A secret may be sometimes best kept by keeping the secret of its being a secret. It is not many years since a State secret of the greatest importance was printed without being divulged, merely by sending it to the press like any other matter, and trusting to the mechanical habits of the persons employed. They printed it piecemeal in ignorance of what it was about.

So I was ugly. I was never fat, really, and I never wore headgear or had zits or anything. But I was ugly. I don't even know how ugly and pretty get decided - maybe there's like a secret cabal of boys who meet in the locker room and decide who's ugly and who's hot, because as far as I can remember, there was no such thing as a hot fourth-grader. - Lindsey Lee Wells

Whenever you find tears in your eyes, especially unexpected tears, it is well to pay the closest attention. They are not only telling you something about the secret of who you are but, more often than not, God is speaking to you through them of the mystery of where you have come from and is summoning you to where, if your soul is to be saved, you should go to next.

But of all other stupendous inventions, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very far distant either in time or place? And with no greater difficulty than the various arrangement of two dozen little signs upon paper? Let this be the seal of all the admirable inventions of man.

Briar: "They never tell you some things. They tell you mages have wonderful power and they learn all kinds of secrets. Nobody ever mentions that some secrets you don't ever want to learn." Rosethorn: "All you can do is learn good to balance the bad. Learn and do all the good within your reach. Then, if you wake in a sweat, you have something to set against the dream.

Take the happiest man, the one most envied by the world, and in nine cases out of ten his inmost consciousness is one of failure. Either his ideals in the line of his achievements are pitched far higher than the achievements themselves, or else he has secret ideals of which the world knows nothing, and in regard to which he inwardly knows himself to be found wanting.

Earth is ancient now, but all knowledge is stored up in her. She keeps a record of everything that has happened since time began. Of time before time, she says little, and in a language that no one has yet understood. Through time, her secret codes have gradually been broken. Her mud and lava is a message from the past. Of time to come, she says much, but who listens?

W.Z. Foster {head of the American Communist Party}, who had no money, went to Moscow and came back and announced that he was building a great secret machine to undermine the American labor movement and turn it over to the Red International, owned by Lenin. He began publication of an expensive magazine and proclaimed 'a thousand secret agents in a thousand communities.'

Jazz is the music of the body. The breath comes through brass. It is the body's breath, and the strings' wails and moans are echoes of the body's music. It is the body's vibrations which ripple from the fingers. And the mystery of the withheld theme, known to jazz musicians alone, is like the mystery of our secret life. We give to others only peripheral improvisations.

You see, the secret of the gospel is that we become more spiritually mature when we focus less on what we need to do for God and focus more on all that God has already done for us. The irony of the gospel is that we actually perform better as we grow in our understanding that our relationship with God is based on Christ's performance for us, not our performance for him.

I love the performance of a craft, whether it is modest or mean-spirited, yet I walk away when discussions of it begin - as if one should ask a gravedigger what brand of shovel he uses or whether he prefers to work at noon or in moonlight. I am interested only in the care taken, and those secret rehearsals behind it. Even if I do not understand fully what is taking place.

Another big moment in terms of that feeling was David Petraeus: if the director of the CIA can't get away with having a secret relationship, then what hope do you have? It's not really an original idea, but there's something that goes along with power and celebrity that starts to make you feel like you're impervious to certain forces that the rest of us have to live with.

If you look at the well-informed Democratic Sanders activists - I don't know if you were in Philadelphia, but there was no secret about their enthusiasm for our campaign. But once you got more remote from the super activists in the Bernie [Sanders] camp, they don't know so much about our campaign. And the question is whether they are going to have a chance to be informed.

She said she never wanted to have secrets from me nor from herself, which is why she wanted to write down everything that otherwise would be hard to talk about. As I said, later I understood that someone who flees into honesty like that fears something, fears that her life will fill with something that can no longer be shared, a genuine secret, indescribable, unutterable.

I feel all agitated, like one of those snow globes you see resting peacefully on shop counters. I was perfectly happy being an ordinary, dull little Swiss village. But now Jack Harper’s come and shaken me up, and there are snowflakes all over the place, whirling around until I don’t know what I think anymore. And bits of glitter, too. Tiny bits of shiny, secret excitement.

The secret of this kind of climbing, is like Zen. Don't think. Just dance along. It's the easiest thing in the world, actually easier than walking on flat ground which is monotonous. The cute little problems present themselves at each step and yet you don't hesitate and you find yourself on some other boulder you picked out for no special reason at all, just like zen.~ Japhy

I wrote poetry in a secretive way, I think, a secret from myself, I mean. I wrote it because it gave me great pleasure to do so and because it relieved the ever-building pressure of the demanding world around me. It's always served me as a way of appraising, and controlling overwhelming experiences. But this need, and desire, was always in conflict with my need to "survive."

