Quotes of All Topics . Occasions . Authors
My family moved from California to New Jersey in the beginning of my sophomore year of high school. I will never forget the first day in a new school, walking into the cafeteria during lunch and not knowing a single soul. I didn't feel confident enough to share a seat at just anyone's table.
I've been giving back since I was a teen, handing out turkeys at Thanksgiving and handing out toys at toys drives for Christmas. It's very important to give back as a youth. It's as simple as helping an old lady across the street or giving up your seat on the bus for someone who is pregnant.
I'm privileged to have had some success, but I've never forgotten what it was like to queue for a half-crown gallery seat for 'Oliver!' which is why I ensure that there are £20 day tickets for 'Miss Saigon' and that the balconies in my theatres are as comfortable as I can possibly make them.
Romantic ideas about the heart fly in the face of known fact, but that doesn't matter and never has. People many thousands of years ago knew that the heart is basically a blood pump, but that didn't keep them from also believing it was the seat of romantic love (and all other strong emotion).
I first met Dr. King in 1954 when I was a student at Alabama State University and a member of a local church down there. He was in town to organize a rally against public transportation. Rosa Parks had been arrested for refusing to give up her seat to a white man, which was illegal back then.
While being in the right seat at the right game might create short-term reassurance, I can't get over the idea that really what people feel is that their club is being run by a group of guys who know the history, study the heritage and view Villa as a proud Victorian club in its third century.
But ours was intended to be a citizen government. It is what of, by and for the people means. And when our most important issue in California is the creation of jobs, I think it's quite helpful to have someone in the U.S. Senate or in the governor's seat who actually knows where jobs come from.
I can't believe that I'm sitting in meetings with Steven Spielberg, Tom Hanks, and Annette Bening. I want to take on that responsibility to represent all the Rogers out there who don't have a seat at the table. People of colour were not at the table, and now I am there, I want to change things.
We must use our seat at the table to be a voice every day for women and girls across the country who often do not have the same opportunity to have their voices heard. This means advocating for childcare and paid family leave, as first daughter Ivanka Trump has championed in this administration.
Sometimes, a novel is like a train: the first chapter is a comfortable seat in an attractive carriage, and the narrative speeds up. But there are other sorts of trains, and other sorts of novels. They rush by in the dark; passengers framed in the lighted windows are smiling and enjoying themselves.
I started, whenever I got to a city, just getting on Style Seat, which is the most incredible app for any girl who doesn't have 100 stylists at her fingertips. I can see who's well-rated and whose portfolio I like, and then book an appointment all from my phone, which made having bangs a lot easier.
I saw Lee J. Cobb in 'Death of a Salesman' when I was about 15, and I couldn't get up from my seat in the theater; I was so... I was weeping, and I was upset. And I find that people are still like that in a similar circumstance in a theater today, where they just can't get up. It's too heartbreaking.
The serious problems facing the world... will only be solved if women have a seat at the table and are listened to as to what is required. These issues will never be solved until women are able to use their full potential on behalf of themselves, their families and their global and local communities.
Almost all of your life is lived by the seat of your pants, one unexpected event crashing into another, with no pattern or reason, and then you finally reach a point, around my age, where you spend more time than ever looking back. Why did this happen? Look where that led? You see the shape of things.
If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story.
I think the work on tax reform, the work that's being done on regulatory reform is very important. And just having a seat at the table, I think, is so important for business today as we think about what's going to benefit the economy of this country, how we're going to create great manufacturing jobs.
Dan Donovan was the district attorney at one point who could not indict NYPD officer Daniel Pantaleo, who choked Eric Garner on video, for the whole country to watch, for the whole world to watch. And he actually, immediately after that, won a seat in Congress. He beat a Democrat to get into Congress.
The first rule is you have to create a reality that makes the reader want to come back and see what happens next. The way I tried to do it, I'd create characters that the reader could instantly recognize, and hopefully bond with, and put them through situations that keep the reader on the edge of their seat.
