Quotes of All Topics . Occasions . Authors
YI think what's cool about 'Scott Pilgrim' is that it shows that there is a superhero within all of us. There's not one ideal image of what a superhero looks like, and you don't really see that until the end of the film.
On a daily basis, you're working with Steve Carell; you're not working with Ricky Gervais. You try a line, and you can't be writing for David Brent. You have to be writing for Michael Scott because Steve is Michael Scott.
I'm proud of 'Sinister' because Scott and Cargill did a great job on the movie, and I set up a framework for them to make what they wanted to make. They gave me the idea, and I figured out how to get it out into the world.
I love Stuart Scott. There are a lot of people that tore down barriers that we don't really acknowledge sometimes. He was one. I think James Brown was too. That cat was a soul brother when it wasn't very popular to be one.
In 1969, at the age of 19, I was lucky enough to work with George C. Scott in the definitive portrayal of his career over a period of many months and several countries on the definitive film version of Patton's WWII career.
I actually don't read comic books. I did when I was a kid - I used to read a lot of 'X-Men' comic books. I read a couple 'Scott Pilgrim' this past year, and those are really good, but I don't read in general, unfortunately.
West Orange, where I grew up, is the hometown of Ian Ziering from 'Beverly Hills, 90210,' Scott Wolf from 'Party of Five,' David Cassidy from the 'Partridge Family,' and Mike Pitt of 'Boardwalk Empire' and 'Dawson's Creek.'
I love Scott Coker and I love Bellator and I love what we have built together and it's a little uneasy to think that I will no longer be under contract with Bellator after I knock out Benson Henderson and get my hand raised.
Rusbridger had risen at the Guardian through the years when it not only had the support and fail-safe mechanism of the Scott Trust, but guaranteed operating income from public-service advertising. Nobody had to sell anything.
Look I can't get into the minds of people who made decisions to support us or support anybody else. But I can tell you that Scott Lively, a lot of what he says and a lot of what he believes doesn't belong in public discourse.
Bootleggers were romanticized by people like F. Scott Fitzgerald, for example. Gatsby is a bootlegger. And they were not thought of as evil criminals in the newspapers, either. There was a certain amount of affection for them.
Upon reading the deeply serious opening of Scott Spencer's 'Endless Love', you will very likely laugh out loud. The tone is something like what you might find in a teenager's diary: verbose, feverish, furiously self-important.
Ridley Scott was part of the production team on 'The Good Wife.' I auditioned on my iPhone, and it moved very quickly after that, as they thought I was right for the role, and pretty soon I was filming in Iceland for two months.
There are Michael Scott moments, which are character choices, but there are also Steve's reads. Usually the things that I'm the biggest fan of are these weird reads that he does - just the way he's interacting with other people.
The more Scott Walker campaigns, the more he proves he is not intellectually fit for the office he's seeking. He asserts innocent ignorance on matters he should by now know something about - a way of masking his apparent bigotry.
The reason why those female celebrities are always in filthy moods is not because they're being hounded by men with massive cameras or because Ridley Scott cancelled their film. They just want to get their hands on a cheeseburger.
Tony Scott was one of the best directors I've ever worked with, and I was devastated when I heard about his death. He was a great guy with great energy. But this is a difficult business, and people's lives are sometimes difficult.
I have a lot of tattoos. My first tattoo I had when I was a teenager was just a little heart. I am very friendly with a great artist, Scott Campbell, and I started going to him to get tattoos. I'm very spontaneous about what I get.
So basically, Travis Scott took files from Tommy Brown and took them to Kanye and said he produced them and it was on video. He took a song I had written a hook to and took it to Teyana Taylor for her to do and change a little bit.
The visual team of 'Blade Runner' - one of the last big fantasy movies to be made without much computer graphics finery - worked directly for Scott, who sketched each of his prolific ideas on paper (they were called 'Ridley-grams').
I trained with a guy by the name of Scott Casey. He actually worked with WWE back in the day, but he didn't become a big star. What I want to teach is what he taught me: that the smallest things are what people are really looking for.
There's a high school in Camden, New Jersey, I call the Jill Scott School. It's the Camden Creative Arts High School. Those teachers and kids are so passionate about what they do, and 98 percent of the senior class went on to college.
As the evening progressed, Scott said that he was looking forward to settling down, but that he hadn't yet found the right person. The way he looked at me when he said that made me feel he might be wondering whether I was that person.
In grad school, I took a workshop with Scott Spencer, whose excellent novel 'Endless Love' had just been turned into a film. We students were in awe of his prestige. Yet Scott himself was chagrined; for good reason, he hated the movie.
My rookie year, Byron Scott didn't really want to sign me. In New Jersey, the New Jersey Nets. I got there, and Byron Scott didn't really like me, but they let me come to camp and I was having a great camp. Stephon Marbury embraced me.
Scott Frank and I are director friends. We met through the Sundance Labs and he's advised me on my first projects - I've visited him on set, we've shared first cuts with each other, and we're more like director pals than anything else.
