Quotes of All Topics . Occasions . Authors
My own musical ambitions were born when I was five, watching the Ed Sullivan Show on TV. When Elvis Presley burst on to the screen, singing 'Don't Be Cruel,' I felt my first sexual thrill, though I didn't know what it was at the time.
Why would you not have a robot that looks like Abraham Lincoln? Why would it look like an erector set? Why use a computer with a punchcard, when you could use one with a touch pen on the screen? Why a car, when you could use a jetpack?
The world starts to exist, for Americans, when we are in conflict with a place. And then all of a sudden, Afghanistan pops up on the TV screen and it becomes a place. And it exists for three weeks, and then it disappears into thin air.
I know I'm old-fashioned, but there's just something about the act of looking at books versus taking in information on a screen, which is so one-dimensional. There's a sense of ownership that you have with books, a physical connection.
I've actually published two compilations, if only barely. Hire a private detective and possibly you'll be able to locate them. One was called 'Violent Screen,' and the other 'Now Playing at the Valencia.' Bantam and Simon and Schuster.
When you built television sets, you have all this test equipment. And you'd have all these lines and squares on the screen to test it. So it occurred to me that it might be fun for people to control the lines and squares on the screen.
When I was growing up, I was an '80s baby, so I remember the Sega Genesis and the first Nintendo. I grew up in a time when we first started playing video games on a computer screen. Now there are headsets and your body's the controller.
Depending on the point in the game and what's necessary, if you can deliver the play, whatever that is - heck, if it's a screen - and you get a guy open, and he scores a big basket for you, that gives me as much of a charge as anything.
Jennifer Aniston is cute, but I wouldn't call her beautiful. I think that is why Cheryl Cole is so popular, because she is just so pretty and the public are starved of gorgeous people. When I was young, everybody on screen was gorgeous.
A lot of times, people complain about how books and stories change when they're translated to the screen. But I think sometimes people forget that a lot of changes have to be made because we're not in a book when we're watching a movie.
I didn't see a lot of role models or women who looked like me on screen when I was growing up. For me, one thing that changed all of that was seeing Keke Palmer in 'Akeelah and The Bee.' That film made me realize that I wasn't an alien.
Internet journalism is not a world we know very well at all. It's conducted more on the screen and less in bars, which makes it rather less useful for getting stories about people throwing up over one another, which is what one's after.
As far as 'Birdsong' is concerned, I think the television program made a very honorable attempt at it, but the truth of the matter is that adaptations of long, ambitious books very seldom transfer well to the screen, and why would they?
It's a music video but she was real specific on the character that Mary J. Blige was playing, and that I was playing in this video and I told her whenever you get to jump to the big screen I'd love to come with you and she honored that.
The forced influence of advertising has given us completely useless TV. You don't want that on the Net. But most on-line information providers need to attract advertising - which slows download times and clutters the screen with windows.
Because I've worked with Netflix from the beginning, and that's my first job, I only want to work with creators, producers, and networks that are pushing the limit and putting people on the screen that haven't had their stories told yet.
I looked it at like this way. To get folks to like you, as a screen player I mean, I figured you had to sort of be their ideal. I don't mean a handsome knight riding a white horse, but a fella who answered the description of a right guy.
I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.
It is an honour to be spreading Moroccan music and dance in India while integrating some of my favourite things about India, including the beautiful, talented, carefree children, who just light up the screen the minute they start dancing.
How do you explain certain physical qualities that somehow sell on screen? You're born with it... Certain people are just more watchable, and I was more watchable, but I don't think I understood acting or drama very well when I was a kid.
I've never really been serious about my villainy. I don't have a master plan. I suppose my philosophy is: Every villain has a mother. For every cold-blooded killer on your screen, there's a little old lady somewhere who calls him 'sonny.'
It's not in my nature to chop people's heads off, per se, or rob a bank or any crazy thing I've done on screen. I'm just comfortable reading a book or spending time with my wife and my daughter or watching the fight on TV with the fellas.
These days young kids don't have any place to form an epic adventure. It's more often in front of the TV screen or a laptop. That's very hard on them. They're being taught daily unsocial skills. Facebook is an unsocial skill. It's so sad.
By the way, it was his simulations that helped out in Jurassic Park - without them, there would have been only a few dinosaurs. Based on his techniques, Industrial Light and Magic could make whole herds of dinosaurs race across the screen.
I've actually usually been wary of taking on science fiction as an actor because it's really tough to do. It's really difficult to execute. There's often lots of prosthetics, green screen and special effects, and it can get very technical.
