Scream Quotes - Page 9

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A great deal of my mail comes from fans of the 'Oz' picture - fans of all ages. The scholarly, the curious, the disbelievers write and ask how? why? when? what for? did you fly? melt? scream? cackle? appear? disappear? produce? sky-write? deal with monkeys? etc., etc., etc.

I did know that I could do scream very well. When I was in high school, I got a very strange job one Halloween filming screams for a radio station. I would just go into a soundstage and scream and scream and scream, and everybody would put on ear plugs, so I had an inkling.

In so many places in the world, women have been prisoners for so long that they feel they have to scream about their rights. But when you scream, nobody listens to you. Real authority comes when you no longer need to scream - and that's something we women still need to learn.

No one knows this, but when I would play the clubs back in '65, '66, they used to call me 'Screaming Chicken,' 'cause I would go out and scream, fall on the ground, beat myself, smash stuff, jump through the ceiling, roll on the floor, and act like I was having epileptic fits.

Many hotels, I just sat there and - I call it the silent scream - I don't know why, you just sit there, and tears will just come down, and you'll just sit there for hours, man. There's no place to turn, and when you do turn, who cares? You're just a dumb professional wrestler.

There's nothing wrong with the screaming style of singing, and I'll be the first to admit that it conveys an emotion. But I'm getting older, and I can't scream and shout about the same things anymore. The songs I'm writing with Stone Sour call for a lighter, different approach.

I was a nursery school teacher, and I worked with youth groups. I loved that job. It was exhausting, but you got a lot back - all their purity and insight and innocence is so on the surface, and they're so unrepressed; they'd really scream at you and then give you a massive kiss.

My poor children have been the subject of all of my experiments. We're still doing what I call 'Amish summers' where I turn off all electronics and pack away all their computers and stuff and watch them scream for a while until they settle down into, like, an electronic-free summer.

When I went into the computer shop to change my last laptop, the 19-year-old kid behind the counter looked at my six-year-old model and described it as 'vintage.' 'Vintage?' I wanted to scream. 'Son, I've got shirts older than you! I own underpants that have seen more of the world!'

It seems like Weezer has gotten better and better at getting attention for everything besides our music. Part of that is just the nature of our culture now - you really have to scream to get some attention, so people even know you have a record out that they might want to listen to.

On Mars, where the air is spare - a hundred times less dense than on Earth - someone could hear you scream. But you'd have to really strain to get anyone's attention. On the Red Planet, where the wind is high-pitched and faint, even a symphony orchestra will sound as thin as cheap gruel.

‎She didn't understand what it was like to be filled with a love so strong that it made your chest ache—a love you could only feel and not express. Keeping love buried was a lot like keeping anger pent up, I'd learned. It just ate you up inside until you wanted to scream or kick something.

When I was racing, I had learned that you can't set stock in public adoration or your press clippings. By the time I was 26, I'd heard crowds of 100,000 scream my name, but a week later they couldn't remember who I was. You're a hero today and a bum tomorrow - hero to zero, I sometimes say.

Well, 'They Live' was a primal scream against Reaganism of the '80s. And the '80s never went away. They're still with us. That's what makes 'They Live' look so fresh - it's a document of greed and insanity. It's about life in the United States then and now. If anything, things have gotten worse.

'Scream Queens' was so much fun, kind of like a big sorority. And 'American Horror Story' is very serious, like a really hip family of middle-aged women. The deaths were fun on 'Scream Queens'; the deaths on 'Horror Story' are very real and intense, and you have to be emotionally prepped for them.

If you think about it, you can have the best CGI, but you can always tell that it is CGI. Your brain can spot that is not real even though you think it looks cool. Your brain knows the truth, so you don't jump and you don't scream. It was very important for me to expose the audience to real elements.

If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.

I'm actually quite a nice person. It's to do with the way I look, an uncompromising sort of face, brusque delivery and voice, and I think the combination of all that. When I'm doing pantomime, children will scream the place down before I open my mouth. There's obviously something that really gets them.

