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The more I am in a position to be tried in faith with reference to my body, my family, my service for the Lord, my business, etc., the more shall I have opportunity of seeing God's help and deliverance; and every fresh instance, in which He helps and delivers me, will tend towards the increase of my faith.
On stage, I'm this figure, this actor, who does things that people aren't used to seeing and I relish in that reaction. In real life, though, I play golf, I shop and I walk around with no makeup on and my hair in a ponytail. I may not be the typical middle-aged Joe, but I'm closer to normal than you think.
I didn't have any stability in my life, so I was probably a bit lost as a person. I didn't know where I fitted in professionally and I didn't really know where I fitted in with my personal life and seeing my son, and it was really confusing. I think if you have one solid, then the other one you can manage.
The big breakthrough for me was, once I stopped disliking conservatives and could actually see what they were right about, they showed me a lot of things that liberals were wrong about. But at the same time, I think there are some things that liberals are right about that conservatives have trouble seeing.
Everybody has the clarity of telling I haven't seen a player like Lionel Messi, and I am fortunate for training and seeing him every day at the training field. And even sometimes he surprises you with some good performances. There is not comparison with other players I have seen along my life. He is unique.
I've known the poet Eileen Myles since the 1990s, when I first moved to New York, and I remember seeing her walking her Pit Bull Rosie around the East Village. She had these beautiful arms and David Cassidy hair and the sort of swagger so many of the gay boys I knew wished we had. We all had crushes on her.
Because it was one of my favorites from the Arthurian legend, one of the things that I really enjoyed doing was the legend of the crystal cave. In my head, it was fun to imagine what it was going to look like because there was a lot of CGI involved, in seeing visions of the future reflected within crystals.
There's no experience like going down an empty freeway toward a hurricane and then looking in the opposite lane and seeing bumper-to-bumper traffic, people fleeing that scene. Or going to a toxic spill and seeing people go the other way. You talk yourself into thinking you're invincible in order to do that.
I loved the Scarecrow and the Tin Man and the Lion and you could kind of see the actors' faces in them. It wasn't an entirely new face sculpted around them. What made those characters so human and appealing to me was seeing those great actors underneath there. They weren't lost behind a bunch of appliances.
One of my earliest memories is of seeing my mother in her beach chair, reading a book under an umbrella by the water's edge while my sisters and I played beside her. Of all the life lessons she taught me, that is one of my favorites: to take time at a place I love, restore my spirit with books and the beach.
I tend to think of Pluto and its moons as presents sitting under a Christmas tree. They're wrapped, and from Earth all we can do is look at the boxes to see whether they're light or heavy, to see if something maybe jiggles a bit inside. We're seeing intriguing things, but we really don't know what's in there.
I love watching the Oscars and seeing everybody saying all that 'it's an honour just to be nominated' rubbish. Then you see their faces when the split screen comes up as the winner is announced - the losers are all smiling through gritted teeth and looking as if they just swallowed half a pound of soor plooms.
I am a bit difficult to be around sometimes. I can be stubborn on a lot of things, and I'm set, but I can also adapt in a conflict situation and don't hold on to an ego. I end up seeing the larger good and adapt to it, provided it benefits me. I may come across as a cold person, but I am extremely sentimental.
The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
One of the most gratifying things I get as an artist is when people watch me do these different demonstrations, and they in some way feel empowered by what I'm doing so they can confront their own fears. Maybe it's the fear of getting in an elevator; maybe it's the fear of going on a plane and seeing the world.
I'm not a huge kind of visual director. For me, it's all about the acting. There's no greater buzz than working with actors and seeing what they can do and how much they can improve on what you'd written. That will always be on the top of my list. It's a real privilege to see it live before anyone else sees it.
I would say get to know somebody who isn't exactly like you and doesn't come from the same background as you, educate yourself and then just keep showing up. Finding ways to show up for people and your voice will come out of that relationship and out of your pursuit to seeing people who aren't exactly like you.
We are seeing more managed money and, to an extent, institutional money entering the space. Anecdotally speaking, I know of many people who are working at hedge funds or other investment managers who are trading cryptocurrency personally, the question is, when do people start doing it with their firms and funds?
