Quotes of All Topics . Occasions . Authors
I think there are four or five interesting pockets where a lot of cool technology companies are getting started. Chicago is one of them. New York is certainly another. Silicon Valley really dominates. And you're seeing some stuff out of Boston and Seattle and down South.
I was born in 1937, in Yakima, Washington, the oldest child of Robert Emerson Lucas and Jane Templeton Lucas. My sister Jenepher was born in 1939 and my brother Peter in 1940. My parents had moved to Yakima from Seattle to open a small restaurant, The Lucas Ice Creamery.
Let me tell you something... If you're anybody - not just me, but anybody - and you can put an oven that doesn't work at all on eBay and sign your name on it and sell it for 1200 bucks, and somebody will drive from Seattle to Dallas, Texas, to get it, that's pretty cool.
I never thought I would be the oldest quarterback in the National Football League at one point, not in a million years. I never thought I would play as long as I did, either, seventeen years from start to finish, with stops in Houston, Minnesota, Seattle, and Kansas City.
For generations, people have come to U.S. shores to seek opportunity. It's what my grandfather did a century ago, when he came to Seattle, and worked as a houseboy just one mile from the Washington State governor's mansion that I was privileged to inhabit for eight years.
My friend Danny Clinch, who's a photographer, gave me a big, signed, numbered print of a photo he took of Eddie Vedder in Seattle. It's hung in my writing room where I have posters of writers that inspire me. They're all pointing at me. Tom Waits is like, 'Don't sell out!'
Democrats inhabit the low shores of Puget Sound, mostly on its eastern side, in a ragged trail of port-cities that stretches from Bellingham, close to the Canadian border, through Everett, Seattle, and Tacoma, to Olympia, the state capital, at the southern end of the sound.
During Seattle's successful campaign for a $15 an hour minimum wage, our opponents would sometimes roll their eyes and snort, 'If $15 is so good, why not $50?' It was a straw man argument: Nobody was proposing a $50 minimum wage; it would have been too high, and we said so.
If the opponents of an increase in the minimum wage were correct, then every time you fly to Seattle, you've got to bring a bagged lunch because there shouldn't be any restaurants because they should have all have gone out of business as a result of raising the minimum wage.
I remember my very first audition for a film. I was in Seattle. They were taping the session, and I just went crazy. The director finally said, 'Zoe, what are you doing? The camera's right here. Just talk to me.' And it took that director saying that to me to change everything.
I naively thought I would quit television writing, move up to Seattle, my novel would come out, and then I'd have a novel writing career, and so I found myself really stuck in this very poisonous self-pitying state and felt like I'd never write again. And I blamed Seattle for that.
Our influences are who we are. It's rare that anything is an absolutely pure vision; even Daniel Johnston sounds like the Beatles. And that's the problem with the bands I'm always asked about, the ones derivative of the early Seattle sound. They don't dilute their influences enough.
I was born in Northern California and lived there until I was about eight years old. Then my parents moved me up to Seattle. I lived there from ages eight to 16. When I was a California kid, I remember running around in my bathing suit and barefoot all the time and getting a suntan.
Who was Amanda Knox? Was she a fresh-faced honor student from Seattle who met anyone's definition of an all-American girl - attractive, athletic, smart, hard-working, adventuresome, in love with languages and travel? Or was her pretty face a mask, a duplicitous cover for a depraved soul?
When 'Twin Peaks' happened the first time, I was a stage actor in Seattle. I was called in for an audition for this pilot, and at that time, it was called 'Northwest Passage,' and nobody knew anything. I thought, 'Oh, okay, Lewis and Clark.' And from that moment, I fell down the rabbit hole.
I think what's beautiful when you're looking at artists like Macklemore and you're looking at artists like Ayron Jones, they're proud of Seattle and they're bringing it back. Seattle's a real music town. When you act ashamed of that, you should be pushed outta the game as far as I'm concerned.
Around the time I opened my second restaurant, Etta's, I had just finished judging at the Jack Daniels World Invitational BBQ Championship in Lynchburg, Tennessee. Back home in Seattle, my goal was to recreate the sweet and smoky taste of that BBQ using our local wild king salmon instead of pig.
