Quotes of All Topics . Occasions . Authors
Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.
I am very aware of the fact that it's highly unlikely anyone will write an article via their mobile phone. I've done it, but it's painful. And it's not just about the small keyboard and the small screen - though that's awful. It's the emotional experience of writing an article.
My parents took me to a movie, and I remember wanting to sit apart from them for some reason. I wanted to be a big boy or whatever. I remember looking up on that screen. It was a movie about medieval knights. All I remember is saying, 'I want to do that. I want to make movies.'
I think I have broken the mould that actresses have to be extremely thin on screen. All those who are making my weight an issue just prove that people are jealous. These are people who have nothing to do in life except to stare at their computer screens and make comments on us.
Specialization makes it easy to forget about the filth of the coal-fired power plant that is lighting this pristine computer screen, or the backbreaking labor it took to pick the strawberries for my cereal, or the misery of the hog that lived and died so I could enjoy my bacon.
An actor puts himself in the hands of a director. And the director's first responsibility, obviously, is to tell the story, but the smallest thing that's not true reads on the screen. So if a director sees that an actor is not believable, he needs to help him become believable.
Anyone can see that, say, superheroes and vampires perform well at the box office. That in turn can trigger competitive bidding situations and soaring fees for people who can bring these properties to the screen. The result can be a dramatic increase in the costs of production.
The trick is falling in love with something enough, and being excited enough by something, to want to make that year and a half or two year commitment and wake up every morning at 5 to go deal with a whole day full of problems to get it up on the screen. You really need passion.
People are patronizing the theatres with renewed enthusiasm - there is an entire picnic-like attitude when families go out to see movies, which is a very good sign. They want to see larger-than-life characters on the big screen and not just watch movies on television or on DVDs.
They warned me, 'you're going to be doing the screen test with Daniel Radcliffe a week after the audition.' And then in the hair and make up department, he walked up behind and scared me. But you get used to him quickly because he tries to make you feel very welcome and at home.
It's a mystery, that thing about chemistry, because often people who hate each other in real life and hate each other on the set have great chemistry on the screen. And people who love each other in real life and love each other on the set have absolutely no chemistry whatsoever.
Previously, young children had to be shown by their parents how to use a mouse or a remote, and the connection between what they were doing with their hand and what was happening on the screen took some time to grasp. But with the iPad, the connection is obvious, even to toddlers.
I struggle to watch myself in any scene, to be honest. What's done is done. I wish I was able to watch myself, as it would really help me develop as an actor. But I'm not brave enough. It's a difficult thing to do - looking at yourself as this utterly different person on a screen.
There comes a point in your moviegoing life where you look at the screen and then you look at the world and you ask, 'What is going on?' You want the movies to show you the chaos and mess and risk and failure that are normal for a lot of us. Generally, the movies hide all of that.
Its definition can be a bit murky, but to me, native advertising is a sales pitch that fits right into the flow of the information being shown. It doesn't interrupt - native ads don't pop up or dance across the screen - and its content is actually valuable to the person viewing it.
In music, on stage and on screen, fairy tales have always been guaranteed moneymakers. It's no wonder then, that in these difficult economic times, there are fairy tales everywhere you turn. From 'Once Upon a Time' and 'Grimm,' to 'Mirror, Mirror' and 'Snow White and the Huntsman.'
You write because you have an idea in your mind that feels so genuine, so important, so true. And yet, by the time this idea passes through the different filters of your mind, and into your hand, and onto the page or computer screen - it becomes distorted, and it's been diminished.
As an actor, I think it's really important to be as anonymous as possible. It's your job to convince people that you are somebody else, and so any recognition I'd get away from the screen - well, it's not something I actively seek. To be honest with you, I'm surprised anybody does.
Over the past several decades, a growing number of investors have been choosing to put their money in funds that screen companies for their environmental and labor records. Some socially responsible investors are starting to add free expression and privacy to their list of criteria.
There's only a handful of people who are just purely, inherently funny, and I'm not one of them. I need content and a situation. I don't just walk on the screen, and people go, 'Ha ha ha!' There are people like that, and they can do almost anything. It's the Christopher Walken Rule.
People are not used to seeing an older woman on screen, unless she's playing a character role. Why can't they make a movie about a woman who's forty-five who's falling in love or getting divorced? Why does the leading role always have to be a woman who's twenty-three or twenty-eight?
To answer the question, though: I didn't always want to direct. I just liked the idea of it. If a friend was making a short and needed someone who knew screen direction, I would jump in. It would be horrible, but it led to a short, then another, and another. It was like student films.
The average teen today spends about 35 hours a week in front of a screen of some kind: iPod, movie, TV, video. And a lot of it is good, but a lot of it's not. And so I think you've got that five hours a day of media coming into your kid's head that's creating a lot of havoc out there.
When the simple word processors came in, writing became crisper, less dense - just because of the way we could instantly edit on the screen. Now the ability to mash up words and pictures and links and songs and tweets is what matters. I can't imagine what writing will be like in 2154.
There is a generation of skimmers. It's not that they don't want to read in-depth content, but they want to evaluate what the content is before they commit time. Especially on a mobile phone - you don't have the phone, or cellular data, or screen size to be reading full-length content.
I was so grateful to have made 'Into the Wild' before I made 'Speed Racer' because on 'Speed Racer' I was indoors every single day, every single scene, on a green screen. Some of the time, just to pass the time, I would think back to climbing mountains in Alaska. That really helped me.
