Quotes of All Topics . Occasions . Authors
I was a different kind of player as a kid and didn't do too much shouting and screaming. If things didn't go my way, I tended to get a bit overwhelmed. All I wanted to do was cry on my mom's shoulder. I didn't know how to handle defeat in front of a crowd, and I didn't want to be the loser.
When you think about rock at its origin, and you think of the Beatles and millions of kids screaming as loud as they can and running as fast as they can towards the Beatles, there's no one who is that kind of lightning rod, who commands that kind of power and has that kind of creative magma.
The Beatles were no trouble... lots of girls. The Stones were black-jacketed guys, a rough crowd. A whole different scene between the Stones' black leather jackets and the Beatles' pretty-dressed girls with the ribbons in their hair, teenagers standing on the seats screaming, nothing broken.
How real can your music be if you wake up in the morning hearing birds and crickets? I never hear birds when I wake up. Just a lot of construction work, the smell of Chinese takeout, children screaming, and everybody knocking a different track from 'Ready to Die' as they pass down the street.
Everything I've been thinking, every vision, even down to every shot I throw, it just ends up here in reality. Whether it was in a fight and how to react or whether it was in a stadium with screaming fans or whether I was in a fancy car or the best clothes ever, I always put myself somewhere.
I was home-schooled, was always very close with my mom, and was very straight-laced and square. I was never the rebellious one, and I never threw hissy fits. I was the type of person that would show a Powerpoint presentation about why I should do something versus crying and screaming over it.
When you're that age - that middle-school age, early high school - you're changing. You're going crazy. So I put all of my energy into pretending I was someone else, battling and screaming and all that stuff - casting spells and getting into a whole fantasy world. It was really healthy for me.
When I got my headshots done, there was this woman screaming at me to blow my lips out. She kept saying, 'You want to be like Scarlett Johansson, don't you?' In the shot, my eyes are popping out; I look terrified. I realised I'd rather not get a job than go through pain to be something I'm not.
Playing live was always definitely a lot more fun. You picture it: working alone in the studio eight or 10 hours a day with nobody else there, being frustrated and driven crazy by all of the things that you have to deal with, vs. thousands of people screaming and singing along with you playing.
How many times have we seen reality celebrities fall from grace - often through no fault of their own - and then go on a show like 'Celebrity Big Brother' and say, 'I want to show the public a different side of me.' And I'm screaming at the telly going, 'This is not therapy. This is voyeurism!'
If I wanted to curse you out, I would write everything I wanted to say to you in my diary, and it was like screaming in my head. After that, I would have no feelings for you; I wouldn't be mad at you or upset because I already said it to you when I wrote it down. That's what writing did for me.
I was born and raised in the Bronx and my grandfather and my brother Garry were huge Yankees fans. One of my first memories is of them listening to a game on the radio and screaming at the radio. My brother would cry when they lost, and when I was really little, I didn't know why he was crying.
In moments when I question if I should be having kids, I think of all those phone calls from my sister-in-law, in which, 3,000 miles away, I hear my nephews screaming for her attention. I tell her I have to go because I am packing to leave for Europe, and her tone flatlines: 'That must be nice.'
'Downward Spiral' felt like I had an unending bottomless pit of rage and self-loathing inside me and I had to somehow challenge something or I'd explode. I thought I could get through by putting everything into my music, standing in front of an audience and screaming emotions at them from my guts.
I remember being in Atlantic City once when I was 18 or 19, and a sea of people were screaming and pulling their hair because I was there. It was weird. Nobody deserves adulation like that. I tried to explain it to my kids once. I said, 'Mommy used to be kind of cool, kind of like a Britney Spears.'
I remember when I was rehearsing 'Scottsboro Boys,' I was in 'American Idiot,' so, every night, I was screaming, singing these high, belty Cs and Ds, and then, during the day, I would be doing these legato lines - I am very lucky that I have had the training that I have so that I could handle all of that.
I shopped at Harrods and Louis Vuitton, as they were top on my priority list. And that's when a friendly shopkeeper told me that I could get mugged as my luxury bags were screaming for attention. And he gave me garbage bags to cover them. So here I was walking around in London with garbage bags in my hand.
When you have an audience standing and screaming the entire way through the short program and cheering every element you do, whether it's footwork, or spin, or a jump, to have that kind of emotion coming at you from every direction in the building, it's the most amazing sensation you can get as a sportsman.