I mean, if you look at all the great romantic screwbally kind of movies from the '30s and '40s, they're all in New York. Even 'Sleepless in Seattle,' a movie about Seattle, ends up in New York, of course. The whole country, even if they've never been to New York, knows about it... from the movies.
I absolutely remember when I decided upon playing Ernie Ball strings, and it was right then and there at the guitar store up in Seattle when I picked up my first guitar ever. They said, 'What kind of strings should we put on it?' And I just looked at the brightest color package and said, 'That one!'
I used to sneak into the Forum to watch the Lake Show, when I lived in L.A. with my pop. I was born in Seattle, and for fourth, and fifth grade, I went to L.A., then I came back to Seattle and then back to L.A. for eighth, ninth, and 10th grade. But it was easy to sneak in the Forum, like really easy.
When I was 16, 17 years old, I became aware of music coming out of Olympia, Wash., which is the state capitol and about an hour south of Seattle. And there were bands like Bikini Kill and Bratmobile and Heavens To Betsy, and for the first time, I heard my story being explained to me, being sung to me.
I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
Most of the tech CEOs I know used to think that moving to the Midwest or the South was beneath us, a good tactic for the Boeings of the world who don't need the kind of rare skills we depend on, who have to grub for profits when we reach for growth. But if Amazon can't afford to keep growing in Seattle, who can?
People in Seattle - and I'm speaking from experience - are indoors more. It used to just rain a ton, and as a result, you'd be inside listening to music all the time and playing. You'd all rehearse at each other's houses and share ideas. There was no competition. When I got to L.A., I was really stunned by the competition.
By the end of the 1980s, Seattle had taken on the dangerous lustre of a promised city. The rumour had gone out that if you had failed in Detroit you might yet succeed in Seattle - and that if you'd succeeded in Seoul, you could succeed even better in Seattle... Seattle was the coming place. So I joined the line of hopefuls.
I was good at math and science, and it was expected that I would attend the University of Washington in Seattle and become an engineer. But by the time I was seventeen, I was ready to leave home, a decision my parents agreed to support if I could obtain a scholarship. MIT did not grant me one, but the University of Chicago did.
Last Friday night, I Twitted a photograph of myself that I intended to send as a direct message as part of a joke to a woman in Seattle. Once I realized I posted to Twitter I panicked, I took it down and said that I had been hacked. I then continued with that story, to stick to that story which was a hugely regrettable mistake.
I was on the committee that helped raise the minimum wage here in Seattle. I introduced a statewide bill to raise the minimum wage in Washington state my first year in the state senate, and I really believe that raising the federal minimum wage, while not the answer to everything, addresses a lot of the issues at the very bottom.
I was in a band till I was about 17; then I went to television, and I spent seven years doing that. When I came to Seattle, I started to audition for things. The passion's always there, and that's what's been the hard thing: to fit that passion into a normal life. You can't do it. You can't have a normal life and pursue this dream.
We had a big controversy in the United States when there was a limited number of dialysis machines. In Seattle, they appointed what they called a 'God committee' to choose who should get it, and that committee was eventually abandoned. Society ended up paying the whole bill for dialysis instead of having people make those decisions.
I didn't have any work to do, and I had files of my personal and Guns N' Roses financial statements for the previous eight years. I wanted to learn how to read these, but I didn't trust anybody. I just got a lightbulb in my head and said, 'I want to go to school.' That began my journey, taking accountancy and business classes at Seattle.
I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.
My mother was the first African-American policewoman in Seattle - recruited, actually - and she did it for only 2 years, as she did not want to carry a gun. She worked mostly on domestic disturbances. The NAACP wanted her to do it. She did not actually have the temperament to be a cop - she was very sweet. She had a Masters in social work.
In Vegas, you have an audience you can't find anywhere else. It's from all over the country. You play Seattle, everyone's from Seattle. But in Vegas, you have six from Seattle, a bunch from L.A., some local Las Vegans and maybe a farmer from Iowa. In Vegas, you learn the ins and outs of holding a room because of that great spectrum of folks.
I felt very proud to be part of a music scene that was changing the face of commercial music and rock music internationally, but I also felt like it was necessary for Soundgarden - as it was for all of these Seattle bands - to prove that we deserve to be on an international stage, and we weren't just part of a fad that was based on geography.
