In most scripts, one or two characters have a lot of colors.

To do someone else's script? I don't think I'd have a reason.

When you have great scripts, everything is very easy and fun.

Good scripts and interesting stories are hard enough to find.

I'm a very moody guy and I need good scripts which excite me.

Most scripts that get written in Hollywood don't go anywhere.

When I started out, nobody gave me scripts, so I had to write.

Scripts are corny and predictable. Real life is always better.

The only thing that gets me back to directing is good scripts.

Let's make movies, not deals. Let's write movies, not scripts.

A lot of times, the script is the thing they care about least.

I hate when I get a script and I can't see who the people are.

Well, honestly I have never been very good at judging scripts.

It's very difficult to find good scripts in Hollywood any more.

I don't want this big stardom thing. I just want a good script.

I write plays instinctively. I don't like writing movie scripts.

It's all about the script. Reality is key to me and less cutesy.

When I started out, nobody gave me scripts, so I had to write...

Nobody wants to take a risk with scripts that push the envelope.

Almost all movie scripts contain material that cannot be filmed.

I find it really hard to even read another script while shooting.

I'm much happier just to write myself out of the script entirely.

It's not about Hollywood, it's always about a good script for me.

It's never a script that makes me decide to accept a film or not.

I can't even read a script. I've tried and it's painful to watch.

Just like a script, you need to keep a business plan to yourself.

I read a lot of scripts, so I know by page 25 if I like it or not.

These kinds of scripts telling the stories of women are very rare.

I can't read scripts any more because of the trouble with my eyes.

The scripts don't come pouring in; I have to fight for every part.

Films work due to scripts, characters, and what you see on screen.

A comic script is basically a love letter from you to your artist.

If the scripts are not good, I'll tell somebody, 'This isn't good.

Scripts and directors make great actors, not the other way around.

My easiest judgment for a script is 'do I want to keep reading it?'

I don't read that many books - I tend to read scripts for projects.

To find a script that works with provocative ideas is hard to find.

I've read some scripts, but I don't read as many books as I should.

I want to do Indian films based on scripts with a universal appeal.

If the scripts are not good, I'll tell somebody, 'This isn't good.'

The more I read scripts, the more I learn about scripts, basically.

A good film script should be able to do completely without dialogue.

The kind of scripts I have read for web shows have been outstanding.

I would play the lead role in films which have scripts that suit me.

I don't believe in closed scripts; I think that they should be open.

I had written a script called "Freed," which I had wanted to direct.

I just need good scripts, good films, and I am glad I am doing them.

The secret of making movies is having the strongest possible script.

The most important thing is the story. Not the script, but the story.

Film scripts are more important for me than the language of the film.

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