Quotes of All Topics . Occasions . Authors
I'm very fortunate to have spent so much time in the industry and to have lived through several generations of filmmakers, actors and technicians. There's a huge volume of experience seeing people change and seeing content change.
I need to figure men out. I've been seeing men that either remind me of my mother or remind me of my father. I either end up caretaking or being abandoned so I've had enough of my romantic instincts. I need to date away from type.
And while I stood there I saw more than I can tell and I understood more than I saw; for I was seeing in a sacred manner the shapes of all things in the spirit, and the shape of all shapes as they must live together like one being.
To me, the thing love and cinema have in common is that they are about seeing. The greatest act of love you can give to anyone is to see them exactly as they are. That's the greatest act of love because you wash away imperfections.
I remember finding a Houdini book at the library and seeing an image of him chained on the side of a building. He looked so intense and scary, and I couldn't get that image out of my head. That started building up my love of magic.
'Donnie Brasco' was 85 percent on the money. The only thing that they slanted was my feelings for Lefty and Sonny', and this idea that I didn't want to go through with seeing them in jail. I was never swayed. There was no conflict.
Every black film feels like it's Tyler Perry, and that just needs to stop. But people seem to slowly be looking for what else is out there - 'Is there something else besides this type of humor?' 'I'm tired of seeing men in dresses.'
But with rap music - not just N.W.A. - but rap music in general, seeing these artists wearing these team logos all the time started bringing a synergy and energy about having to rep your city, your team, everywhere and all the time.
I think Baltimore suffers from nostalgia and it keeps us from being honest in talking about what really happened here. A place doesn't have to be perfect to be beloved, and I love this city and I love it better for seeing its flaws.
I try to cancel out every possibility of losing the fight, and this runs through my head all day long. I'm seeing myself become smashed in the face, cut, or being submitted or being knocked out in so many different ways all day long.
I've always wanted to be a director; it's just how my mind has always worked. If I hear music, I see music videos and all the shots and setups to edit it all together. If I interact with a person, I'm seeing a whole scene come to life.
I have two younger sisters, and during those first four years when I was in Argentina, I wasn't around to see them grow up. It was very hard for all of us because missing out on that period and not seeing them grow up was tough for me.
This is magic we're talking about. It's supposed to go places science can't, defy logic, wink at technology, fill us all with the sensawunda that comes of gazing upon a fictional world and seeing something truly different from our own.
The people who watched 'Dawson's Creek' when it originally aired aren't too old to enjoy 'Life Unexpected.' And then you've got the whole next generation that's hooked on the 'Dawson's reruns seeing this show, so it's perfect for them.
I was always really inspired by watching the older girls competing, just seeing other Olympians do great things, and I just really wanted to be a part of that whole experience. And to be able to represent USA was always a goal of mine.
The planets are never the same twice, they're always different, so they could compare the markings I had drawn with their current photographs and they knew that I was drawing what I was really seeing and it wasn't copied from somewhere.
I didn't see a lot of role models or women who looked like me on screen when I was growing up. For me, one thing that changed all of that was seeing Keke Palmer in 'Akeelah and The Bee.' That film made me realize that I wasn't an alien.
There's something very surreal about driving a truck, looking in the rearview mirror, and seeing 20 cop cars behind you. Even though you know, 'We're just shooting. This is just a scene; we're making a movie here,' it's very unsettling.
The most important thing for building a robot that you can interact with socially is its visual attention system. Because what it pays attention to is what it's seeing and interacting with, and what you're understanding what it's doing.
I can remember standing in the middle of the field after the race and seeing the American flag raised and hearing 'The Star Spangled Banner' and all the people singing it. Then I walked off the field and just kind of enjoyed the feeling.
You know what has made me the happiest I've ever been? Seeing my son and daughter graduate from college. More than wanting them to be educated, I wanted them to be nice people. To see that they have become both is just a wonderful thing.
I'm terrified of flying and have tried everything from prescription drugs to booze and herbal remedies. The only thing that works is Valium. I don't know why I'm so frightened - I think it's from seeing my mum freak out when I was young.
I remember watching Barbra Streisand and seeing Jennifer Grey in 'Dirty Dancing' - these were people who acted like me and looked like me. Now it's great that everyone on 'Glee' is so unique and people can relate to us and look up to us.
