Quotes of All Topics . Occasions . Authors
I took a class at The Second City, and it became contagious.
I grew up on Don Knotts and Jerry Lewis and all the guys from Second City.
I did Second City, and Nia Vardalos also did Second City, so I knew her from there.
Second City should create a secret handshake, and when you graduate, you have to know it.
I met my wife, Nia Vardalos, at The Second City, and she was chomping at the bit to move to L.A.
I thought of Second City as just the greatest therapeutic job anybody could ever dream of having.
I was at Second City L.A., going through the conservatory, and I graduated in 2004 and I got 'SNL' in 2005.
My first improv was Second City in Chicago. Before that, I worked at - with a partner, doing comedy sketches.
To romp along the connected rooftops and fire escapes of Chicago's second city of garages was my young life's passion.
We come from Second City where you're taught if you make your fellow stage partner look good, that makes you look good.
Tina Fey is part of a generation of women who have changed the face of comedy at 'Second City,' 'SNL,' in sitcoms and in film.
I took one class at Second City called Improv for Actors, and that was it, and that was only because my agent told me I had to.
We did a year of Uber in San Francisco before we went to a second city. You get those processes down, then you really get started.
Improv Olympics, Second City are some of the most tolerant, accepting people. They're like circus folk. They're freaks themselves.
I joined an improv group in college, which was a lot of fun. After I graduated, I moved to Chicago to try to get into the Second City.
I would love to carry on with Second City and see where that takes me, but it's always been a dream to work on 'Saturday Night Live' and do films.
I had worked for ten years in theater; I had worked at Second City in Chicago. Then I got to Hollywood, and I was like, naively, 'Where's my pilot?'
I came out of the old Second City in Chicago. Chicago actors are more hard-nosed. They're tough on themselves and their fellow actors. They're self-demanding.
I came up through Second City, so I'm used to playing 20 characters every night who are very different from each other. I wouldn't want my career to be any different.
I never looked at my future as comedy. Even at Second City, I always thought of it as acting. I knew I was going to be an actor financially, emotionally, egotistically.
I did a lot of commercial and theater work when I got out of school and was living in Dallas, and I moved to Chicago to go through the Second City Conservatory Program.
I moved to Chicago when I was 28, and I wasn't completely idealistic about going to Second City and making a living from comedy, but I knew it would be great for the resume.
I always enjoyed writing. I did playlets in high school, I did radio shows in college. That's one of the reasons I went down to Second City, because you could do acting and writing.
When I came to Chicago, I didn't even know what improvisation meant, as far as pertaining to comedy. I knew about Second City, but I didn't know what the word 'improvisation' meant.
Well, actually, the Second City thing came about because I was taking a few improv classes there. I thought that the improv classes would help with my wrestling career, which it has.
Second City Las Vegas is very different from Second City in Chicago on the main stage, where they do improv sets. That's how they kind of hone material, kind of work up to new material.
My stepfather had a connection with The Second City and told me I should go there. I woke up in a cold sweat one night and said, 'I'm moving to Chicago.' That's how I went to Second City.
When you get out of school, you just go where the wind blows: Here's an audition; there's an audition. And before you know it, you're where you're supposed to be. And that was Second City.
I think a lot of studios today are run by women, and we are entering a time when a lot of women have evolved in Second City and Upright Citizens Brigade and wanted to become writers and comedians.
I took Second City out of desperation, and that's what ended up working out. It shows that you should be doing a lot of different stuff, taking whatever opportunities are there, to see what works.
Because I started my career in improv, performing with Second City and the Ace Trucking Company, I always enjoy being in situations where - as an actor - you have to think fast & be light on your feet.
I never looked at my future as comedy. Even at Second City, I always thought of it as acting. I knew I was going to be an actor, financially, emotionally, egotistically. I still don't think I'm in comedy.
I had not met Tina Fey before I auditioned for '30 Rock'. Some people think we're old friends from 'Second City' days. I had always been a fan of Tina's. But I actually never planned on being in a sitcom.
I got an agent when I needed one, when I had a contract negotiation for the first time. I was doing the Second City E.T.C., and I got invited to audition for the last season, it turns out, of 'In Living Color.'
That was sort of the 'Second City' approach, which was try to be intelligent and assume your audience is intelligent. We were influenced by 'Monty Python,' too, which would have philosophers in a wrestling match.
I'm a huge fan of John Hughes and can say that 'Planes, Trains and Automobiles' is easily a top 3 favorite. I'm also a huge fan of all the Second City talent, and I think my Dad and Bill Murray are long lost twins.
I started in Shakespeare. I'm classically trained, which, how hilarious is that? Then one night, I saw Second City and thought, 'Wow, that's what I want to do.' But I never thought it would morph into screenplay writing.
I got a degree in broadcast journalism at Northwestern but was running a sketch-comedy group and then went to Second City. When the writers' strike happened in 2007-2008, I went to work at E! because I had that background.
In college, I didn't perform so much, but when I graduated is when I discovered Second City. Then I realized, 'Oh, there are people who can focus on comedy and especially improvisational comedy and make a career out of it.'
I went down to Chicago to try to go into a place called Second City. I auditioned for that and got in pretty quickly, but I couldn't stop partying. They gave me a warning: 'If you do it again, we're gonna kick you off the main stage.'
When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.
At Second City and improvising at iO, you're creating a character in an instant. All of a sudden, you're creating this history and this past for your character, and you're discovering it while you're doing it, and that's part of the fun of it.
I'm a bug on acting, which distinguishes Second City from a lot of other revues. It comes from the character, the behavior, and not from the jokes. I don't think jokes are funny. Humor comes out of character and out of situations the character is in.
I went to Second City, where you learned to make the other actor look good so you looked good and National Lampoon, where you had to create everything out of nothing, and SNL, where you couldn't make any mistakes, and you learned what collaboration was.
I met Kevin when I was 19, at a Second City workshop. We were paired up together in the first class I went to. By the end of the class we formed our improv group, and over the next three years we performed leading up to the formation of The Kids in the Hall.
I graduated from Second City Los Angeles. It helped me tremendously, not only in my roles in films but in helping shape me into a writer as well. In improv, you will fail sometimes, so it teaches you to be brave and try anything. The worst that can happen is nobody laughs.
After college, I knew I wanted to work in comedy, so the first thing I did was go to where the comedy was. I moved from Charlottesville to Chicago, because that's where The Second City and Improv Olympics are. You have to go wherever you need to go to study what interests you.
Out of 30 years of Second City I was probably the third African-American with the main stage cast. I was surprised when I first heard that. I think part of the reason that improvisation has never been popular with African-Americans is that it isn't popular in the inner cities.
There's such a freewheeling nature to 'Second City,' and the greatest thing about 'Second City' was having a sophisticated audience night after night who appreciated what it was. They knew it wasn't all going to be great when you improvised, so they were very forgiving that way.
I had, like, two goals in my career: One was to try to get into 'Second City.' When I moved to Chicago, my goal was to try to work at 'Second City.' And beyond that, my goal was to make enough money as an actor to not do anything else but act, not have to go and wait tables again.