I went camping one time when I was twelve, to the Great Lakes. My friend stepped in really deep muddy water and started screaming and sinking. My mom ran up, and I was just standing there a foot away and wouldn't stick out my hand to pull him up. So I'm probably not the best person to take on a camping trip.
I see it every week - parents shouting and screaming at kids. My dad was the same. He was always there, but he never interfered. Ron Greenwood, who was the manager of West Ham when I was a kid, wouldn't allow any parent to shout from the touchline. He thought players should be allowed to think for themselves.
Can I just say here how much I hate the word 'pamper'? While pretending to celebrate and indulge women, it actually implies that their bodies are so revolting that even their 'me time' must be dedicated to turning them into living dolls if potential suitors are to be prevented from running screaming in horror.
I actually ran into Justin Bieber when nobody knew him at the Kids' Choice Awards. He came up to me like, 'Mr. Crews, how you doing? I'm produced by Usher and I just wanted to introduce myself. My name is Justin Bieber,' and I just knew he was a good, nice kid. Next year, people are screaming and attacking him!
Right now I'm in 'Twilight' and I go around to signings and there are people screaming and crying, and it's so surreal. I know that when this is over in a month or two and whenever 'Twilight's no longer relevant, that doesn't live on for me. It's because of this. It's not very often that this happens for people.
My body is damaged from music in two ways. I have a red irritation in my stomach. It's psychosomatic, caused by all the anger and the screaming. I have scoliosis, where the curvature of your spine is bent, and the weight of my guitar has made it worse. I'm always in pain, and that adds to the anger in our music.
Back in 1999 and 2000, a few of us... a very few of us... Douglas Clegg, Seth Godin and I... offered free electronic copies of our books in an effort to reach an audience we otherwise wouldn't have reached and to test out a new marketing concept for books. Despite the industry screaming we were crazy, it worked.
In baseball, you can do something poorly and still get credit. A pitcher could throw a bad ball, the batter hit a screaming line drive, and an outfielder make a fantastic diving catch. Yet, when you look at historical databases, 80% of the time when a ball is struck with that trajectory and velocity, it is a hit.
I want the little lassies who are thinking of going to a nightclub in Cardiff to stop to see what that guy's screaming for, or Grandma to put her knitting down to see why that guy's chatting about Alexander the Great. I'm after pulling in, whether it's in Manila, Beijing or whatever, the biggest possible audience.
When I was in the 9th grade, on Halloween night, when you're supposed to go and out and burn your city, my mom made me go to 'Cirque du Soleil.' I was kicking and screaming. This girl came out onstage, and I was instantly mesmerized. I dropped out of school and became obsessed with her. I saw the show, like, 70 times.
For 20 years I've been screaming at these guitar companies, saying, 'It's abnormal to put your arm around an acoustic guitar that is about 6 to 8 inches deep.' Your arm reaches over, and you start to strum, and then all of a sudden you get a charley horse in your back. The older you get, the greater the charley horse.
I think if they wanted to get me to leave 'Children in Need,' they'd have to drag me off screaming. It's one thing that's so close to my heart, and I feel passionately about it. I gave up my radio show, with regret, but knowing I'd done it for a long time, the same with Eurovision. But 'Children in Need' is different.
Nat doing 'Fault' was the greatest thing for our band, and the only reason that our song got in it because Nat was screaming it in the movie. Now we can say that we have a song in 'Fault in Our Stars,' and we have a thousand fans who went to listen to our music because we performed at an event for 'Fault in Our Stars.'
Normal people have an incredible lack of empathy. They have good emotional empathy, but they don't have much empathy for the autistic kid who is screaming at the baseball game because he can't stand the sensory overload. Or the autistic kid having a meltdown in the school cafeteria because there's too much stimulation.
I'm really proud of Twilight. I think it's a good movie. It was hard to do, and I think it turned out pretty good. But I don't take much credit for it. So when you show up at these places, and there's literally like a thousand girls and they're all screaming your name, you're like, why? You don't feel like you deserve it.
I have had a very physical acting career, but on 'Newsroom,' it's not about physicality, but it's about presence. I get to just be. Strong, sensitive, quiet strength can be much more intimidating than the screaming loud guy, and I'm so glad to get to show this side of me, which, to be honest, is a lot like who I really am.