When it comes to being under the ring, I'd either go under before the doors opened or would get snuck under in the dark while a video package played on the screen. There were times when I was underneath for six-plus hours because it wouldn't work out to sneak me under later in the show.
People are so busy positioning themselves before the screen and talking on the damn cellphones, communicating, that we're not reading, and in fact we're not really communicating, either. We're not talking to each other. There's just all these screens and wires and technology in between.
All the screen cowboys behaved like real gentlemen. They didn't drink, they didn't smoke. When they knocked the bad guy down, they always stood with their fists up, waiting for the heavy to get back on his feet. I decided I was going to drag the bad guy to his feet and keep hitting him.
Al Jazeera is a representation of, you know, diversity in the Arab world. In our newsroom, we have every single nationality, we have every single, you know, ideology, we have every single background. However, when it comes to the screen, we have one code of ethics and one code of conduct.
There's nothing like sitting in a completely quiet room, and then the strings start up. It's like when you go to the cinema - the first two or three minutes of any film are amazing. Because the screen is so big. The scale. Directors can pretty much do anything for those first few minutes.
There's a certain cruelty to being on a big screen as your eyelids start to sag and your hair falls out and turns gray that you either have to be able to handle or not. What you can't do is try to force yourself into roles that you could have played or would have played ten years earlier.
A memoir forces me to stop and remember carefully. It is an exercise in truth. In a memoir, I look at myself, my life, and the people I love the most in the mirror of the blank screen. In a memoir, feelings are more important than facts, and to write honestly, I have to confront my demons.
A century ago, scientists believed there was only one obvious stomping ground for alien biology in our solar system: Mars. Because it was reminiscent of Earth, Mars was assumed to be chock-a-block with animate beings, and its putative inhabitants got a lot of column inches and screen time.
I am sharing screen space with Ranbir Kapoor, but I am not exactly playing Sanjay Dutt's love interest, I am one of his encounters... It's just a cameo, but I would take my role as important, as it is a biopic on Sanjay Dutt, so whatever is important in his life is being shown in the film.
The two things I'm most excited about are self-driving cars and speech. Speech doesn't sound like that much, but it's one of those technologies with the potential to change everything. Steve Jobs didn't invent the touch screen. He just made it work very well, and that's changed everything.
While handling social media pages, my father accepted every friend suggestion that popped up on the screen. He's shared some random videos and commented on people's posts. I told him it's silly paa ' and he laughed. Maybe on Father's Day, I'll teach him to order his favorite food on an app.
In a regular theatre, you'd be kind of moving your eye from one character 5 feet over to the right on the cut. In IMAX, suddenly that's like 20 feet. So I would love to do something. I think I would really want to take the massive screen into consideration so that it would be done properly.
Our demand for good looks, expressed in the biting comments that ensue when public figures fall short of perfection, puts enormous pressures on these individuals and may screen out the otherwise qualified. If video killed the radio star, it may also be doing away with the homely politician.
Really good writing, from my perspective, runs a lot like a visual on the screen. You need to create that kind of detail and have credibility with the reader, so the reader knows that you were really there, that you really experienced it, that you know the details. That comes out of seeing.
I'm pretty much fully digital. I've basically spent a few painstaking days putting sounds into my laptop, just banking them, because I love playing, and I love visually seeing it on my screen and being able to change the sounds more, with different plug-ins. I've created my own synth sounds.
Sometimes you have to disconnect to stay connected. Remember the old days when you had eye contact during a conversation? When everyone wasn't looking down at a device in their hands? We've become so focused on that tiny screen that we forget the big picture, the people right in front of us.
I could take my grandma and put her in a cape, and they'll put her on a green screen, and they'll have stunt doubles come in and do all the action. Anybody can do it. They're relying on stunt doubles and green screen and $200 million budgets - it's all CGI created. To me, it's not authentic.
My mom can't defend herself to the world. She is such an amazing woman, with such an open heart. It's a real hard line, and I crossed it. I took everyone's life story and assumed it would be a great thing to put on screen. I was being selfish and I feel so horrible about it. I feel so guilty.
Facebook was founded on February 4, 2004. On February 5, we were feeling pretty confident, even from observing the first few hours of usage. Students used it like crazy. They'd sign up then spend the next 3-4 hours on it. Then we'd go to lecture hall and see it on every computer screen there.
I don't watch the movies I make, so I haven't seen 'Footloose' since it came out. You see this young, hungry actor, it's pretty fun. I was the only one they screen tested. It was an attempt by the director and producer to talk the head of the studio into hiring me because they didn't want me.
I auditioned for Robert Redford once and I was so starstruck I couldn't even speak. I had a mic wire at a screen test clipped to me and then I got kind of nervous and I paced in a circle and then took a step and tripped and fell on my face. You just have to forgive yourself and keep going on.
If you really love films, and you really want to get the full impact, there's a huge difference between watching something on a small screen with a mediocre sound system and watching it on a giant screen in a giant theater with a huge beautiful sound system. I mean, the difference is electric.
I am very fortunate to work with people I have seen on the screen so many times and admired, and they are in the public eye, and I have seen how they handle it. There are definitely ways to just keep on enjoying the profession and the work. Other people tell me that things are going to change.
The Screen Directors Guild was organized solely by and for the motion picture director... We are not anti-anything: The Guild being formed for the purpose of assisting and improving the director's work in the form of a collective body, rather than as an individual, as was necessary in the past.