Quotes of All Topics . Occasions . Authors
The architect who first inspired me to follow this profession was Sir John Soane and his Regency home; well, his three homes, now a museum. The place is like an encyclopedia of paintings, antiquities, furniture, sculptures, and drawings.
In Rome, I particularly love the history, churches, sculptures and architecture and the fact that you can walk along a tiny cobbled street and turn the corner to find the Trevi Fountain. London is evocative of other eras and full of history.
I'll bet there are a lot of artists that nobody hears about who just make more money than anybody. The people that do all the sculptures and paintings for big building construction. We never hear about them, but they make more money than anybody.
Mission accomplished. The Museum of Modern Art's wide-open, tall-ceilinged, super-reinforced second floor was for all intents and purposes built to accommodate monumental installations and gigantic sculptures, should the need arise. It has arisen.
In our own time it has been seen... that simple children, roughly brought up in the wilderness, have begun to draw by themselves, impelled by their own natural genius, instructed solely by the example of these beautiful paintings and sculptures of Nature.
'Lemonade' is made out of bubbling, fizzing, popping, and 'Hard' is made from metal and latex - they are sort of sculptures in this way. I synthesize all sounds except for vocals using raw waveforms and different synthesis methods as opposed to using samples.
One project I am pretty excited about is 'Autonomy Cube.' These are basically minimalist sculptures that create a free and open Wi-Fi network wherever you install them, and they are routed over Tor, which basically anonymizes the traffic of everybody using it.
Architects have to become designers of eco-systems. Not just designers of beautiful facades or beautiful sculptures, but systems of economy and ecology, where we channel the flow not only of people, but also the flow of resources through our cities and buildings.
There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on.
I created a successful outdoor youth festival - the Liverd festival - against all good advice. It was a great way to explore and investigate social sculptures. Having that as my kind of studio, outside of a museum or precious white-cube gallery, that was a kind of education.
I left Kurdistan in April 2003 with the peshmerga, following their excited advance as Saddam's forces crumbled. First Kirkuk, then Mosul - where looters broke into the city museum and seized its Parthian sculptures - then Tikrit. I reported from Baghdad in month-long stints until the end of 2004.
The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.
I recognize that it is through the engagement with my craft - by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather and interaction with the public - that a new art for cities has become real.
The cultural center of Asia Minor, Pergamon boasted a vast library of 200,000 scrolls, a spectacular 10,000-seat theater, and a monumental Great Altar decorated with sculptures of the Olympian gods defeating the Giants. People came from all around the Mediterranean seeking cures at the famous Temple of Asclepius, god of medicine.
We've sweated and torn out our hair trying to reconstruct our chosen lives, to fashion them like literary sculptures, at once monumental and yet human. We've applied all of our intelligence, our empathy, our critical faculties, our compassion - and we think, in our delusion, that it's still 1960, and our work is going to get noticed.