More and more, you're seeing television shows that are better than 99% of the movies out there. I mean, you watch something like the last couple of seasons of 'The Sopranos,' which is some of the most sophisticated writing I've ever seen filmed and some of the best filmmaking I've ever seen - and it's a TV show.
I definitely feel like you have an influence. I'm 21 years old, and I'm thinking about the kids that are from my neighborhood, from my community, that are looking up to me and seeing me handle myself a certain way, so I do feel a responsibility in that sense to handle myself a certain way in front of those guys.
Faith is the substance of hope - of things hoped for and the evidence of things not seen. So if you can hope for it and imagine it, and keep imagining and hoping and seeing yourself driving a new car, or seeing yourself getting that job, or seeing yourself excel, seeing yourself help that person - that is faith.
I live in New York and got a call from my agent saying there was this new role on 'Mad Men,' it might be recurring and they're seeing people tomorrow. I said, 'OK, this is one of those things where you hedge your bets, use your miles and get on a plane.' I flew out Tuesday morning and got the job on a Wednesday.
What's very interesting is that when we look at human bodies, we look at our body as a singular entity when it turns out, no, if I could reduce us to a small size as the size of a cell and put you inside your body, rather than seeing a singular entity, what you would see is a metropolis with 50 trillion citizens.
I grew up in Sierra Leone, in a small village where as a boy my imagination was sparked by the oral tradition of storytelling. At a very young age I learned the importance of telling stories - I saw that stories are the most potent way of seeing anything we encounter in our lives, and how we can deal with living.
I love the pictures of Old Hollywood, seeing the directors dressed in suits and ties. Even the grips would be wearing ties. But the biggest thing is when I was a kid, I couldn't wait to be an adult, and I think what happens with most guys is that no one wants to be an adult anymore. So they're dressing like kids.
I fell in love with hip-hop a little bit late; I grew up on Another Bad Creation and Kris Kross. But my mom got me a TV in my room, and I remember seeing Biggie's 'Give Me One More Chance,' and I was like, 'Oh, this is how a house party looks!' I really, really fell in love with it when Tupac created 'Dear Mama.'
I realised that if you get yourself labeled as the funny one, people don't look any further. I've used that as I've got older. It's controlling: I decide what part of my personality you're seeing. I don't want you to look at me, I really don't. I don't want you to comment on my clothes, my hair or the way I look.
Even in Haiti, I saw John Wayne movies. American cinema has always been the dominant cinema throughout the world, and people tend to forget that. People aren't just seeing these films in California or Florida. They're seeing them in Haiti, in Congo, in France, in Italy and in Asia. That is the power of Hollywood.
Some indeed have tears naturally, when the higher motion of the soul makes itself felt in the lower, or because God our Lord, seeing that it would be good for them, allows them to melt into tears. But this does not mean that they have greater charity or that they are more effective than others who enjoy no tears.
After a few days with the iPhone X, I can begin to make out its themes. It's a step towards fading the actual physical manifestation of technology into a mist where it's just there - a phone that's 'all screen,' one that turns on simply by seeing you, one that removes the mechanics of buttons and charging cables.
I am interested in seeing how a certain situation can develop with potential accidents. First, I am inspired by the acts of potential collaborators. It tends to be an action they have already done in a different context. I am very clear about the rules of the game, but once it's launched, I don't intervene at all.
What I feel for the ball, what I enjoy, as a player and now as a coach, the satisfaction I feel when I see great players, is the same as in the school playground: seeing moves build, seeing understanding, passes flow, seeing it all fit together. That's what I admire and ultimately, that's what you learn at school.
By 1988, I'm seeing this commercial phenomenon beginning to show up. Hardware makers are selling routers to universities so they can build up their campus networks. So I remember thinking, 'Well, how are we going to get this in the hands of the general public?' There were no public Internet services at that point.
I used to shake my head when I heard about mothers who were shocked - shocked! - when their kids came out. I didn't understand how they had missed seeing something so essential when looking at their children. But too many parents see only what they want to see, and that's true whether our kids are gay or straight.