I know when I was an assistant coach and I started interviewing for head coaching jobs, I actually lost out on many jobs, several jobs, and the complaint that I got was, 'Well, he doesn't fit the mold of a head coach. He doesn't look the part. He's not gonna jump up and down. He's not going to scream.'

It's a lot of fun to be able to run around with guns and scream and yell and do the kind of FBI-cop kind of stuff, which is different than what I've been doing, which is kind of playing the boy-girl thing. Its always fun to kiss the pretty girl, but sometimes, amazingly, you can get bored with that, too.

It's difficult for me to really temper my personality, but I am trying to be a little more sensible about it. If I really lose my temper, I go to my room and scream and shout, but I try not to lose it on people any more. I've never said something mean just like that. I've only said things in retaliation.

'The Wonder Years' family was the kind where everything seemed to be bubbling and simmering with the occasional explosion. There were a lot of things that went unsaid in that family. In my family, everything is said - on the surface, you scream and yell about it, and three minutes later, you're all friends.

Everybody's always asking me about my blood pressure. They did an interview once where they hooked me up to a blood pressure machine and they'd rile me. I'd yell and scream, and then it would just go back to normal in a few minutes. Everything else is probably rotting, but the blood pressure is spectacular.

To write a novel is to embark on a quest that is very romantic. People have visions, and the next step is to execute them. That's a very romantic project. Like Edvard Munch's strange dreamlike canvases where people are stylized, like 'The Scream.' Munch must have had that vision in a dream, he never saw it.

We can do many different things as a band. But that doesn't mean we should do that. If we did all we're capable of, it doesn't necessarily mean we'd be writing better songs. None of us are huge fans of bands that seem to go, 'OK, I'm gonna sing for no reason and then scream for no reason just because I can.'

I like the scene in the first 'Scream' movie where Sidney gets up, and dusk is falling, and she's looking out at the hills of Santa Rosa, there where it was filmed, and that's where you sort of hear her theme being played out. I always liked that moment because, to me, it became more than just a horror movie.

I think what is British about me is my feelings and awareness of others and their situations. English people are always known to be well mannered and cold but we are not cold - we don't interfere in your situation. If we are heartbroken, we don't scream in your face with tears - we go home and cry on our own.

My father, Rodolfo, worked as a train conductor and that's how we came to live in the railway car. The Government owned it, and we paid rent on it. Back then I would wake up at 4 in the morning and run through the streets, selling newspapers. I'd scream out, 'Sol, Debate, Noreste.' Those were the papers I sold.

There's something very particular about the kind of rage you feel when you're alone in a practice room by yourself, unable to master a simple thing like a rudiment. You keep trying to master this very basic thing, and when you don't get it, you just scream. I broke a lot of drum heads, and I broke a lot of sticks.

It's rare to find someone excited over jury duty. If they're out there, I've never met them. Not a one. When the summons for jury duty arrives in the mail, how many people scream, 'Yes!' and run to clear the calendar? None. Our first and only reaction is, 'Oh, no,' quickly followed by, 'How can I get out of this?'

I've done a lot of shows over a long time, and I've lost my voice on plays before, and it's because I've been thinking closely about what I'm doing with my voice. Babies can scream all day and never lose their voice because they just mean it. As long as you mean it, then it carries you through. It's do it or don't.

We saw Jesse Jackson the victim of a smear campaign. People remember the Dean scream that was used against Howard Dean as a peace candidate who was doing well. So, in many ways, the Democratic Party creates campaigns that fake Left while it moves Right and becomes more corporatist, more militarist, more imperialist.

If I had gotten the parts in 'Scream' or 'I Know What You Did Last Summer,' I would not have been very good in them, and I would've squandered whatever success I had gotten because I wasn't ready for that sort of thing. So I feel grateful for all of the years that I have behind me trying to get traction and a career.

I did a lot of screaming in 'The Originals,' and I hurt my voice so badly that I said, 'I can't scream if you want me to be able to work for, like, the next three days.' So, what I usually do is that I scream once in the season, and we'll just use that scream, all throughout, or extend it, or do whatever we need to do.