No one will ever fill Scott's shoes and I'm not trying to - he's a legend. But these songs deserve to be performed and people want to hear them. I'm just honored that the guys chose me to help them continue to build this band's legacy.
Film rights were in the offing for 'The Onion Field,' eventually made into a movie in 1979; 'The New Centurions' became a 1972 film starring George C. Scott, while 'The Blue Knight' starred William Holden in a 1973 mini-series version.
I've had the fortune of meeting most of the 'Kids in the Hall.' One meeting was special in particular because this was before I had gotten anything, before anything was clicking, and I just found myself hanging out with Scott Thompson.
I've always been a fan of George C. Scott, who was working in movies when I was in college... films like 'Patton' and 'Hospital.' I was really impressed by him, and I had seen him onstage as well in 'Uncle Vanya.' He was a champ to me.
I wanted to be Steven Spielberg, Tim Burton, Stanley Kubrick, David Cronenberg, Ridley Scott, James Cameron, and Hitchcock. I'd wanted to be a director since 13, and horror and the suspense thriller were the most powerful genres to me.
I filmed an interstitial with Allisyn Ashley Arm and Matthew Scott Montgomery one day. And we made up this weird thing 'cause we had to lay in the grass for, like, ten hours, and it was really itchy. So we call ourselves The Grass Gang.
It was really inspiring to be in West London in the late 1980s and early 1990s, especially in Mark Lebon's Crunch Studios, where I met people like Ray Petri, Neneh Cherry, Judy Blame, Nick and Barry Kamen, Zoe Bedeaux, and Venetia Scott.
A lot of people have asked me about some of the characters that appear in 'Clockwork Prince,' like Aloysius Starkweather and Woolsey Scott. A lot of people like Woolsey Scott, which I was really happy about because he's very fun to write.
As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. It's like watching a masterpiece.
I thoroughly enjoyed working on Enemy of the State. Tony Scott is an important director, and has an amazing ability to express himself, and he doesn't do it in musical terms, he does it in emotional terms. I got along really well with him.
Scott Brown is a superstar. Scott Brown won a race that nobody expected Republicans to even be competitive in, and he was able to do it at a time when nothing else going on, so he captured the attention of conservatives across the country.
My role models in the business were the older guys on my team when I first got there: Gray Scott, Adrian Smith, Roland Taylor. These were the guys who took me under their wing, and really schooled me in terms of what the business was about.
I'm in the mood for 'Shark Tank' sometimes. When I am, my son and I can't stop watching. But I probably watch 'The Bachelor' more, and Scott Foley and I text about it, like, 'Oh my God, did you see that?!' I love it. It's such a train wreck.
Scott Hall is a great wrestler, a better friend, but more than anything a very caring human being. Scott never passed a homeless person or someone in need without opening his wallet. This is a guy that has the first two nickels he ever made.
It's important to ensure that the person who replaces Tim Scott be a reliable conservative, a proven fighter and a leader who will join our mission to cut wasteful Washington spending. I'm convinced the best person for the job is Larry Grooms.
The struggle to write with profundity of emotion and at the same time to live like a millionaire so exhausted F. Scott Fitzgerald that he was at last brought down to the point where he could no longer be both a good writer and a decent person.
I started singing backgrounds for Mary Mary and Usher during 'Confessions.' Then I jumped to working with Anthony Hamilton, Jill Scott; jumped again to Kanye West, The Killers. I kept saying, 'OK, this is the last time; then I get to do my music.'
What a lot of people don't know is that I got started as a professional gamemaker when I moved out to Texas to join George Broussard and Scott Miller and Allen Blum who created Duke Nukem, to join those guys and become part of the 'Duke Nukem 3D.'
When I'm actually making a film and trying to find solutions, I like to watch making-of documentaries about huge films, like 'Gladiator.' That couldn't be more apart from what I'm doing, but you see Ridley Scott facing huge problems and fixing them.
I've always been drawn to stories involving brothers, which started with my first viewing of Sean Penn's, 'The Indian Runner.' This subsequently lead to my working with my two brothers, Scott & Brad. I couldn't imagine a greater gift in the business.
One night I went over to get some dope from some Hollywood tough guy. After I left, my son Scott, who was only fifteen, went over with a baseball bat to kill him. I was laughing out of one eye and crying out of the other. I thought, Who am I kidding?
Between Scott on the earlier side and Dickens and Thackeray on the other, there was an immense production of novels, illustrated by not a few names which should rank high in the second class, while some would promote more than one of them to the first.
I went to my first CMA Music Fest when I was 14 and waited in line for two hours to meet two people: Taylor Swift and Hillary Scott from Lady Antebellum. It's very ironic but not accidental that those two people refer to me as their 'little sister' now.
I can't imagine myself doing something like 'Narnia' again. I would love to do something with Ridley Scott, you know, some action/adventure or something like that. But I'd also love to do a dramatic piece. It's really just whatever you read and take to.