The Blue album, there’s hardly a dishonest note in the vocals. At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn’t pretend in my life to be strong. Or to be happy. But the advantage of it in the music was that there were no defenses there, either.

I'm convinced we all are voyeurs. It's part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There's an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It's a gaining of some sort of knowledge, I think.

I never thought that Bill Clinton should be the president. When he was running to be the president of the United States, he said on over a hundred occasions, he said the following: He said, 'One of the great accomplishments while I was the governor of Arkansas, was to take my state in education from 50th to 49th.' And I thought, ' you know, Bill, you should keep that a secret.

The secret point of money and power in America is neither the things that money can buy nor power for power's sake... but absolute personal freedom, mobility, privacy. It is the instinct which drove America to the Pacific, all through the nineteenth century, the desire to be able to find a restaurant open in case you want a sandwich, to be a free agent, live by one's own rules.

That's the secret of Jesus. You watch Jesus and you see he never did "withdraw" and then "attack." All of the time people wanted him to do it and in many ways, but he would not. Then to the body of believers he said, "This will show everyone that you are my disciples, if you love one another," but he had already said, "Love one another as I have loved you." So that's the model.

There are many reasons, of course, why someone might snap their fingers and grin. If you heard some pleasing music, for instance, you might snap your fingers and grin to demonstrate that the music had charms that could soothe your savage breast. If you were employed as a spy, you might snap your fingers and grin in order to deliver a message in secret snapping-and-grinning code.

Our natural state of being is in relationship, a tango, a constant state of one influencing the other. Just as the subatomic particles that compose us cannot be separated from the space and particles surrounding them, so living beings cannot be isolated from each other... By the act of observation and intention, we have the ability to extend a kind of super-radiance to the world.

Aikido is not an art to fight with enemies and defeat them. It is a way to lead all human beings to live in harmony with each other as though everyone were one family. The secret of aikido is to make yourself become one with the universe and to go along with its natural movements. One who has attained this secret holds the universe in him/herself and can say, 'I am the universe.'

The thing no one tells you about surviving, about the mere act of holding out, is how many hours are nothing because nothing happens. They also don’t tell you about how you can share your deepest secrets with someone, kiss them, and the next hour it’s like there’s nothing between you because not everything can mean something all the time or you’d be crushed under the weight of it.

Evolution goes beyond what went before, but because it must embrace what went before, then its very nature is to transcend and include and thus it has an inherent directionality, a secret impulse, toward increasing depth, increasing intrinsic value, increasing consciousness. In order for evolution to move at all, it must move in those directions-there's no place else for it to go!

The ancient yogis discovered that the secret of cosmic consciousness is intimately linked with breath mastery. This is India's unique and deathless contribution to the world's treasury of knowledge. The life force, which is ordinarily absorbed in maintaining the heart-pump, must be freed for higher activities by a method of calming and stilling the ceaseless demands of the breath.

Talk can neither be verified nor falsified in any rigorous sense. This is an open secret which hermeneutics and aesthetics, from Aristotle to Croce, have laboured to exorcise or to conceal from themselves and their clients. This ontological, which is to say both primordial and essential axiom (or platitude) of ineradicable undecidability needs, none the less, to be closely argued.

The Winter Photograph was my Ariadne, not because it would help me discover a secret thing (monster or treasure), but because it would tell me what constituted that thread which drew me toward Photography. I had understood that henceforth I must interrogate the evidence of Photography, not from the viewpoint of pleasure, but in relation to what we romantically call love and death.

We're definitely in an era where the government wants to keep more secrets and it wants to come after anyone who's exposing those secrets and in many cases exposing government illegality. They're coming after the journalists and they're coming after the whistleblowers. It's not a good sign if the government is expending much energy trying to find out who journalists are talking to.

What was happening was only the working-out of a process that had started years ago. The first step had been a secret, involuntary thought, the second had been the opening of the diary. He had moved from thoughts to words, and now from words to actions. The last step was something that would happen in the Ministry of Love. He had accepted it. The end was contained in the beginning.

(Heinrich von) Kleist would not be a Prussian if his first thought would not have been orderlinessand he would not be a German if he had not placed all his hopes of developing this inner orderliness into education. Education is the secret of life for him as for every German: studying, learning a lot from books, sitting in lectures, keeping notebooks, listening intently to professors.

Euphemisms are not, as many young people think, useless verbiage for that which can and should be said bluntly; they are like secret agents on a delicate mission, they must airily pass by a stinking mess with barely so much as a nod of the head, make their point of constructive criticism and continue on in calm forbearance. Euphemisms are unpleasant truths wearing diplomatic cologne.

So . . . I feel in regard to this aged England . . . pressed upon by transitions of trade and . . . competing populations,-I see her not dispirited, not weak, but well remembering that she has seen dark days before;-indeed, with a kind of instinct that she sees a little better in a cloudy day, and that, in storm of battle and calamity, she has a secret vigor and a pulse like a cannon.

