Eagles are seagulls with a good hairdo.

When it blows here, even the seagulls walk.

I'm the seagull. No, that's not it. I'm an actress. That's it.

Now I'm livin' out here on the beach, but those seagulls are still out of reach.

When the seagulls follow the trawler, it's because they think sardines will be thrown into the sea.

When the seagulls follow the trawler, it is because they think sardines will be thrown into the sea.

I did a film called 'Days and Nights,' which is a modern-day retelling of and inspired by Chekhov's 'The Seagull.'

I saw a production of 'The Seagull' at Dallas Theatre Center when I was in high school, and it really did a number on me.

As I watched the seagulls, I thought, That's the road to take; find the absolute rhythm and follow it with absolute trust.

I played Jonathan Livingston Seagull in a musical version of 'Jonathan Livingston Seagull' in Austin, TX. It was pretty special.

I feel like Drake could literally put out anything - like, the sound of seagulls over a beat - and it could be the Number One song on Spotify.

I was very lucky. I left college, and Richard Eyre was in charge of the National Theatre. I was offered the lead in 'The Seagull' with no experience and went on to do five plays there.

The problem with politicians getting to know the issues in indigenous townships is that we tend to suffer from what Aboriginal people call the 'seagull syndrome' - we fly in, scratch around and fly out.

Seagulls are a landfill nuisance because they fly away with food scraps and, as is their reputation, fight each other over them midflight, often losing them, and soon a lady has a half-eaten hamburger splashing into her backyard pool.

A movie I must have seen 10 times is 'Jonathan Livingston Seagull.' It's an old movie, but still such a beautiful message. If I had only one film I could take on my computer on a desert island, I would take 'Jonathan Livingston Seagull.'

I think that going to the beach as a child, being in the water and smelling that salt air and hearing the seagulls, it had a real calming effect. But also, it was a mysterious thing - I remember wondering what was under those dark New England seas.

I played Nina in 'The Seagull,' and I remember thinking it's incredible to see all the actresses in the past that've played her. It's quite strengthening. You feel a part of the family of actresses going through and giving something of themselves to the role.

The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing.

In my last year of drama school, I was Abigail in 'The Crucible' and Nina in 'The Seagull,' and I did some Shakespeare with the RSC. That's what casting directors saw me in, and I got put up for a lot of period drama auditions. I always get told I suit the costumes. I don't think I have a very modern-looking face.

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