I'm living all these people's dreams who had been working for so many years.
Rather than opera, football is more like ballet or a chess game. You can really see it in a team like Arsenal, especially when Dennis Bergkamp was playing. He seemed to be able to read the game like a chessboard and knew where a player would be several seconds later and put the ball there for him.
We are not living in the same world we were immediately after the Cold War, when there seemed to be a greater belief in the universality of human rights and there was enough prosperity to make us question why we had not committed more resources to upholding the values we claimed to hold most dear.
I remember years ago being on the set of 'Dreamcatcher' and not only did I have such great admiration for Morgan Freeman and was just thrilled to be around him, I was struck by the fact that he seemed to be having perhaps more fun than I was at his job. And I thought, 'Well, that's very promising.'
I first got sick after I had my daughter, Kimberly, 21 years ago. I'd always been energetic and never had any serious medical problems. Then I got very sick with a high fever. They told me I had mononucleosis. I became pregnant right away with Sean, and after he was born, I never seemed to recover.
I was obsessed with theatre and loving the work of Caryl Churchill, Edward Bond, Howard Brenton, and Howard Barker, people doing real formal experimentation. But 'Road' was the first time I'd read a play written in a very true Northern dialect that seemed to have that excitement running through it.
Certainly going back to 2008 during the primary, Secretary Clinton was subjected to various forms of sexism - overt, subtle - that were detrimental. Fortunately, Senator Obama was not subjected to something similar; the culture seemed to tolerate sexism and not racism. We ought not tolerate either.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
For a time, I believed not in God nor Santa Claus, but in mermaids. They seemed as logical and possible to me as the brittle twig of a seahorse in the zoo aquarium or the skates lugged up on the lines of cursing Sunday fishermen - skates the shape of old pillowslips with the full, coy lips of women.
If you asked somebody, 'what do you wish for in life?' they wouldn't say 'happiness.' I would have answered 'excitement, knowledge,' God knows - I mean, many, many different things, but certainly not 'happiness'. It seemed like a foreign concept to wish for something that specific and that singular.
As a teenager, my father took me to the shows at the Architectural Association and to places like Milton Keynes back when it was first being built. But I couldn't find anything for me. There seemed to be despair at the possibility of the built environment possessing any imagination in the real world.
Advertising seemed almost natural to me because it was a business where you had to inform, persuade and educate. And so from being a junior copywriter to being the creative director of one of the largest advertising agencies in the country took me 4.5 years, which is, well, a fairly spectacular rise.
When reality television really hit, I just had a backlash towards reality. It seemed like a cheap way to make a product. And then when music reality and 'Idol hit,' I just didn't watch it, it seemed novelty. And of course the story of 'Idol,' this is one of the greatest stories in television history.