There were few people, perhaps, more passionately fond of travelling, and seeing fresh places, and new scenes, than myself; but now, since, by the grace of God, I have seen beauty in the Lord Jesus, I have lost my taste for these things.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
A few months ago, I had the pleasure of actually visiting the Playboy Mansion. I saw the peacocks, fed grapes to the monkeys, and even braved the fabled Grotto. After seeing the estate, I understood why anyone would be reluctant to leave.
But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.
I'll see a photograph of a character and try to copy them on to my face. I think I'm really observant, and thinking how a person is put together, seeing them on the street and noticing subtle things about them that make them who they are.
As I grew older and got into the late teens and early 20s, I wanted to be a voice of the people. You know, getting locked up all the time and going through so much oppression and seeing it all around myself, I wanted to be a voice for it.
When I won in 2003, never in my wildest dreams did I ever think I would win Wimbledon and have my kids seeing me lift the trophy, so this is pretty surreal. And yeah, I was almost shocked in the moment that it all came together so nicely.
Becoming a parent has changed the risk calculus for me. But it might be age, too, and seeing a lot of friends die in the mountains. Will I take the same risks I took in my 20s? Probably not, but I will always push myself in the mountains.
I saw an Elvis Presley movie Jailhouse Rock, where he gets out of jail and makes his own records and takes them to the radio stations himself. And then, he puts records in the store. After seeing that, I made records an put them in stores.
I think that seeing as much support as somebody like Obama as a black candidate running for president in a country that historically has had issues with the African-American people, and them having issues vice-versa, is a miraculous thing.
The energy behind Mr. Trump is just off the charts. This is a rank and file movement that you're seeing, with massive turnouts from New Hampshire down to Mississippi, Alabama. I mean, his supporters are representative of the entire country.
I don't like to bad-mouth other shows, but I was very disturbed after seeing 'Starlight Express.' It had very little to do with musical comedy as I know it. It had to do with sound and spectacle and records and technology and amplification.
I'm most passionate about anything to do with nature and the simple things. I love taking walks with my family or my friends and seeing nature. And that's why I love living where I live because I live up in the desert area in the mountains.
The way I love monsters is a Mexican way of loving monsters, which is that I am not judgmental. The Anglo way of seeing things is that monsters are exceptional and bad, and people are good. But in my movies, creatures are taken for granted.
As a black man, sometimes you can't tell if what you're seeing has underlying bigotry, or it's a normal conversation and you're being paranoid. That dynamic in itself is unsettling. I admit sometimes I see race and racism when its not there.
To fans of British Labour Leader Jeremy Corbyn, the Chilcot report should be read as a kind of Rorschach test - those experiments psychiatrists sometimes use to determine what their patients imagine they are seeing in the shapes of inkblots.
And the danger is - and it's happening - is we're seeing an incredibly big rise amongst young gay people, young heterosexual people as far as catching HIV, which is, you know, in an educated country like this or in Britain, it's frightening.
One of the things I've had the advantage of, growing up and being close to the top management of this company and other companies for most of my life, is seeing how CEOs start to believe in their own infallibility. And that really scares me.
I think when you saw this year's playoffs, Miami and Detroit have a pretty fierce rivalry now. Also, the Suns and San Antonio look like they're starting to develop something there. I look forward to seeing those rivalries continue and develop.
If you go back to your home town or you're reunited with school friends, its always slightly bittersweet because as much as there's nice things in terms of seeing them again, the town has changed without you, and you're no longer a part of it.
Our job as the game creators or developers - the programmers, artists, and whatnot - is that we have to kind of put ourselves in the user's shoes. We try to see what they're seeing, and then make it, and support what we think they might think.
And then as I frequently do, some times I'll peek out from underneath the focusing cloth and just look around the edges of the frame that I'm not seeing, see if there's something that should be adjusted in terms of changing the camera position.
My horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.
There was this cereal, and it had a special promotion with a CD inside the box that had a really simple music-making program on it. I got it, and that opened my mind to being able to make music on a computer and seeing all the different layers.
I'm still getting used to changing earrings - It still feels really weird to be pushing bits of metal through holes in my earlobes that weren't there a few weeks back, and actually seeing and feeling the holes in my lobes is still a bit freaky.
Eventually, when I started studying Egyptology, I realized that seeing with my naked eyes alone wasn't enough. Because all of the sudden, in Egypt, my beach had grown from a tiny beach in Maine to one eight hundred miles long, next to the Nile.
I'm not always up to date on everything that's going on, but I am somewhat informed. I listen to NPR. And I actually watch Fox News, because I believe, if you just listen to the things that agree with you, you're not really seeing anything else.