Language just gradually came in, one or two stressed words a time. Before then, I would just scream. I couldn't talk. I couldn't get my words out. So the only way I could tell someone what I wanted was to scream. If I didn't want to wear a hat, the only way I knew to communicate was screaming and throwing it on the floor.

I grew up in a largely black community during the '70s and '80s that scoffed at 'white' music. That music - folk, rock, some disco - was considered soulless, aberrant, just one more example of the Caucasian's desire to scream and yell and demand whatever their privilege and perpetual adolescence dictated they should demand.

I am mean; I'm nasty at times. I don't feel like talking to people at times. When I am in a bad mood and have had a really awful day, don't come in my face because I am not tolerant and I am not a goddess; I can't handle it after a point. I am going to get up, and I am going to scream, and I am going to say bad things to you.

My daughter, Grace, was not killed by a gun. She died suddenly at age 5 from a virulent form of strep. As I stood stunned in a church at her memorial, one of the hardest things I heard someone say was, 'I'm going to go home and hug my child a little tighter.' 'Well, good for you,' I thought. 'I'm going to go home and scream.'

You do run and scream and cry and work yourself up into hysterics, and then you get back to the hotel at the end of the day, and you feel really off and really strange. And that's because rationally, even though you know everything is OK, you have put yourself through this traumatizing experience, and your body is still going.

Sometimes I do feel hopeless when I look out and scream out through my music, and I scream out through these interviews, and I scream out to people to kind of get their attention back on the things that are meaningful. There's people dying on the streets of Chicago - young people, young men and women who are losing their lives.

Death, torture and prison are part of daily life for the youth of Iran. They are not like us, my friends and I at their age; they are not scared. They are not what we were. They hold hands and scream: 'Don't be afraid! Don't be afraid! We are together!' They understand that no one will give them their rights; they must go get them.

This is how I started: My mom was crazy for antique shops and junk shops, and my sister and I would play this game where, if we were driving with my parents and saw a junk shop or an antique shop, we'd scream at the top of our lungs. My poor father would have heart failure and screech to a halt, and we'd leap out and go and explore.

Because I was such a student of pop culture growing up, I love that on the list of things that I got to work on in my first years out of college were 'Scream' and 'Dawson's Creek' and, ultimately now, 'The Vampire Diaries,' which generations below me grew up on and can quote. I love that. I think that is the coolest thing in the world.

There is nothing like walking on the streets on a freezing cold day and hearing fans scream your name, then stopping to talk to those same fans. There is nothing like looking into the crowd at the Q and seeing over 20,000 people wearing wigs to match your hair. Those are feelings I will cherish for the rest of my life and never forget.

My dad was a really good surfer, and by the time I was 10, he was dragging me out on some good days at Bells. I'd reckon they were solid, 6-foot days, and he'd tell me to wait on the shoulder. I'd see him coming through the barrel, and he'd just scream at me to go. I'd drop in, and he'd give me a hoot from behind - I've always loved it.

But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.

You can stand at a bar and scream all you want about who was the greatest athlete and which was the greatest sports dynasty, and you can shout out your precious statistics, and maybe you're right, and maybe the red-faced guy down the bar - the one with the foam on his beer and the fancy computer rankings - is right, but nobody really knows.

I'm the guy that has written at great length about exactly how we should profoundly reform Social Security. If I were afraid of going after entitlements, I wouldn't have done that, I wouldn't have put Medicaid reform in this budget, I wouldn't have called for the reductions in spending, which people will scream about, but I think are necessary.

It feels blessed to me. Because I go to comic cons, and people come up and they say, 'You're the reason I ride a motorcycle. You're the reason I became a mechanic.' And there are people who love 'Scream' and 'The Waterboy,' 'Royal Pains,' 'Parks & Rec,' 'Arrested Development.' And now 'Barry.' And then there are kids who only know me as an author.

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