Though there are some notable exceptions, by and large the persistent ranting of the Warren Commission critics, some of whom were screaming the word 'conspiracy' before the fatal bullet had even come to rest, came to remind me, as H. L. Mencken said in a different context, of dogs barking idiotically through endless nights.
If I'm paying people, and they're not handling my business right, I have to check them. 'Cause sometimes you're nice, and people don't jump on what they're supposed to do, but if you go in there screaming at everybody - 'Look, why aren't my posters up?' or 'Why wasn't my single out on this day?' - then they jump right on it.
You think aerobics is not a cool sport? I think you are wrong. It requires amazing discipline - flexibility, fitness, knowledge. And you have to do it with a big smile on your face. Also, I once performed in front of 10,000 screaming women. I tell you something, I'd rather do that than kick a ball around in front of a few men.
If we just stand at two opposite ends of the spectrum screaming in each other's face, we're never gonna get anything done. I don't agree with a Trump voter, but why do they feel like that? Yes, some of those people are racist and have hateful opinions, but some of those people voted for him because they felt completely left behind.
There are two types of people in the world. People who like kids, and people who don't. People who complain about kids screaming on aeroplanes and in restaurants, and those people who love kids and enjoy their energy and enjoy hearing the noise they make and get off on their energy. I am one of those people who happens to love kids.
I know what that tastes like, to be a rock-and-roll star - to have a limousine, to have girls screaming when they see you, girls trying to cut my hair, get a piece of me. But I don't walk around with a concept of myself as a rock-and-roll star, and certainly not as a musician, because I really can't play anything, except primitively.
My father gave me one of those small, box-sized travel players when I was a kid and just a handful of records that he had. 'Zeppelin IV' was one. 'The Beatles at the Hollywood Bowl,' which is just about the worst record ever - you can't hear anything, just screaming in the background. I think there was maybe, like, an Animals record.
I was in Screaming Trees - I wasn't really interested in playing quiet music in a live setting. But I would get asked quite often to do a show or open for somebody, and I always said no. Finally, I was asked if I would open for Johnny Cash, and Johnny Cash was one of my dad's favorite heroes. So that's why I started doing solo shows.
Look at poor Nirupa Roy. She got substantial roles, but at 30 they made her put grey in her hair. And Achala Sachdev was all of 16 when she played 60. She quit because she got nightmares about dropping a thali and screaming, 'Nahin!' You know an actor or any other human being needs to be comfortable in her space at whatever age she is.
Just being aware of what you are about to do greatly diminishes the tendency to do what you don't want to. You will pull your hand back from that pizza slice, tell the waitress that you are passing on dessert, put on your gym shoes instead of going under the comforter, and take several deep breaths instead of screaming at your daughter.
When I was little I went to a Baptist Church with my grandmother. My earliest memories were of her falling out in the middle of the floor and they had to cover her with a white sheet. Every time we went to church it was scary. The music would start playing, and then everybody would start running and shouting and hollering and screaming.
I knew absolutely nothing about recording. I had this four-track recorder, and I'd plug my electric guitar right into it, which sounded real bad. I moved any fader that made a drastic change in sound. I thought that was cool - that it was communicating something. I didn't have the skills to do anything subtle. It was just like screaming.
Tennis players we're always playing in center courts that feel like arenas. And when we get on the court and the crowd cheers your name or salutes you - it's like you're a gladiator in the arena. And everyone is cheering - and you're fighting, you're screaming, during your strokes - it feels like you're an animal, fighting for your life.
The coolest thing, and I have it at home, is a huge Hulk Hogan, normal-sized pinball machine. When people come over they play it for hours. When you hit the bumpers and the bells ring it goes, 'Oh yeah!' The whole time you're playing this machine it's yelling and screaming at you, 'What you gonna do, brother?!' I think that's the coolest.
I have a picture of all of us going to a club with my friends from 'Soul Train.' All the girls just going out to a nightclub, and we're all dressed like we were dressed on 'Soul Train.' It was the most surreal experience for me because I walk into the club with them, and people started screaming. 'Oh my God! It's the 'Soul Train' dancers.'
The thing about living in Los Angeles and doing a lot of movies is that you get to go to a lot of premieres, and, regardless of whether or not you're a celebrity, you still get to walk down the red carpet and then have everyone sort of screaming your name. The pictures never get printed anywhere, but they are nonetheless taking your picture.