The basic thing you have to understand is everything that happens on that spaceship, from the time you crawl into that seat to the time it touches down, is controlled from the ground. There's no one thing that makes a good astronaut. I don't know any person with determination and will that can't go to space.
When I was a congressman, I had occasion to talk to this group of students who were taking their seat. There were about 80 of them and I asked them, 'How many of you will be serving in the country once you graduate?' And, out of the 80, there were two that raised their hands. The rest were thinking of leaving.
Solange's new album, 'A Seat at the Table', is so many things at once: an antidote to hate, a celebration of blackness, an expression of the right to feel it all. After a move to Louisiana and period of self-reflection, the artist joined forces with a range of collaborators to put her new discoveries to music.
Sitting on the airplane seat today, I was thinking - I have been in different cities every week. Most of the time, it's because of golf tournaments. But occasionally, I also attend various events. All of a sudden, I feel like I am a business woman. Although sometimes I feel tired, I do enjoy this kind of life.
This is how a revolution begins. It begins when someone grows tired of standing idly by, waiting for history's arc to bend toward justice, and instead decides to give it a swift shove. It begins when a black seamstress named Rosa Parks refuses to give up her seat on a bus to a white man in the segregated South.
I have a group of cafes and coffee shops that I go to regularly. They usually have an area where I can plug in my computer and have a corner seat where I can do a couple hours of writing or whatever, even the noise of the surrounding people walking by. Those things are the things that stimulate me into writing.
I was onstage one night and was singing. I hit one note, and I just doubled over. It was like being punched hard in the back. I couldn't put my back up on the plane seat because of the pain. I got massages, thinking it was muscle spasms. The doctor told me at the time that it was my pancreas. I didn't even know.
When I was 10 years old, a cousin of mine took me on a tour of his medical school. And as a special treat, he took me to the pathology lab and took a real human brain out of the jar and placed it in my hands. And there it was, the seat of human consciousness, the powerhouse of the human body, sitting in my hands.
In Louisiana, you can drive when you're 15 - you could get your driving permit. I remember, during driver's ed, I fell asleep at the wheel one day. I was tired. The guy shook me and switched and said he was getting into the driver's seat. I didn't fail, so I guess you can fall asleep occasionally. It's Louisiana.
Plays have a celebratory nature that no other form has. Theater always meant celebration, a birthday, a reward for good grades. I felt at home in a theater. I loved being part of an audience. All the rules - the audience has to see the play on a certain date at a certain time in a certain place in a certain seat.
I always like to pretend two things: one, I'm sitting in the seat beside you watching the game together. I'll say, 'Wasn't that a great shot? Boy, it sure was.' The other thing I do is pretend I'm talking to people who are non-sighted. I try to create a word picture. I get more mail from blind people thanking me.
Scott Brown may be the last Republican to win a statewide fight in Massachusetts for a very long time. He caught the machine flat-footed in January 2010 when he out-hustled Martha Coakley and stole the Senate seat Ted Kennedy held all those years. And since then, the Democrats haven't lost a single statewide fight.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
I have no wish to go back to being frustrated by a character. It's really just part of being on an ongoing series. You're constantly hoping the next episode you get, something will happen for you. You're on the edge of your seat all the time, pressing your hands together and hoping that something cool will turn up.
Especially women, we can relate to wanting to have a seat at the table and a lot of the time it's not even to be more powerful than the men, it's not even to be powerful, it's just to feel that we're not going to be undermined, that our ideas are not going to be taken for granted, that we won't be sexually harassed.
I've never had the experience of 10 years at Unilever and five years at Coca Cola. But I'm not the marketing director who only wants 25 per cent a year on the revenues. In the old days, you sold something, and you would be happy. At Ajax, we thought we needed more from that than selling a seat and making five grand.