What I think about is about the opportunities that Mike Shanahan gave me as an inexperienced coach. I think about watching a Kyle Shanahan work. Just seeing the stuff he was running, his approach to different scenarios, and getting another understanding of what you can do as an offense... all of that helped me grow.
My father never wanted me to be a writer. He didn't - he came to terms with it maybe two years before he died. He wanted me to be a weather girl because when I was growing up, there were very few Latinas on television, and in the early '70s when you first started seeing Latinas on TV, they would be the weather girls.
In the States, this type of jam-band phenomena has opened it up for groups to improvise, admittedly more in the groove area, as opposed to the straight-ahead jazz thing - which is good for me, as that's one part of where I'm at. It's been so great playing these gigs and seeing kids come out and the whole college scene.
It is pure mythology that women cannot perform as well as men in science, engineering and mathematics. In my experience, the opposite is true: Women are often more adept and patient at untangling complex problems, multitasking, seeing the possibilities in new solutions and winning team support for collaborative action.
Whatever hardships there have been in my life I still live in a very privileged position. Fear is not knowing where your next meal is coming from. Fear is seeing a child get hurt. Fear is watching someone you love waste away. Fear is knowing you are going to die yourself. But there's no fear in what I do. I write books.
More and more businesses are seeing the potential of a more sustainable business model, driven both by the firm belief that business can be a force for good and by the realization that the cost of inaction often exceeds the cost of action - notably when it comes to the growing threat of climate change and water scarcity.
I've been on investigations where a spirit is channeling through me, and I have extreme changes in my emotions - anger, sadness, confusion. Then I begin seeing visions that are not mine. They are theirs. There is no trace of time. My body goes stiff, numb, cold. Then, when the spirit leaves, I can barely stand and speak.
The win-win situation is the basis for America's entire business world. Instead of wasting our time attempting to defeat each other, let's find a way that will make both of us gain and go home satisfied. In Israel, it doesn't work because the only meaning of victory is seeing your rival's body lying trampled on the floor.
As far as sleeping goes, you're up and ready to go at six in the morning. Spring training was always a combination of relaxing and working, and I missed that quite a bit. I missed being around the ball field. A baseball. A bat. The smell of the uniform, you might say. Talking baseball. Seeing opponents as well as the Cubs.
A protective self-narrative during conflict and duress sometimes obscures us from seeing the worst in ourselves. When the self-sustaining haze lifts after that conflict has subsided, we may recognize in ourselves the flaws the other saw in us at the time that we didn't have the emotional bandwidth to examine in the moment.
I think what you're seeing is a profound recognition on the part of the American people that gays and lesbians and transgender persons are our brothers, our sisters, our children, our cousins, our friends, our co-workers, and that they've got to be treated like every other American. And I think that principle will win out.
My interest in acting came from seeing Broadway shows on summer trips to New York as a child. It was the original production of 'A Chorus Line' in an easy tie with the first 10 -15 minutes of Dustin Hoffman in 'Tootsie' that hooked me on the romantic idea that the impossible, difficult life of a struggling actor was for me.
I'm quite curious and excited about seeing a new script for 'Blade Runner.' If, in fact, the opportunity would exist to do another, if it's a good script, I would be very anxious to work with Ridley Scott again; he's a very talented and passionate filmmaker. And I think it would be very interesting to revisit the character.
My earliest memory of the Olympics was watching the 1996 Games in Atlanta. I remember everyone being so excited to watch. Seeing the American athletes on the podium, I saw myself. I knew that that was what I wanted to do. I wanted to be one of those athletes on the podium representing their country and bringing home medals.
After kids, the desire to improve as an actor remains, but time becomes hugely important. I want to do good work and do it well but then be at home. I love hanging out with my children, seeing how they behave, and stealing ideas off them. You can't do that if you're in a hotel, on a plane, or a film set. It's not real life.
In 2017, people have realized there isn't going to be one crypto to rule them all. You're seeing vertical solutions where XRP is focused on payment problems, Ethereum is focused on smart contracts, and increasingly, bitcoin is a store of value. Those aren't competitive. In fact, I want bitcoin and Ethereum to be successful.