In 1902 I left the A.E.G. in order to enter finance. I joined the management of one of our big banks, the Berliner Handelsge-Sellschaft, and reorganized a great part of its industrial undertakings. I gained an insight into German and foreign industry, and belonged at that time to nearly a hundred different concerns. To recognize and create a demand is the secret of all sound business.

There is no secret to how to attain prosperity. The Universe supports and rewards us for taking risks on things that matter to the Universe. When we remember this, the mysteries about prosperity disappear, and prosperity stands explained. Prosperity will then manifest itself easily provided the Universe agrees that we are doing the right things in our lives to deserve this prosperity.

Here is the secret to surviving one of these [airplane] crashes: Be male. In a 1970 Civil Aeromedical institute study of three crashes involving emergency evacuations, the most prominent factor influencing survival was gender (followed closely by proximity to exit). Adult males were by far the most likely to get out alive. Why? Presumably because they pushed everyone else out of the way.

A monopoly granted either to an individual or to a trading company has the same effect as a secret in trade or manufactures. The monopolists, by keeping the market constantly understocked, by never fully supplying the effectual demand, sell their commodities much above the natural price, and raise their emoluments, whether they consist in wages or profit, greatly above their natural rate.

I don’t want to stand before you like a thing, shrewd, secretive. I want my own will, and I want simply to be with my will, as it goes toward action. And in the silent, sometimes hardly moving times, when something is coming near, I want to be with those who know secret things or else alone. I want to unfold. I don’t want to be folded anywhere, because where I am folded, there I am a lie.

Usually naive interviewers hover between two mutually contradictory convictions: one, that a text we call creative develops almost instantaneously in the mystic heat of inspirational raptus; or the other, that the writer has followed a recipe, a kind of secret set of rules that they would like to see revealed. There is no set of rules, or, rather, there are many, varied and flexible rules.

What happened was I was invited to meet Tom [Hardy] to discuss a project that he had in his mind about an adventurer who returns to England from Africa with secrets and with a history, and the original idea was set some 80 years later than it is now. But in the conversation I really took to the idea and I'd wanted for a while to set something in 1830 and 1840 in London, so it struck a chord.

It was that surrender he needed. That complete feminine submission to every stroke, every caress, ever naughty act. Only in that submission would the subconscious trust, the bond he needed between them, come. He wanted her to trust, to know, to instinctively understand that he was more than just her lover; he was her other half. The one she told her secrets to. The one, she made secrets with.

To believe in explanations is good, because it means you may believe also that beneath the chaotic, mindless jumble of everything, beneath the horrible disjunction you feel at every moment between you and all you are not, there dwells in the universe a secret harmony, a coherence and rightness like a balanced equation that’s out of reach for now but some day will reveal itself in its entirety.

I have a very, very secret drive to become a dilettante, without the pejorative overtones or the obligation to produce myself. There's so much to examine, so much to contemplate. I have enormous enthusiasm when I start a new project but then there's the meetings and the counter-meetings, the rehearsals, the struggles. You have to keep pushing and pushing and pushing to get your dreams realised.

Since ancient times, the philosophers' secret has always been this: we know that God does not exist, or, at least, if he does, he's utterly indifferent to our individual affairs--but we can't let the rabble know that; it's the fear of God, the threat of divine punishment and the promise of divine reward, that keeps in line those too unsophisticated to work out questions of morality on their own.

Each man, if he attempts to join himself to others, is on all sides cramped and diminished of his proportion; and the stricter theunion, the smaller and the more pitiful he is. But leave him alone, to recognize in every hour and place the secret soul, he will go up and down doing the works of a true member, and, to the astonishment of all, the work will be done with concert, though no man spoke.

First,” he said, coming behind me and placing his hands on the counter, just outside of mine, “choose your tomato.” He dipped his head so his mouth was at my ear. His breath was warm, tickling my skin. “Good. Now pick up the knife.” “Does the chef always stand this close?” I asked, not sure if I liked or feared the flutter his closeness caused inside me. “When he’s revealing culinary secrets, yes.

He leaned up a little and watched her face. Her face would now be, forever, more mysterious and impenetrable than the face of any stranger. Strangers' faces hold no secrets because the imagination does not invest them with any. But the face of a lover is an unknown precisely because it is invested with so much of oneself. It is a mystery, containing, like all mysteries, the possibility of torment.

In every forest, on every farm, in every orchard on earth, it's what's under the ground that creates what's above the ground. That's why placing your attention on the fruits that you have already grown is futile. You cannot change the fruits that are already hanging on the tree. You can, however, change tomorrow's fruits. But to do so, you will have to dig below the ground and strengthen the roots.

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