'Killer Joe' was originally written in 1991 and first produced in '93 at the Next Theater's Lab - a 40 seat black box theater in Evanston, Illinois - back when I was getting started. I was just 25 and I had been acting for awhile, but it was my first play and the one that really got me noticed, especially by Steppenwolf.
In the '70s, there were economists who argued that seat belts were causing people to drive faster and kill more pedestrians. But after 15 or 20 years of research, we can now conclude that's actually not true. Seat belts, on net, do make people safer. So, on an evidence-based process, we should have people wear seat belts.
London has such an unbelievable respect for theater, where L.A. does not. You go to a play here, and the dude next to you is sleeping. In London, if you're not in your seat when it starts, they lock the door. In Los Angeles, you can stroll into school late with a cup of coffee. In London, you get your butt to class on time.
The traditional writer is a sensitive only child, asthmatic, who sits on the window seat watching the drops of rain slide down the pane, very introspective. I'm not inward-looking. I would never go to a shrink. I don't want to know what I'm thinking. I don't really like discussions in my family. It may be an avoidance thing.
They couldn't have a little kid occupying an important spot on the front row, so I sat in the back where all the models changed clothes. I remember vividly the rustling and the rush of the fabrics of the clothes and the swoosh of textures and color as they went by. I was in the back, but I had a front-row seat, in my opinion.
A chair's function is not just to provide a place to sit; it is to provide a medium for self-expression. Chairs are about status, for example. Or signalling something about oneself. That's why the words chair, seat and bench have found themselves used to describe high status professions, from academia to Parliament to the law.
To meet an artist when they first start out is like having a seat on the 50-yard line and watching them get a touchdown... The Weeknd, Pink, Harry Styles, Lorde, Miley Cyrus, Niall Horan, Kesha - these are all artists I interviewed back before anyone knew who they were. To watch them turn into these superstars is just amazing.
I'm all about entertaining and keeping a reader on the edge of their seat, so to me, the social issues have to be meaningful and give the book what's really 'at stake,' but ultimately it's not about them - it's always a personal story of everyday people thrust into life-threatening situations and having to perform heroic acts.
When one's greatest 'world stage' ambition is a non-voting seat on the U.N. Security Council five years down the road, one would not want to say anything to hurt the feelings of the veto holders in Moscow or Beijing. We get it. But let's at least be honest about all this, please. Enough of the 'Canada is back' slogans already.
I remember once about 10 years ago when I was injured, having to rehearse, and I was walking with a stick. And I was terribly touched by the amount of people willing to give up a seat. You often hear that London is so brusque and rude, but the grace with which people negotiate incredibly crowded spaces is something rather nice.
When they told me I had to have a heart operation, my main memory is standing in my kitchen and thinking what I would really miss was my little tea towel. Not for one minute did I think, 'Oh, I'm going to really miss performing.' The things you're going to miss are your wife, your egg cup, your seat that you sit in to watch TV.
I realize that men and women of the military go out and sacrifice their lives and put their selves in harm's way for my freedom of speech and my freedoms in this country, and my freedom to take a seat or take a knee, so I have the utmost respect for them, and I think what I did was taken out of context and spun a different way.
I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.
We are seeing a lot of cases where the startups are writing the term sheet, dictating the terms, selling common stock instead of preferred stock, where they don't give the investor veto rights or board seat or privileges, and they are really asking the investor -- why should I take your money when there is other money available.
When kids run up to me and ask, 'What happened?' I just lean over and whisper, 'Cigarettes.' And once I was in a car and this girl at traffic lights was giving me the eye. She could only see my head, so I decided to do a 360 in the car seat to freak her out. Her face was like, 'Whoa, what is going on?' She sped off really quickly.
When you lift off, the pressure is supposed to be maximum. But actually, it was very benign. Very enjoyable. But as soon as the engines cut off and you get to zero gravity, you felt as if you were being pushed off your seat. You feel disoriented. You don't feel aligned with anything. I felt for a few good hours that I was falling.