My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.
Once you have an augmented reality display, you don't need any other form of display. Your smart phone does not need a screen. You don't need a tablet. You don't need a TV. You just take the screen with you on your glasses wherever you go.
The happiest moments of my childhood were spent on my grandmother's front porch in Durham, N.C., or at her sister's farmhouse in Orange County, where chickens paraded outside the kitchen's screen door and hams were cured in the smokehouse.
I don't have a problem with green screen at all. I think children invented CGI. We invent worlds. A stick can become a sword. Or a bowl of stones can become a bowl of tomatoes. That's what children do, and that's what CGI enables us to do.
I've found that the people who play villains are the nicest people in the world, and people who play heroes are jerks. It's like people who play villains work out all their problems on screen, and then they're just really wonderful people.
I draft on the computer. I have a really giant screen that attaches to my laptop, and then I have a humongous digital drawing tablet called a Cintiq. It sits at all different angles, and it's so big that it would take two people to move it.
A stock market index helps investors track the performance of a group of stocks. NRDC worked with FTSE to develop comprehensive and transparent methodologies that screen out companies linked to owning, exploring, or extracting fossil fuels.
Audiences make their minds up about people they see on screen, just like they do in real life. That's what fascinates me in film. You see a character and have to think: is this person different to what I assumed he was when I first saw him?
Let's be clear about one thing: a film about Katharine Hepburn is an excellent idea. She was one of the most fascinating, complex stars ever to grace a motion picture screen, and she deserves a full-scale, big-screen biographical treatment.
I find web browsing, checking multiple email accounts, and Google mapping rather tiresome on an iPhone - the iPhone's native interface, for all its supposed perfection, has all kinds of wrong baked in - and the screen is just far too small.
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
For me, iPad 2 and tablets in general are really exciting from a front-facing camera perspective, making those short video clips where you're talking about where you are or what you're interested in, and your face fills up the entire screen.
Some of the screen's best moments were realized because a director went against all reason, all logic. No matter how incredible a story seems, it can be made credible. If you feel an insane idea strongly enough, you've usually got something.
As the OLPC laptop was getting ready to go into mass production in 2007, many executives approached me wanting the screen that I invented, and the laptop architecture that I co-invented, for their new laptops, cell phones, and other devices.
Talent grips us. We are overtaken by the beauty of Michelangelo's sculpture, riveted by Mariah Carey's angelic voice, doubled over in laughter by the comedy of Robin Williams, and captivated by the on screen performances of Denzel Washington.
However great the exertion of our mind may be to comprehend the Divine Being or any of the ideals, we find a screen and partition between Him and ourselves. Thus the prophets frequently hint at the existence of a partition between God and us.
I have been so great in boxing they had to create an image like Rocky, a white image on the screen, to counteract my image in the ring. America has to have its white images, no matter where it gets them. Jesus, Wonder Woman, Tarzan and Rocky.
We do have a black president, and that means a lot. People ask, 'What has he done?' What he's done is change the color up, which you see on the screen. When the head of the free world is black, there's got to be some sort of spin-off from it.
I love film and TV, the medium of them, just because it's such a smaller screen. It's much more precise. Ideally, I'd like to do maybe a film a year of some sort and use that to work more in the theatre because theatre really is my first love.
Even on a large ensemble where their parts are relatively small - because having ten main characters obviously affects their screen time - the thing that attracts great actors is when there is that challenge to get some reality into something.
When I sent those scripts, that was the lowest point of my life. We'd just had our second son, and when I went to collect them from hospital, I went to the bank to try and get some money to buy some diapers, the screen showed I've got $26 left.
There is this miraculous thing I heard Hugh Grant talking about - the thing about screen acting is that you can read people's thoughts. You are trying to register something inside and usually the eyes in cinema are where you will register that.
Los Angeles is a city of few hard targets. Its iconic buildings are private spaces, mostly residential, visible by invitation only or in the pages of a Taschen book. Its central industry is as mirage-like as the projection of light on a screen.
I don't even like DVDs. Honest to God, in my lifetime, I might have rented a dozen DVDs, literally gone into a video store and rented a dozen DVDs in my lifetime, because I don't like to see movies that way. I like to see them on the big screen.
I think that texting and driving is a 100 percent no-go. I think it should be banned everywhere because you cannot be focused on looking ahead, in the mirrors, being aware of what's around you, and to type on a small keyboard and a small screen.