I've never seen or heard of a mob sitting down to read a film script.

Every single time I read a script I'm breathless as I turn the pages.

When you write scripts, it begins to feel like you're living in them.

Rock is all about writing your own script; it's all about pioneering.

I do try to look at scripts and keep an eye out for challenging roles.

I can take scripts directly to actors. Agents don't like to hear that.

I like it when actors depart from the script to find their characters.

Anybody can write a film script 'cuz it has been reduced to a formula.

I see a lot of scripts, and very few of them leap off the page at you.

As an actor, you're always reading scripts looking for something good.

It is a difficult one, as you get scripts where women are just objects.

You see a lot of good ideas or well-written scripts that are bad ideas.

If I were actually Homer Simpson, I'd be getting scripts out the wazoo.

I get a lot of scripts, but they're all for the same type of character.

I don't sit around and study the pages of a script over and over again.

Give me a good script, and I'll be a hundred times better as a director.

I have a lot of incomplete short films and incomplete scripts out there.

For any role, I pretty much always go to the script, first and foremost.

I don't think people realize how many scripts you write that go nowhere.

Would you believe, I am still offered scripts and projects all the time?

When told a script was full of old cliches: Let's have some new cliches.

I always get quite close to my script because I work quite hard on them.

The script for 'In Good Company' was the first one I ever showed my dad.

I never had a boundary as an actor and I am open to interesting scripts.

I look for scripts that give me a gut feeling that this is going to work.

In Hollywood, they create banks of scripts, whether they are used or not.

Howard Minsky had gotten the script to her agent prior to my involvement.

If I ever wrote a script myself, it would be strongly emotional material.

I use the dictionary all the time when I'm reading or working on scripts.

The script - and a good one - tells you everything that you need to know.

Scripts can be slick and structured, but do they always contain the truth?

I have scripts that I've only shown to animals... and they passed on them.

I was drawn to gay parts because of their scripts, what the roles offered.

I read a script and I know immediately whether that role is for me or not.

I think you judge your career by the scripts that are being sent your way.

Ultimately, the transcript of your prayers becomes the script of your life.

How can you turn down Marks and Gran? Their scripts are so rich in texture.

I'm not staying away from any genre. I'm trying to get scripts that I like.

I can't stand innuendo. If I see one in a script I whip it out immediately.

I've auctioned off many scripts and will continue to do so for good causes.

I am open to writing more, and not just film scripts but maybe also a book.

Once, I had so many scripts coming to me that I could hardly read them all.

Mine is studying script and being very academic and trying to be important.

I write my scripts on a whim, without worrying about plot points and graphs.

It's hard to find scripts that know what they are from page one to page 115.

Music is for theater like theater is for scripts. It's total: it's cyclical.

I don't understand scripts really well, but I do whatever my heart tells me.

It'll take me a lot longer to read a script if there's no director attached.

If it's an excellent script, I enjoy it tremendously, the acting part of it.

I feel like I work on scripts for comedy as well as dramatic stuff the same.

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